Music : Vaughan Williams: The Collector's Edition

Music : Vaughan Williams: The Collector's Edition

Vaughan Williams: The Collector's Edition

from: EMI Classics



Vaughan Williams: The Collector's Edition
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Binding: Audio CD
EAN: 5099920663629
Format: Box set, Collector's Edition
Label: EMI Classics
Manufacturer: EMI Classics
Number Of Discs: 30
Publisher: EMI Classics
Release Date: July 08, 2008
Sales Rank: 7442
Studio: EMI Classics


















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Related Items:
Elgar: The Collector's Edition (30 CDs) O Thou Transcendent: The Life of Ralph Vaughan Williams Wagner: The Great Operas from the Bayreuth Festival Works of Igor Stravinsky David Oistrakh: The Complete EMI Recordings see more

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Disc 1:
  1. 1. A Song for All Seas, All Ships. Behold, the sea itself
  2. 1. A Song for All Seas, All Ships. Today a rude brief recitative
  3. 1. A Song for All Seas, All Ships. Flaunt out, O sea, your separate flags of nations!
  4. 1. A Song for All Seas, All Ships. Token of all brave captains
  5. 1. A Song for All Seas, All Ships. A pennant universal
  6. 2. On the Beach at Night, Alone. On the beach at night, alone
  7. 2. On the Beach at Night, Alone. A vast similitude interlocks all
  8. 3. Scherzo: The Waves
  9. 4. The Explorers. O vast Rondure, swimming in Space
  10. 4. The Explorers. Down from the Gardens
  11. 4. The Explorers. O we can wait no longer
  12. 4. The Explorers. O thou transcendent
  13. 4. The Explorers. Greater than stars or suns
  14. 4. The Explorers. Sail forth
  15. 4. The Explorers. O my brave soul!
Disc 10:
  1. 1. March (Seventeen Come Sunday)
  2. 2. Intermezzo (My Bonny Boy)
  3. 3. March (Folk Songs from Somerset)
  4. Dawn Patrol
  5. 1. Intrada: Largo
  6. 2. Burlesca ostinato: Allegro moderato
  7. 3. Sarabande: Lento
  8. 4. Scherzo: Allegro, tempo di valse
  9. 5. March (A la marcia) and Reprise
  10. 1. Prelude: Allegro moderato
  11. 2. Romanza: Andante sostenuto
  12. 3. Finale: Rondo alla tedesca (Allegro)
Disc 11:
  1. (Allegro moderato)
  2. Pipe Dance
  3. Bowl Dance
  4. Morris Jig: 'Go and 'list for a sailor'
  5. Folk Song: 'A Bold Young Farmer'
  6. Folk Song 'The Jolly Thresherman'
  7. Solo Jig
  8. 1. Easter
  9. 2. I got me flowers
  10. 3. Love bade me welcome
  11. 4. The Call
  12. 5. Antiphon
  13. Prelude
Disc 12:
  1. Theme: Andante maestoso
  2. Var. 1: Poco tranquillo
  3. Var. 2: Tranquillo cantabile
  4. Var. 3: Allegro
  5. Var. 4: Canon (Allegro)
  6. Var. 5: Moderato sostenuto
  7. Var. 6: Tempo di valse
  8. Var. 7: Arabesque (Andante sostenuto)
  9. Var. 8: Alla polacca
  10. Var. 9: Adagio
  11. Var. 10: Fugato (Allegro moderato e risoluto)
  12. Var. 11: Chorale
  13. Eventide
  14. Dominus regit me
  15. 1. Allegro pesante
  16. 2. Adagio
  17. 3. Presto
  18. Rhosymerdre
  19. Hyfrydol
  20. 1. Allegro moderato
  21. 2. Minuet and Trio: Tempo di minuetto
  22. 3. Romance: Andante sostenuto
  23. 4. Finale: Rondo capriccioso (Allegro molto - Pochettino più mosso)
Disc 13:
  1. 1. Fantasia: Allegro giusto
  2. 2. Scherzo: Allegro furioso, ma non troppo
  3. 3. Tema con variazioni (Andante - Var. 6: Allegro)
  4. 1. Prelude: Lento ma non troppo
