Music : Wheels |
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Rating: - * Great Followup ... Waited all year for this album. Great followup to Dan's first album. Not one dork song here. A must-have for your bluegrass collection. A++++++ Rating: - * Another Great Release From Tyminski ... Carry Me Across the Mountain was such an incredible collection of good music that it seemed impossible to match it. But Dan Tyminski has done it again, although in different style. This time he's working with a band instead of studio musicians. The band is comprised of musicians who are famous on their own. Barry Bales is the driving bass force behind the music of Alison Krauss & Union Station (Dan Tyminski's usual home as well) and has been for years. Adam Steffey, the mandolin player, (formerly of AKUS, the Isaacs, & young supergroup Mountain Heart) is already legendary among young players coming up through the bluegrass ranks for his unbelievable speed and clarity. As usual, in this CD he never overdoes it, though. Ron Stewart is, in my opinion, one of the best banjo players in the business. Amazingly, he is equally at home on the fiddle. He has toured with J.D. Crowe & the New South, among others, and has been featured on many recordings. Justin Moses is a relative newcomer, but he put out some great music with Blue Moon Rising and does a great job here playing dobro and fiddle. I've noticed some objection to the more modern sound on some of the tracks, but this was not a problem for me. Songs like "Whose Shoulder Will You Cry On" couldn't be more classic bluegrass. "Wheels", the title cut, has a smooth feel. "The One You Lean On" is a slow, modern-tinged song with beautiful words. This CD is worth buying! Rating: - * Disappointing ... If you thought Dan's release, "Carry Me Across the Mountains" was a fantastic piece of traditional bluegrass work, you were right. If you expect "Wheels" to be of the same genre, you'll be very disappointed. "Wheels" is certainly not what I expected. There's only a couple of tradition bluegrass pieces on the whole CD. Musicianship is excellent but for me it was a disappointing buy. I think sometimes fantastic musicians wander around searching for new horizons but in that search they loose their roots. Rating: - * Dan Tyminski \"Wheels\" Not to Miss ... Twelve songs with narratives ranging from couple feuds, to life in the country vibrate throughout Tyminski's second solo album. Two items were already heard on other Tyminkski editions, but the ten remaining are definitely worth the purchase - the gentle and expressive voice of Dan Tyminski, the banjo rythmns provided by friend Ron Stewart who also plays fiddle on this album and the familiar pulsing bass of co-artist Barry Bales from Union Station. Other fiddle, dobro and voices are added by Justin Moses who makes his entry into the fan universe of these bluegrass stars with finesse and significant personal talent. There are some amazing mandolin passages woven throughout the collection performed by Adam Steffey. The result of this exceptional collaboration creates a tight and precise bluegrass sound with virtuoso music and highly emotional narratives. A wonderful gift for people of any age, a touching contribution to bluegrass history and a significant musical accomplishment. A must have for fans. Bravo to these wonderful musicians! Rating: - * Excellent CD, excellent musicians ... Dan Tyminski has gathered a great group of musicians for this CD. Bluegrass music fans will enjoy every song and appreciate the musical skills of Adam Steffey on mandolin, Barry Bales on bass, newcomer Justin Moses on mandolin and Ron Stewart's banjo playing is outstanding. The vocals are excellent. Favorite song for me on the CD is "The One You Lean On" written by Ron Block. |

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |