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DVD : Search

Mozart - Die Zauberflöte (The Magic Flute)
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Mozart - Die Zauberflöte (The Magic Flute)

(more) »rank: 20895

starring: Lucia Popp, Kurt Moll, Francisco Araiza, Edita Gruberova, Wolfgang Brendel
directed by: Wolfgang Sawallisch, August Everding




J. Strauss - Die Fledermaus
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J. Strauss - Die Fledermaus

(more) »rank: 32688

starring: Eberhard Wächter, Wolfgang Brendel, Pamela Coburn, Brigitte Fassbaender, Benno Kusche
directed by: Carlos Kleiber, Otto Schenk




Richard Strauss - Arabella / Thielemann, Te Kanawa, Brendel, Metropolitan Opera
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Richard Strauss - Arabella / Thielemann, Te Kanawa, Brendel, Metropolitan Opera

(more) »rank: 27899

starring: Kiri Te Kanawa, Wolfgang Brendel, Marie McLaughlin (II), David Kuebler, Helga Dernesch
directed by: Brian Large


:Description:Cast list Kiri Te Kanawa: Arabella Wolfgang Brendel: Mandryka Marie McLaughlin: Zdenka David Kuebler: Matteo Helga Dernesch: Adelaide Donald McIntyre: Count Waldner Charles Workman: Count Elemer Kim Josephson: Count Dominik Julien Robbins: Cound Lamoral Natalie Dessay: The Fiakermilli Jane Shaulis: A fortuneteller Metropolitan Opera and Chorus, Christian Thielemann, conductor :Criticizing Richard Strauss for composing melodically enduring operas is as pointless as lambasting Vermeer for painting only exquisite interior scenes. Those who say Strauss never improved on Rosenkavalier may be right, but when such beguiling sounds kept coming from his music for the next 30 years of his life, there shouldn't be any quibbles. ...

Wagner - Die Meistersinger Von Nurnberg
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Wagner - Die Meistersinger Von Nurnberg

(more) »rank: 83094

starring: Wolfgang Brendel
directed by: Brian Large


:Description:Cast list Kiri Te Kanawa: Arabella Wolfgang Brendel: Mandryka Marie McLaughlin: Zdenka David Kuebler: Matteo Helga Dernesch: Adelaide Donald McIntyre: Count Waldner Charles Workman: Count Elemer Kim Josephson: Count Dominik Julien Robbins: Cound Lamoral Natalie Dessay: The Fiakermilli Jane Shaulis: A fortuneteller Metropolitan Opera and Chorus, Christian Thielemann, conductor :Criticizing Richard Strauss for composing melodically enduring operas is as pointless as lambasting Vermeer for painting only exquisite interior scenes. Those who say Strauss never improved on Rosenkavalier may be right, but when such beguiling sounds kept coming from his music for the next 30 years of his life, there shouldn't be any quibbles. ...

Strauss - Die Fledermaus / Kleiber, Coburn, Perry, Bayerische Staatsoper
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Strauss - Die Fledermaus / Kleiber, Coburn, Perry, Bayerische Staatsoper

(more) »rank: 92063

starring: Eberhard Wächter, Pamela Coburn, Josef Hopferwieser, Benno Kusche, Brigitte Fassbaender
directed by: Brian Large


: :Die Fledermaus has some of the greatest comic melodies ever presented on an operatic stage--a festival of light-hearted tunes bound together by a plot and a cast of characters that make a virtue of absurdity. This 1988 production, which is acted as charmingly as it is sung, brings out the show's wit, energy, vitality, and, above all, style--a special gemutlichkeit usually associated with Vienna but also cultivated, on this occasion, in Munich. Nobody in this production's superbly chosen cast has the kind of name recognition enjoyed by the stars of the competing DVD from Covent Garden: Joan Sutherland, Marilyn Horne, and Luciano Pavarotti. ...

Saint-Saens - Samson et Dalila / Rudel, Domingo, Verrett, San Francisco Opera
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Saint-Saens - Samson et Dalila / Rudel, Domingo, Verrett, San Francisco Opera

(more) »rank: 56439

starring: Plácido Domingo, Shirley Verrett, Wolfgang Brendel, Kevin Langan, Arnold Woketaitis
directed by: Kirk Browning


: :In an introductory talk for this production, conductor Julius Rudel revives the time-honored discussion of whether Samson et Dalila should be treated as an oratorio (Saint-Saëns's original intention) or an opera (his final decision). The San Francisco production chooses a solidly operatic approach, leaning more toward the style of a Hollywood biblical epic than that of an oratorio. Operatic features include colorful (even downright exotic) costumes, brisk tempos, hyperactive choreography for the orgiastic bacchanale, generally brisk tempos, and a spectacular ending that brings down not only the curtain but the scenery. The story of Samson and Delilah excites skepticism in many modern minds; ...

Evgeniy Onegin [Region 2]
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Evgeniy Onegin [Region 2]

(more) »rank: 200698

starring: Mirella Freni, Sandra Walker, Wolfgang Brendel, Peter Dvorsky (II), Nicolai Ghiaurov
directed by: Kirk Browning


: :In an introductory talk for this production, conductor Julius Rudel revives the time-honored discussion of whether Samson et Dalila should be treated as an oratorio (Saint-Saëns's original intention) or an opera (his final decision). The San Francisco production chooses a solidly operatic approach, leaning more toward the style of a Hollywood biblical epic than that of an oratorio. Operatic features include colorful (even downright exotic) costumes, brisk tempos, hyperactive choreography for the orgiastic bacchanale, generally brisk tempos, and a spectacular ending that brings down not only the curtain but the scenery. The story of Samson and Delilah excites skepticism in many modern minds; ...


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Pop Music - Reviews









$10.99



You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry


Brendel,DVD Wolfgang
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