  5. 2. Scherzo: Prestissimo
  6. 3. Alla sarabanda: Lento
  7. 4. Burlesca: Allegro modersto
  8. 1. Adagio (Lovely on the Water)
  9. 2. Andante sostenuto (Spurn Point)
  10. 3. Larghetto (Van Dieman's Land)
  11. 4. Lento (She borrowed some of her mother's gold)
  12. 5. Andante tranquillo: The Lady and the Dragoon
  13. 6. Allegro vivace (As I walked over London Bridge)
  14. 1. Prelude: Allegro appassionato
  15. 2. Romance: Largo
  16. 3. Scherzo: Allegro
  17. 4. Epilogue: Greeting from Joan and Jean (Andante sostenuto)
Disc 14:
  1. 1. 'Agnus Dei' (Lento) -
  2. 2. 'Beat! beat! drums!' (Allegro moderato) -
  3. 3. Reconciliation (Allegro moderato) -
  4. 4. Dirge for Two Veterans (Moderato alla marcia) -
  5. 5. 'The Angel of Death has been abroad' (L'istesso tempo) -
  6. 6. 'O man greatly beloved'
Disc 15:
  1. (Lento)
  2. Go, for they call you, Shepherd
  3. Here will I sit and wait
  4. Screen'd is this nook
  5. That sweet city
  6. Come, let me read
  7. Or in my boat I lie
  8. And once in winter
  9. But what - I dream!
  10. No, no, thou hast not felt
  11. Runs it not here
  12. Needs must I, with heavy heart
  13. Soon will the high Midsummer pomps
  14. He hearkens not!
  15. Never more
  16. Yes, thou art gone!
  17. Despair I will not
  18. Why faintest thou?
  19. 1. Sicut Lilium in spinas (Lento)
  20. 2. Jam enim hiems transiit (Andante con moto)
  21. 3. Quaesivi quem diligit anima mea (Lento - Allegro moderato)
  22. 4. Et lectulum Salomonis (Moderato alla marcia)
  23. 5. Revertere, revertere Sulamitis! (Andante quasi lento)
  24. 6. Pone me ut signaculum (Moderato tranquillo)
  25. I was in the spirit (Lento)
  26. And I Saw Heaven opened (Allegro)
  27. And I saw an angel standing in the sun (Meno mosso)
  28. Babylon the great is fallen (Lento)
  29. Rejoice over her O Heavens (Allegro moderato)
  30. And I saw a new heaven (Adagio)
  31. Therfore are they before the throne of God (Poco meno largo)
  32. And I saw a pure river
  33. Holy, Holy, Holy (Andante sostenuto)
  34. Heaven and earth are full of Thy glory (Poco animato)
Disc 16:
  1. 1. Ballad: The Tunning of Elinor Rumming
  2. 2. Intermezzo: Pretty Bess
  3. 3. Burlesca: Epitaph on John Jayberd of Diss
  4. 4. Romanza: Jane Scroop
  5. 5. Scherzo: Jolly Rutterkin
Disc 17:
  1. This is the truth sent from above
  2. Come all you worthy gentlemen
  3. On Christmas night all Christians sing
  4. God bless the ruler of this house
  5. 1. Prologue: Nowell! Nowell! (Vespers for Christmas Day)
  6. 2. Narration: Now is the birth of Jesus Christ
  7. 3. Song: It was the winter wild
  8. 4. Narration: And it came to pass in those days
  9. 5. Choral: The blessed son of God
  10. 6. Narration: And there were in the same country
  11. 7. Song: The Oxen (Christmas Eve, and twelve of the clock)
  12. 8. Narration: And the shepherds returned
  13. 9. Pastoral: The shepherds sing
  14. 10. Narration: But Mary kept all these things
  15. 11. Lullaby: Sweet was the song the Virgin sang
  16. 12. Hymn: Bright portals of the sky
  17. 13. Narration: Now when Jesus was born
  18. 14.The March of the Three Kings: From kingdoms of wisdom
  19. 15. Choral: No sad thought his soul affright
  20. 16. Epilogue: In the beginning was the Word
Disc 18:
  1. This is the truth sent from above
  2. Come all you worthy gentlemen
