Music : What Does It All Mean? 1983-2006 Retrospective

Music : What Does It All Mean? 1983-2006 Retrospective

What Does It All Mean? 1983-2006 Retrospective

by: Steinski



What Does It All Mean? 1983-2006 Retrospective
Buy Now
See Larger Image
Availability: Usually ships in 24 hours

List Price: $19.98
Your Price: $14.99
You Save: $4.99 (25%)
Prices subject to change.

Average Rating:  out of 5 stars
Sales Rank: 9725










Please click here for more info


Binding: Audio CD
EAN: 0843041089692
Format: Limited Edition
Label: Illegal Art
Manufacturer: Illegal Art
Number Of Discs: 1
Publisher: Illegal Art
Release Date: May 27, 2008
Sales Rank: 9725
Studio: Illegal Art










Editorial Review:

Album Description:
'Brilliant.' -- URB

'A masterpiece.' -- Salon.com

'Jaw-dropping. Perfectly paced, clever, funny, and down-right funky.' -- The Wire

Steinski (advertising writer, DJ, and record collector Steve Stein) produced his first record in 1983. In response to a nationwide remix contest by Tommy Boy Records, he and partner Double Dee (engineer and studio wizard Douglas DJ Franco) produced 'The Payoff Mix.' A panel of ten judges--including Afrika Bambaataa, Shep Pettibone, Jellybean Benitez, and Arthur Baker--unanimously chose the mix as the winner. Within two weeks 'The Payoff Mix' became a Top 10 request on urban radio nationwide, but the release never saw official status and was subsequently bootlegged countless times. The Payoff Mix became the first record in a series now known as The Lessons. Double Dee and Steinski followed up with cut-and-paste landmark Lesson Two: The James Brown Mix, which Fatboy Slim called 'the record that always gets the crowd going.' Then came Lesson 3: The History of Hip Hop. The series quickly became highly sought after collectibles and led to homage records by DJ Shadow, Cut Chemist, DJ Format, and , Steinski has produced a variety of tracks, and this Illegal Art retrospective collects everything from his hip-hop narrative about the Kennedy assassination (originally a white-label promo, also issued as a Flexi-disk for UK music magazine NME) to the 1998 remix of Afrika Bambaataa's 'Jazz' with Double Dee. Besides the completist archive, the release will also includes the critically acclaimed 'Nothing To Fear: A Rough Mix,' an hour-long mashup that was produced for Solid Steel/BBC London, described by Salon as, 'the closest thing to a masterpiece the genre has yet produced' and perhaps the most obvious precursor (along with The Lessons) to Girl Talk's Night Ripper.









Availability: Usually ships in 24 hours


Related Items:
Dear Science, Santogold Fleet Foxes Third Modern Guilt see more

Related Items:


Disc 1:
  1. The Payoff Mix
  2. Lesson 2
  3. Lesson 3
  4. Jazz
  5. Voice Mail
  6. The Motorcade Sped On
  7. It's Up to You
  8. I'm Wild About That Thing
  9. The Big Man Laughs
  10. Vox Apostolica
  11. Is We Going Under?
  12. Ain't No Thing
  13. Everything's Disappeared
  14. Number Three on Flight Eleven
Disc 2:
  1. Tonight from NY Intro
  2. Swingset
  3. Opening Credits
  4. Greatest Man Alive
  5. The Id
  6. Let's Get It On
  7. Hit the Disco
  8. Lolita
  9. Hot Spot
  10. It's a Funky Thing, Pt. 1
  11. Bboy Breakdown
  12. B-Beat Classic
  13. Funk Construction
  14. Them That's Not
  15. Swan Lake
  16. Here We Come
  17. Product of the Environment
  18. By Any Means Necessary
  19. The Art of Getting Jumped
  20. I Like It Like That
  21. Solid Air
  22. Country Grammar
  23. Let's Get It On
  24. Easin' In
  25. It's Time to Testify
  26. The Acid Test
  27. Silent Partner (Peace Out)


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - * Outstanding Old School Hip-Hop ...
Great old school mixes from the early 80's breakdance scene that at one time was hard to find. It's a greatest hits of sorts of every good breakbeat that was ever used by any and all hip hop artists from the 80's until the present day.



Rating: 5 out of 5 stars - * Before Shadow, way before Girl Talk... ...
Long before label mate Girl Talk became known as the King of Mashup, hell, even before M/A/R/R/S sliced together the inimitable "Pump Up The Volume", two advertising dudes named Steve "Steinski" Stein and Douglas "Double Dee" Di Franco put together a mix of the most used hip-hop breaks for a contest, one judged by the likes of Afrika Bambaataa. They won, and thus was born the first in their series of "The Lessons" (Cut Chemist and DJ Shadow would later recreate these live using the original vinyl). This two-disc explores every genre, dropping beats over everything from Humphrey Bogart, Looney Toones, Clint Eastwood and The Zapruder Film samples, the myriad James Brown breaks, Led Zeppelin's "The Crunge" and a whole ton of stuff you have to Google to figure out. Simply put, this collection is the mix-tape dreams are made of, an equal blend of humor, cool and certifiable bada$$ collage-work by the master.



Rating: 5 out of 5 stars - * What it means ...
"Hey, I recognize that sample from..." If you're into the whole cut-up and dub genre of music, you've probably heard Steinski for years. Maybe it was a Steinski cut, maybe it was Steinski mixed into someone else's work. Many of the actual cuts on this disk floated up to the surface over the years, but saw limited or no release. Now, amazingly, they have a wide release to the masses--what magic happened to clear all of the samples and material is unknown. Any fan will long for more, but this is a great collection that covers the ground back to the infancy of digital sampling, and inspired countless musicians. Buy this 2 disk set, its a great history, and strong sales may pave the way for more treasures.



Rating: 5 out of 5 stars - * Be an outlaw, buy this disk! ...
Oh what a lovely collection. Like taking a dictionary to a desert island because it has all the classics in it, just out of order, this is a true desert island disk. I keep expecting the RIAA to break my car window and bust me for the uncleared samples. But it would be worth it.

But wither "Hang on St. Christopher?"


Retrospective 1983-2006 Mean? All It Does What




Browse for similar items by category:

 







Notebook Computers - Shopreview









$21.99



Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

$9.99



Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
$8.99



What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

by Marc Shapiro

Average customer rating: ISBN: 1550224670

by Amy; Parker, Sarah Jessica Sohn

Average customer rating: ISBN: 0752265059

by vogue

Average customer rating: ISBN: B000V81CGW
$10.99



The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman

Retrospective,B0017M8Z1G 2006 1983 Mean All It Does What
Shopping at music.bestglobalgifts.com  Created at Wed Dec 3 04:11:10 2008