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Vince Guaraldi Trio(more) »rank: 237097by: Vince Guaraldi Trio
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AFRO CUBAN JAZZ(more) »rank: 241921by: SNOWBOY
: :In the past, percussionist Snowboy (a.k.a. Mark Cotgrove) took mambo, rumba, and Afro-Cuban jazz and juiced it with modern-day touches of house, hip-hop and lounge for acid jazz audiences. Here Snowboy and the Latin Section stick a little closer to the tradition, instead going for a jazzier vibe filled with Afro-Cuban rhythms and searing solos. While Cotgrove and his two percussion partners keep the music at a rhythmic boil, the three horn players skip across the top with snappy charts and brash solos that add new rhythmic layers. The secret weapon, however, is keyboardist Neil Angilley, who adds some dusty funk grooves to ... |
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Ballads(more) »rank: 139294by: John Coltrane Quartet
:Album Description:Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008. :In 1962 John Coltrane was under assault from conservative critics who had labeled his tumultuous extended performances 'anti-jazz.' In response he entered the studios to create this classic collection of both well known and obscure ballads. Coltrane was one of jazz's greatest ballad players, a fact sometimes overlooked in the controversy that swirled about his work, and his lyrical gifts are in sharp relief here. They're transmitted through one of the most beautiful tones that jazz has ever produced, suggesting a rare metal that has just ... |
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Greatest Hits, Vol. 1, The Sixties(more) »rank: 252772by: Gene Ammons
:Album Description:Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008. :In 1962 John Coltrane was under assault from conservative critics who had labeled his tumultuous extended performances 'anti-jazz.' In response he entered the studios to create this classic collection of both well known and obscure ballads. Coltrane was one of jazz's greatest ballad players, a fact sometimes overlooked in the controversy that swirled about his work, and his lyrical gifts are in sharp relief here. They're transmitted through one of the most beautiful tones that jazz has ever produced, suggesting a rare metal that has just ... |
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The Sidewinder (LP/CD)(more) »rank: 39249by: Lee Morgan
: :The Philadelphia-born trumpeter and superb bop stylist Lee Morgan apprenticed with Dizzy Gillespie and Art Blakey before emerging as a leader in his own right in the early '60s for Blue Note Records. Although Morgan owed a stylistic debt to both Gillespie and Clifford Brown, he quickly developed a voice of his own that combined half-valve effects, Latin inflections, and full, fluid melodies. While many of Morgan's later sessions for Blue Note would find him paired with saxophonist Hank Mobley, The Sidewinder features the then up-and-coming tenor player Joe Henderson, along with Detroit pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. ... |
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The Musings of Miles(more) »rank: 291318by: Miles Davis
:Album Description:Limited Edition digitally remastered Japanese pressing of this album comes housed in a miniature LP sleeve. Prestige. 2006. :When Miles Davis cut this quartet session, he was nearing the formation of his first great quintet, the one with John Coltrane that would go into a recording frenzy in 1956 and create five amazing LP releases before Davis signed with Columbia Records. Without a second horn in his group, Davis found plenty of room here to stretch out, seldom straying from his middle-register wooziness. Bassist Oscar Pettiford, schooled in Ellingtonian and bebop complexities, keeps the music active and agile, making this a contrast-filled ... |
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Lady In Satin(more) »rank: 289565by: Billie Holiday
: :After years on Norman Granz' Clef/Norgan/Verve group of labels, Holiday cut this LP for Columbia in 1959. |
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Thelonious Monk with John Coltrane(more) »rank: 286961by: Thelonious Monk with John Coltrane
: essential recording:Among Thelonious Monk's long stays at New York's legendary Five Spot was a six-month period in 1957 with possibly his most brilliant band, with John Coltrane finding fuel in Monk's music for his harmonic explorations. The quartet only recorded three studio tracks: a sublime reading of Monk's ballad 'Ruby, My Dear'; a loping version of 'Nutty'; and a stunning version of 'Trinkle Tinkle' on which Trane's tenor mirrors Monk's piano part. The CD is completed with outtakes from an octet session that joined Coltrane and Coleman Hawkins and an extended solo version of 'Functional.' --Stuart Broomer |
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Head Hunters(more) »rank: 260924by: Herbie Hancock
: essential recording:Among Thelonious Monk's long stays at New York's legendary Five Spot was a six-month period in 1957 with possibly his most brilliant band, with John Coltrane finding fuel in Monk's music for his harmonic explorations. The quartet only recorded three studio tracks: a sublime reading of Monk's ballad 'Ruby, My Dear'; a loping version of 'Nutty'; and a stunning version of 'Trinkle Tinkle' on which Trane's tenor mirrors Monk's piano part. The CD is completed with outtakes from an octet session that joined Coltrane and Coleman Hawkins and an extended solo version of 'Functional.' --Stuart Broomer |
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Birth of the Cool(more) »rank: 301381by: Miles Davis
:Album Description:Although it is highly revered today, the music of the Miles Davis Nonet left the audiences of the late 1940s indifferent. The group was highly popular among other musicians, however, and served as an inspirational force to a multitude of other bands, as well as the different subsequent groups of the many musicians involved. Traces of the nonet’s music can be found in the early 1950s Miles Davis groups, the Gil Evans recordings (including the arranger’s wonderful collaborations with Miles), Mulligan’s pianoless quartet with Chet Baker, certain arrangements of the Stan Kenton orchestra and John Lewis’ (another member of the nonet) posterior ... |

Where the NBA Dynasty series (the other initial entry is the slightly meatier Los Angeles Lakers: The Complete History) outdoes Ultimate Jordan is in the six playoff games--one for each year--as they were originally broadcast, minus halftime and commercials. Having the nearly complete game (usually running 90-100 minutes, from the TV introductions to post-game interviews) means you can skip straight to John Paxson's clutch basket or what was expected to be the final shot of Jordan's career. Or you can savor each game in its entirety, all the better to appreciate the artistry of Jordan in his three-pointer barrage against Portland or his "flu game" against Utah. You can see other great players too, of course, including Jordan's teammates--Scottie Pippen, Horace Grant, Dennis Rodman--and those opponents unfortunate enough to face the Bulls--Clyde Drexler, Charles Barkley, John Stockton, Karl Malone, and others. Because these are all NBA Finals games, you won't see Jordan's shot over Craig Ehlo or his 63-point coming-out party against Boston, but the 1990s Chicago Bulls were a team for the ages, and merely having their games--some of them all-time classics--available for home viewing is a major milestone in archived sports. --David Horiuchi

While last-minute heroics tend to be the standard by which we define excellence, there are many other moments that have left an indelible impression, many of them highlighted here. The video clips fall into 10 categories: Dunks, Alley-oops, Assists, Steals, Blocks, Teamwork, the Clutch Shot, Moves, Hustle, and Buzzer-Beaters. At the beginning of each section is a brief introduction. Before showing the top 10 dunks of all time, for example, we learn about the evolution of the dunk--from the first slam to the man who could fly, Michael Jordan--and we hear background commentary from NBA legends such as Magic Johnson, Charles Barkley, Dr. J, and Bill Russell. This video recalls familiar moments of NBA lore that you will want to own for countless repeat viewings. --Jeremy Storey