  3. On Christmas night all Christians sing
  4. God bless the ruler of this house
  5. 1. The Conspiracy
  6. 2. Drinking Song
  7. 3. Falstaff and the Fairies
  8. 4. Wedding Chorus
  9. 5. Epilogue
  10. 1. The Vagabond
  11. 2. Let beauty awake
  12. 3. The Roadside Fire
  13. 4. Youth and Love
  14. 5. In Dreams
  15. 6. The infinite shining heavens
  16. 7. Wither must I wander
  17. 8. Bright is the ring of words
  18. 9. I have trod the upward and the downward slope
  19. 1. On Wenlock Edge
  20. 2. From far, from eve and morning
  21. 3. Is my team ploughing
  22. 4. Oh, when I was in love with you
  23. 5. Bredon Hill
  24. 6. Clun
Disc 19:
  1. Kyrie
  2. Gloria
  3. Credo
  4. Sanctus - Osana 1 - Benedictus - Osana 2
  5. Agnus Dei
  6. Bryn Calfaria
  7. Rhosymedre
  8. Hyfrydol
Disc 2:
  1. 1. Lento - Allegro risoluto (molto pesante)
  2. 2. Lento
  3. 3. Scherzo (Nocturne) - Allegro vivace
  4. 4. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Maestoso alla marcia (alla 1)
  5. 1. Fantasia: Variazioni senza tema
  6. 2. Scherzo alla marcia (per stromenti a fiato): Allegro all marcia
  7. 3. Cavatina (per stromenti ad arco): Lento espressivo
  8. 4. Toccata: Moderato maestoso
Disc 20:
  1. 1. Lord come away
  2. 2. Who is this fair one?
  3. 3. Come Love, come Lord
  4. 4. Evening Hymn
  5. 1. Your eyën two
  6. 2. So hath your beauty
  7. 3. Since I from Love
  8. 1. Infant Joy
  9. 2. A Poison Tree
  10. 3. The Piper
  11. 4. London
  12. 5. The Lamb
  13. 6. The Shepherd
  14. 7. Ah, Sun-flower!
  15. 8. Cruelty has a human heart
  16. 9. The Divine Image
  17. 10. Eternity
  18. 1. On wenlock edge
  19. 2. From far, from eve and morning
  20. 3.Is my team ploughing
  21. 4. Oh, when I was in love with you
  22. 5. Bredon Hill
  23. 6. Clun
Disc 21:
  1. 1. Love-Sight
  2. 2. Silent Noon
  3. 3. Love's Minstrels
  4. 4. Heart's Haven
  5. 5. Death in Love
  6. 6. Love's Last Gift
  7. 1. The Vagabond
  8. 2. Let Beauty Awake
  9. 3. The Roadside Fire
  10. 4. Youth and Love
  11. 5. In Dreams
  12. 6. The infinite shining heavens
  13. 7. Whither must I wander?
  14. 8. Bright is the ring of words
  15. 9. I have trod the upward and the downward slope
Disc 22:
  1. 1. The Dark-Eyed Sailor
  2. 2. The Spring Time of the Year
  3. 3. Just as the Tide was Flowing
  4. 4. The Lover's Ghost (Well met, my own true love)
  5. 5. Wassail Song
Disc 23:
  1. 1. Prologue
  2. 2. Wake Now
  3. 3. The Calling of the Bride
  4. 4. The Minstrels
  5. 5. Procession of the Bride
  6. 6. The Temple Gates
  7. 7. The Bell Ringers
  8. 8. The Lover's Song
  9. 9. The Minstrel's Song
  10. 10. Song of the Winged Loves
  11. 11. Prayer to Juno
  12. Where is she?
  13. Where is the bit of new rope
  14. Wait, Nora
  15. You didn't give him his bit of bread?
  16. Bartley will be lost now
  17. They are all gone now
Disc 24:
  1. Act 1. (Allegro vivacissimo) - Buy, buy, buy
  2. Act 1. Cold blows the wind on Costall
  3. Act 1. As I was a-walking
  4. Act 1. Show me the richer man
  5. Act 1. Here come the Morris men
  6. Act 1. Life must be full of care
  7. Act 1. Sweet little linnet that longs to be free
  8. Act 1. Hore-hoofs, horse-hoofs, thunder down the valleys
  9. Act 1. In the night-time I have seen you riding
  10. Act 1. Mary! Mary!
