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Money Jungle (Stereo)
(more) »rank: 460820by: Duke Ellington with Max Roach and Charles Mingus
: :Like Ellington's Piano in the Foreground, Money Jungle is a trio recording in this case featuring Charlie Mingus on bass and Max Roach on drums. Recorded in Sept., 1962. 200 gram vinyl.
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None But the Lonely Heart
(more) »rank: 450084by: Charlie Haden, Chris Anderson
: :None But the Lonely Heart Charlie Haden Chris Anderson Recorded at Cami Hall, New York, 5th-7th July 1997 Recorded by Ken Christianson in the superb acoustic of New York's Cami Hall, this disc sees one of the world's fines acoustic bass players collaborating with an internationally renowned pianist he has long admired, Chris Anderson, the man who taught Herbie Hancock to play piano. As Charlie says: 'Chris is risking his life with every chord, that's how much it means to him'.
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Live At The Village Vanguard Again
(more) »rank: 118290by: John Coltrane
: :None But the Lonely Heart Charlie Haden Chris Anderson Recorded at Cami Hall, New York, 5th-7th July 1997 Recorded by Ken Christianson in the superb acoustic of New York's Cami Hall, this disc sees one of the world's fines acoustic bass players collaborating with an internationally renowned pianist he has long admired, Chris Anderson, the man who taught Herbie Hancock to play piano. As Charlie says: 'Chris is risking his life with every chord, that's how much it means to him'.
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Sun Song
(more) »rank: 375232by: Sun Ra
: :None But the Lonely Heart Charlie Haden Chris Anderson Recorded at Cami Hall, New York, 5th-7th July 1997 Recorded by Ken Christianson in the superb acoustic of New York's Cami Hall, this disc sees one of the world's fines acoustic bass players collaborating with an internationally renowned pianist he has long admired, Chris Anderson, the man who taught Herbie Hancock to play piano. As Charlie says: 'Chris is risking his life with every chord, that's how much it means to him'.
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Anthology
(more) »rank: 478539by: Jr. Grover Washington
: :None But the Lonely Heart Charlie Haden Chris Anderson Recorded at Cami Hall, New York, 5th-7th July 1997 Recorded by Ken Christianson in the superb acoustic of New York's Cami Hall, this disc sees one of the world's fines acoustic bass players collaborating with an internationally renowned pianist he has long admired, Chris Anderson, the man who taught Herbie Hancock to play piano. As Charlie says: 'Chris is risking his life with every chord, that's how much it means to him'.
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Nightfall
(more) »rank: 491205by: Charlie Haden and John Taylor
: :Nightfall The CalArts Sessions Charlie Haden, double bass John Taylor, piano
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The Tony Bennett/Bill Evans Album
(more) »rank: 459765by: Bill Evans, Tony Bennett
: : Mel Torme dismissed Tony Bennett's skills as a jazz singer, and in mining the Great American Songbook, Bennett certainly has drawn more from bel canto style than scat. But as this remarkable 1975 duo album with the great jazz pianist Bill Evans demonstrates, Bennett was (and is) supremely comfortable with jazz and jazz players. Pouring himself into tunes including 'My Foolish Heart' and 'The Touch of Your Lips,' but without the theatrical and pop-operatic flourishes that define and enrich his later work, he delivers what may be his most powerfully direct performance on record. His bold emotion and Evans’ refined but forceful ...
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Tjader Plays Mambo
(more) »rank: 518731by: Cal Tjader
: : Mel Torme dismissed Tony Bennett's skills as a jazz singer, and in mining the Great American Songbook, Bennett certainly has drawn more from bel canto style than scat. But as this remarkable 1975 duo album with the great jazz pianist Bill Evans demonstrates, Bennett was (and is) supremely comfortable with jazz and jazz players. Pouring himself into tunes including 'My Foolish Heart' and 'The Touch of Your Lips,' but without the theatrical and pop-operatic flourishes that define and enrich his later work, he delivers what may be his most powerfully direct performance on record. His bold emotion and Evans’ refined but forceful ...
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Still Life (Talking)
(more) »rank: 432580by: Pat Metheny Group
: : Mel Torme dismissed Tony Bennett's skills as a jazz singer, and in mining the Great American Songbook, Bennett certainly has drawn more from bel canto style than scat. But as this remarkable 1975 duo album with the great jazz pianist Bill Evans demonstrates, Bennett was (and is) supremely comfortable with jazz and jazz players. Pouring himself into tunes including 'My Foolish Heart' and 'The Touch of Your Lips,' but without the theatrical and pop-operatic flourishes that define and enrich his later work, he delivers what may be his most powerfully direct performance on record. His bold emotion and Evans’ refined but forceful ...
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Blowing in From Chicago
(more) »rank: 513143by: Clifford Jordan and John Gilmore
:Album Description:Limited edition Japanese pressing has been remastered. Blue Note. 2005.
