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John Coltrane and Johnny Hartman
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John Coltrane and Johnny Hartman

(more) »rank: 64287

by: John Coltrane with Johnny Hartman


: :This is one of the three all-ballad albums that John Coltrane recorded in late 1962 and early 1963. Johnny Hartman was apparently Coltrane's suggestion, and his deep, dark voice meshes perfectly here with Coltrane's tenor. The material is well-chosen, including definitive readings of 'My One and Only Love' and 'Lush Life.' McCoy Tyner fills out the chords, augmenting the harmonies and keeping the tone of these ballads respectful but not overly sentimental. All the players get to the deep structure of the songs and are not afraid to play in the most essential and elegant manner. This is beautiful jazz. --Michael Monhart

Chet
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Chet

(more) »rank: 11212

by: Chet Baker


: :This is one of the three all-ballad albums that John Coltrane recorded in late 1962 and early 1963. Johnny Hartman was apparently Coltrane's suggestion, and his deep, dark voice meshes perfectly here with Coltrane's tenor. The material is well-chosen, including definitive readings of 'My One and Only Love' and 'Lush Life.' McCoy Tyner fills out the chords, augmenting the harmonies and keeping the tone of these ballads respectful but not overly sentimental. All the players get to the deep structure of the songs and are not afraid to play in the most essential and elegant manner. This is beautiful jazz. --Michael Monhart

Swingin' Miss 'D'
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Swingin' Miss 'D'

(more) »rank: 7241

by: Dinah Washington


: :This is one of the three all-ballad albums that John Coltrane recorded in late 1962 and early 1963. Johnny Hartman was apparently Coltrane's suggestion, and his deep, dark voice meshes perfectly here with Coltrane's tenor. The material is well-chosen, including definitive readings of 'My One and Only Love' and 'Lush Life.' McCoy Tyner fills out the chords, augmenting the harmonies and keeping the tone of these ballads respectful but not overly sentimental. All the players get to the deep structure of the songs and are not afraid to play in the most essential and elegant manner. This is beautiful jazz. --Michael Monhart

Harry Connick Jr. - Harry for the Holidays
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Harry Connick Jr. - Harry for the Holidays

(more) »rank: 16560

starring: Harry Connick Jr.


: :Harry for the Holidays is both a traditional and musically adventurous Christmas television special, shot in high definition and originally broadcast on NBC in 2003. The unusual yet beautiful setting is the historic interior of the Bowery Savings Building/Cipriani 42nd Street; one can see an occasional car flash by through windows behind Harry Connick Jr. and his Big Band. Connick's program includes holiday standards but his arrangements are novel, cutting against the melodiousness of the likes of 'Silver Bells' or 'Frosty the Snowman' with edgy strings, sizzling brass, and complex rhythms. 'Santa Claus Is Coming to Town' and 'The Happy Elf' swing like ...

The New Bossa Nova
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The New Bossa Nova

(more) »rank: 6769

by: Luciana Souza


:Album Description:The New Bossa Nova finds Souza applying her interpretative skills to material drawn from a diverse array of sources, including Joni Mitchell ('Down To You'), Leonard Cohen ('Here It Is'), Sting ('When We Dance'), Elliott Smith ('Satellite'), Steely Dan ('Were You Blind That Day'), Brian Wilson ('God Only Knows'), Randy Newman ('Living Without You'), Michael McDonald ('I Can Let Go Now') and legendary bossa nova master Antonio Carlos Jobim (the standard 'Waters of March'), along with a pair of memorable new songs written for the project, 'You and the Girl,' written by Souza and producer Larry Klein, and 'Love Is for Strangers,' ...

Return to Me:  Music from the MGM Motion Picture Soundtrack
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Return to Me: Music from the MGM Motion Picture Soundtrack

(more) »rank: 4288

from: RCA Victor


: :David Duchovny and Minnie Driver star in Bonnie Hunt's romantic comedy Return to Me, named after the Dean Martin standard that leads off this soundtrack. According to the liner notes, Hunt assembled these songs to reflect nostalgia for her own childhood, and, aside from the incongruous addition of Smokey Robinson and the Miracles' 'I Second That Emotion,' it's all orchestrated pop that recalls a far-removed age before rock 'n' roll. Several tunes were composed and orchestrated by the movie's music director, Nicholas Pike, who, with the help of singer Joey Gian, nearly re-creates the past. However, it's the campy good time of the ...

Pictures
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Pictures

(more) »rank: 13449

by: Katie Melua


:Album Description:2007 album from the UK singer/songwriter, her third album overall. Equal parts Pop, Folk and Blues, Pictures builds upon Katie's successes as one of Britain's finest female artists and shows her experimenting and growing as a songwriter extraordinaire. 12 tracks including the first single 'If You Were A Sailboat'. Naive. :There is something innately British about Katie Melua’s appeal, her style reminiscent of former '60s UK legend Lulu, especially in songs that combine adult contemporary pop with a slight crooning style ('All In My Head,' 'If You Were A Sailboat'). Whatever her je-ne-sais-quality is, Melua’s popularity in Europe is massive; she has ...

Hope Waits
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Hope Waits

(more) »rank: 5305

by: Hope Waits


:Album Description:2007 album from the UK singer/songwriter, her third album overall. Equal parts Pop, Folk and Blues, Pictures builds upon Katie's successes as one of Britain's finest female artists and shows her experimenting and growing as a songwriter extraordinaire. 12 tracks including the first single 'If You Were A Sailboat'. Naive. :There is something innately British about Katie Melua’s appeal, her style reminiscent of former '60s UK legend Lulu, especially in songs that combine adult contemporary pop with a slight crooning style ('All In My Head,' 'If You Were A Sailboat'). Whatever her je-ne-sais-quality is, Melua’s popularity in Europe is massive; she has ...

Nancy Wilson Christmas
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Nancy Wilson Christmas

(more) »rank: 12958

by: Nancy Wilson


: :Has Nancy Wilson ever made a public move in her 40-plus-year career that wasn't tasteful? Aside from a couple of small-print notices, purchasers would never know that Wilson intends to donate her royalties from her first full- length Christmas disc to the Pittsburgh-based Manchester Craftsmen's Guild, an arts and education center for lower-income residents. Christmas finds Wilson moving between quietly felt moods with astute shifts in arrangement size; her trio, the Dizzy Gillespie alumni orchestra, and a chamber group are among the varied settings. As a choice for a houseful of family on Christmas Eve, this could hardly be better. A seemingly unpromising ...

Smoke Gets in Your Eyes: Best of Dinah Washington
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Smoke Gets in Your Eyes: Best of Dinah Washington

(more) »rank: 31583

by: Dinah Washington


:Album Description:40 great recordings by this sensational vocalist who liked to dabble in everything from the blues to jazz to r&b to pop . Includes 'Mad About The Boy', 'September In The Rain', 'I Get A Kick Out Of You' and 'What A Difference A Day Makes'. Double slimline jewel case. 1999 release.


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You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry


Jazz,Music Vocal
Shopping at music.bestglobalgifts.com  Created at Wed Dec 3 03:27:57 2008