  11. Act 1. Oh, the devil and Bonyparty
  12. Act 1. Yes, I!
  13. Act 1. Are you ready? Go!
  14. Act 1. The drover's won!
  15. Act 1. I tell you there's a price on this man's head
Disc 25:
  1. Act 2. (Lento moderato) Past four o'clock
  2. Act 2. Gaily I go to die
  3. Act 2. Hugh!... Mary!
  4. Act 2. Sweet little home
  5. Act 2. Where's she gone to?
  6. Act 2. Here, queen uncrowned
  7. Act 2. A trollop from the stocks
  8. Act 2. Dropped from the ranks on a winter night
  9. Act 2. March away, John
  10. Act 2. O foolish girl, O radiant soul!
  11. Act 2. Oh! the sky shall be our roof
Disc 26:
  1. Act 1. (Allegro vivace) - What-hoa!
  2. Act 1. How now, Master Shallow
  3. Act 1. O heavens, this is mistress Anne Page
  4. Act 1. Ahem ... I had rather than forty shillings
  5. Act 1. Weep eyes, break heart
  6. Act 1. Do but look on her eyes
  7. Act 1. I see I cannot get thy father's love
  8. Act 1. Vere is dat knave Rugby?
  9. Act 1. I will myself marry Anne Page
  10. Act 1. Master Fenton, I'll be sworn she loves you
  11. Act 1. Back and side go bare
  12. Act 1. I spy entertainment in her
  13. Act 1. Wilt thou revenge?
  14. Act 1. Love my wife? I will be patient
  15. Act 1. When daises pied and violets blue
  16. Act 2. Scene 1. (Allegro moderato e maestoso)
  17. Act 2. Scene 1. Thine own true knight
  18. Act 2. Scene 1. Ask me no reason why I love you
  19. Act 2. Scene 1. Sigh no more, ladies
  20. Act 2. Scene 1. (Maestoso)
  21. Act 2. Scene 2. Bardolph, Bardolph, I say!
  22. Act 2. Scene 2. Give your worship good morrow
  23. Act 2. Scene 2. O that joy so soon should waste!
  24. Act 2. Scene 2. There's one Master Brook below
  25. Act 2. Scene 2. I have long loved her
  26. Act 2. Scene 2. The dew that lies on roses
  27. Act 2. Scene 2. Vere is mine host of de Garter?
  28. Act 2. Scene 2. (Maestoso)
Disc 27:
  1. Act 3. Scene 1. Interlude. (Andante moderato)
  2. Act 3. Scene 1. Interlude. Yet hear me speak
  3. Act 3. Scene 1. Interlude. Beauty clear and fair
  4. Act 3. Scene 1. Interlude. Fair and fair and twice so fair
  5. Act 3. Scene 1. Interlude. But listen, good mine host
  6. Act 3. Scene 1. Interlude. I mun be married a-Sunday
  7. Act 3. Scene 2. (Lento) - When we sat down in Papylon
  8. Act 3. Scene 2. How now, Master Parson? -
  9. Act 3. Scene 2. Peace, I say!
  10. Act 3. Scene 2. When I was a bachelor
  11. Act 3. Scene 2. (Allegro)
  12. Act 3. Scene 3. What, John! What, Robert!
  13. Act 3. Scene 3. Alas my love, you do me wrong
  14. Act 3. Scene 3. Have I caught my heavenly jewel
  15. Act 3. Scene 3. Mistress Ford! Mistress Ford!
  16. Act 3. Scene 3. When I was a bachelor
  17. Act 3. Scene 3. Nay, follow him gentleman
  18. Act 3. Scene 3. Mistress Page! ... Mistress Page!
  19. Act 4. Scene 1. (Andante piacevole)
  20. Act 4. Scene 1. Pardon me, wife
  21. Act 4. Scene 1. There is an old tale goes
  22. Act 4. Scene 1. Trib, fairies, trib ... Round about in a fair ring-a
  23. Act 4. Scene 1. (Lento moderato) [Greensleeves]
  24. Act 4. Scene 2. (Vivace)
  25. Act 4. Scene 2. The Windsor bell hath struck twelve
  26. Act 4. Scene 2. Oo Oo! ... Fairies black, grey, green and white
  27. Act 4. Scene 2. Dances of the Fairies (Allegro pesante) - But stay, I smell a man of middle earth
  28. Act 4. Scene 2. Pinch him, pinch him black and blue
  29. Act 4. Scene 2. (Moderato) - Nay, do not fly
  30. Act 4. Scene 2. See the chariot at hand
  31. Act 4. Scene 2. Whether men do laugh or weep
  32. Act 4. Scene 2. Dance (Presto)
Disc 28:
  1. Prologue: Bunyan in Prison
  2. Act 1. Scene 1. The Pilgrim meets Evangelist
  3. Act 1. Scene 2. The House Beautiful
  4. Act 1. Nocturne (Intermezzo)
  5. Act 2. Scene 1. The Arming of the Pilgrim
  6. Act 2. Scene 2. The Pilgrim meets Apollyon
  7. Act 3. Scene 1. Vanity Fair. Buy! What will ye buy?
  8. Act 3. Scene 1. Vanity Fair. I buy the truth!
Disc 29:
  1. Act 3. Scene 2. The Pilgrim in Prison
  2. Act 4. Scene 1. The Pilgrim meets Mister By-Ends
  3. Act 4. Entr'acte
  4. Act 4. Scene 2. The Delectable Mountains. Who so dwelleth
  5. Act 4. Scene 2. The Delectable Mountains. The Lord is my Shepherd
  6. Act 4. Scene 3. The Pilgrim reaches the end of his journey
  7. Act 4. Epilogue
  8. [Rehearsal Excerpt]. Act 3. Scene 1. (Vanity Fair)
  9. [Rehearsal Excerpt]. Act 1. Nocturne
  10. [Rehearsal Excerpt]. Act 4. Scene 1. (Mister By-Ends)
  11. [Rehearsal Excerpt]. Act 4. Scene 2. (The Shepherds)
  12. [Rehearsal Excerpt]. Act 2. Scene 1. (The Arming of the Pilgrim)
Disc 3:
  1. 1. Molto moderato
  2. 2. Lento moderato
  3. 3. Moderato pesante
  4. 4. Lento
  5. 1. Allegro
  6. 2. Andante moderato
  7. 3. Scherzo: Allegro molto
  8. 4. Finale (Allegro molto) con epilogo fugato (Con anima)
Disc 4:
  1. 1. Rondo pastorale: Allegro moderato
  2. 2. Minuet and Musett: Allegro moderato
  3. 3. Finale (Scherzo): Presto - Lento - Presto
  4. 1. Preludio: Moderato - Allegro - Tempo 1
  5. 2. Scherzo: Presto misterioso
  6. 3. Romanza: Lento
  7. 4. Passacaglia: Moderato - Allegro - Tempo primo - Tempo del Preludio
Disc 5:
  1. 1. Allegro
  2. 2. Moderato -
  3. 3. Scherzo: Allegro vivace
  4. 4. Epilogue: Moderato
  5. 1. Moderato maestoso
  6. 2. Andante sostenuto
  7. 3. Scherzo: Allegro pesante
  8. 4. Andante tranquillo
Disc 6:
  1. 1. Prelude: Andante maestoso
  2. 2. Scherzo ostinato: Presto
  3. 3. Intermezzo (Homage to Henry Hall): Andante con moto
  4. 4. Fantasia: Allegro
  5. 1. Prelude (andante maestoso)
  6. 2. Scherzo: Moderato
  7. 3. Landscape: Lento
  8. 4. Intermezzo: Andante sostenuto
  9. 4. Epilogue: Alla marcia moderato, non troppo allegro
Disc 7:
  1. 1. Overture
  2. 2. Entr'acte
  3. 3. March Past the Kitchen Utensils
  4. 4. Entr'acte
  5. 5. Ballet and Final Tableau
  6. Prelude
  7. Fugue
  8. 1. Toccata - Allegro moderato
  9. 2. Romanza: Lento
  10. 3. Fuga cromatica (Allegro) con
  11. finale all tedesca
Disc 8:
  1. 1. Toccata - Allegro moderato
  2. 2. Romanza: Lento
  3. 3. Fuga cromatica (Allegro) con
  4. finale all tedesca
  5. Scene 1. Introduction -
  6. Scene 1. Sarabande of the Sons of God
  7. Scene 2. Satan's Dance of Triumph
  8. Scene 3. Minuet of the Sons of Job and Their Wives
  9. Scene 4. Job's Dream -
  10. Scene 5. Dream of the Three Messengers
  11. Scene 6. Dance of Job's Comforters -
  12. Scene 7. Elihu's Dance of Youth and Beauty -
  13. Scene 7. Pavane of the Sons of the Morning
  14. Scene 8. Galliard of the Sons of the Morning
  15. Scene 8. Altar Dance
  16. Scene 9. Epilogue
Disc 9:
  1. 1. March (Seventeen Come Sunday)
  2. 2. Intermezzo (My Bonny Boy)
  3. 3. March (Folk Songs from Somerset)


Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - * A steal but.. ...
Having enjoyed the companion Elgar set, I bought this immediately when it came out. It is certainly extraordinary value for money, at less than $3 per disc. I am less taken with the content however. Many of the recordings are choral works which are less compelling to this listener than V-W's orchestral works. Moreover, the latter are just not that exciting when compared to other recordings that I already possess. The organization is also rather parsimonious, and short works--often interesting ones--are tucked away amongst very different tracks, making listening more active than I prefer. So, not actually a disappointment but its not dominating the CD player or replacing other versions in my collection. Kudos for the presentation however; the Elgar box is garish, while this is rather pleasing, although it does of course fall for the 'Shropshire lad' conceit that dogged the composer throughout his life.



Rating: 4 out of 5 stars - * EMI's Vaughan Williams Collection ...
This splendid set, an amazing bargain, provides most of Vaughan Williams's music in various, sometimes relatively recent, vintages of recordings. VW is a vastly underrated composer. Some of the symphonies are bonafide masterpieces, especially numbers 4 and 6, but the London Symphony (#2) and the 8th and 9th are pretty top drawer as well, if not as stunning as 4 and 6. But then, 3 and 5 are excellent in a more "pastoral" way, though hardly the "cow music" written about in a recent New York Times article. If VW has written any "cow music" my ears have never detected it. The First Symphony, however, a choral work based on text by Walt Whitman, is as uncowlike as you can get but too hysterically pitched for my taste (like Mahler's Eighth).

The sublime Tallis Fantasy is given an expert performance, the marvelous Oboe Concerto is well done. The two string quartets are little known but very worth listening to.

In all, at less than $2 per disk, it's hard to see why anyone would turn it down. The set's only serious defect is the pathetically inadequate documentation. One can hardly figure out who's performing what. The disks themselves lack track numbers, very inconvenient, and the booklet lacks notes. But the set is nicely boxed and at this price it seems churlish to quarrel.



Rating: 5 out of 5 stars - * An extensive glance at Vaughan Williams's work ...
This is indeed a very good opportunity to have a detailed view at this composer's work at a bargain price. To me, it has always been difficult to get Vaughan Williams's recordings as I'm out of the UK, where most of them are released individually. It is great to have a box like this to get closer to this marvellous orchestrator, with his compositions so full of instrumental colour. The price is excellent, the only disappointment is that thera are no booklet notes at all. At least the CD tracking details are ok.



Rating: 3 out of 5 stars - * Too cheaply done. ...
I know people revere Boult and Handley and Hickox as the best of all possible interpreters for British music, along with Groves and Barbirolli and all of the other artists presented here. So please don't take offense as I pick apart this box set -- because it's not as great as some other reviewers make it out to be. Others can tell you why it's good (and it has LOTS of good stuff). Let me criticize it a little. Or a lot.

First, the packaging. I'm getting really tired of these box sets (Elgar on EMI, reissue of Stravinsky set on Sony, etc.) that are missing biographies or descriptions of the works outside of a track listing. Is it so hard to reprint the liner notes from the original releases? Why on earth do they not include a libretto?? I can barely understand a word of these choruses and unless you've heard Sir John in Love or Hugh the Drover before, I don't think you'll be able to figure a whole lot out without resorting to the Internet and digging pretty deeply. Like the Elgar set, about half of this set has vocal works. So it's a huge drawback not to have texts and librettos.

Second, these recordings are old. Fine. But they _sound_ old. I guess if EMI can't add liner notes, they won't spend the time to remaster their recordings before putting them back on the shelves. People who are replacing their vinyl recordings may be celebrating, but those of us who are young enough to have never owned vinyl or 8-track tapes will find that some of these recordings sound antiquated. This is especially true for those impossible-to-decipher vocal works. The songs are blurry and fuzzy (typical of low-end ADD), and there's nothing to be done without the help of a good sound engineer. It's clear much more care was put into the first half, which is full of the orchestral blockbusters that I'm sure have sold much better over time.

Third, EMI was so lazy that they just put the CDs in this set as they were released originally without any consideration of repetition. There are 3 different versions of the Serenade to Music (one for chorus, one for 16 singers, and one with orchetra) under 3 different conductors. It's a charming work, but not _that_ charming. The Piano Concerto in an orchestral version, and then in 2-piano form? Ugh, there's a reason why Vaughan Williams kept editing it -- it's about as dry and bland as overcooked turkey. Two versions of the Fantasia of the Christmas Carols? On my Scrooge days, one is too many.

I suppose the argument can be made that EMI has given choices, so you can pick the version you like best to put on your iPod. By why do that with such marginal works -- if they're going to have 2 versions of anything, it should be the symphonies. Handley's interpretations are five stars in my book -- they were good enough to convince me to sell my Slatkin set.

So, I guess it's a must-buy only because there's nothing more complete out there at such a low price. But lament the fact that it could have -- and should have! -- been so much better.



Rating: 5 out of 5 stars - * Great Value, Fine Performances ...
For lovers of Ralph Vaughan Williams' music, the prospect of obtaining most of his works on 30 CDs for $50 or less should be irresistible. It's a great way to fill in the gaps in your collection, or to become acquainted with RVW's less familiar works. Among the highlights of this box are the Serenade to Music and the Pilgrim's Progress (both conducted by Adrian Boult), Partita for Double String Orchestra (Vernon Handley), Riders to the Sea and Sir John in Love (Meredith Davies), Hugh the Drover (Charles Groves), and On Wenlock Edge and Ten Blake Songs (sung by Ian Partridge). Vernon Handley's recordings of the symphonies have received uniform 5-star reviews on Amazon.

In most cases, the performances and sound quality are very good to excellent. Hard-core fans will appreciate the inclusion of variants of a few works, such as the vocal and purely orchestral versions of the Serenade to Music. As would be expected in a compendium of this sort, a few of the items have performances or sound that is less than ideal. For example, Matthew Best's recording of A Song of Thanksgiving is far better than the one included here, but the Hyperion disc is no longer in print, and a used copy costs half as much as this entire package. The box lacks both notes and texts. Nonetheless, there's more than enough great stuff here to justify the modest price.


Edition Collector's The Williams: Vaughan




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The Academy Award winner for Best Picture, Best Director Robert Zemeckis, and Best Actor Tom Hanks, this unlikely story of a slow-witted but good-hearted man somehow at the center of the pivotal events of the 20th century is a funny and heartwarming epic. Hanks plays the title character, a shy Southern boy in love with his childhood best friend (Robin Wright) who finds that his ability to run fast takes him places. As an All-Star football player he meets John F. Kennedy; as a soldier in Vietnam he's a war hero; and as a world champion Ping-Pong player he's hailed by Richard Nixon. Becoming a successful shrimp-boat captain, he still yearns for the love of his life, who takes a quite different and much sadder path in life. The visual effects incorporating Hanks into existing newsreel footage is both funny and impressive, but the heart of the film lies in its sweet love story and in the triumphant performance of Hanks as an unassuming soul who savors the most from his life and times. --Robert Lane
$9.99



Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) and age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.

The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to get her to be more ladylike) and Dennis Haysbert is Quincy's philandering father. Hoops fan Spike Lee produced. --Sean Axmaker


by Cameron Dean
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Average customer rating: 3.5 ISBN: 0345492536

by Cameron Dean
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$19.82



The Omron HJ-112 Pocket Pedometer is an advanced, high-tech pedometer that--thanks to unique dual sensor technology--can be carried in your pocket or bag. Now you can just drop your pedometer in your purse to find out how much exercise you get in a typical day of work, errands, and other tasks. Of course, you can also attach it to your belt like a traditional pedometer.



A large, easy-to-read display helps you keep tabs on your workout. View larger.
The HJ-112 accurately measures your steps, as well as aerobic steps and minutes. You can also use it to measure calorie consumption during your workout, as well as the distance you've traveled.

The device's large, easy-to-read LCD display can separately display aerobic steps and minutes walked more than 10 minutes continuously, so you always have the information you need right in front of you. Meanwhile, a seven day history lets you review a full week of exercise. The device also resets at midnight automatically so it's ready to go every morning. Of course, the device can also function as a handy and highly accurate clock. It also comes with a detachable belt holder and security strap so it's always close at hand.

The HJ-112 is powered by a replaceable lithium battery (CR2032) that will last six months when used for walking 10,000 steps a day. The device measures approximately 2.8 x 2.1 x .6 inches (H x W x D) and weighs 1.1 ounces (not including battery).


What's in the Box
Pedometer, battery (CR2032), screwdriver, strap, clip for strap, holder, and instructional manual.

Compare Omron Pedometers

HJ-150

HJ-151

HJ-112

HJ-720ITC
Measurement
  • Steps
  • Steps
  • Moderate steps and minutes
  • Calories
  • Distance
  • Steps
  • Aerobic steps and minutes
  • Calories
  • Distance
  • Steps
  • Aerobic steps and minutes
  • Calories
  • Distance
Product Placement Clip to belt Clip to belt Pocket, bag or clip to belt Pocket, bag or clip to belt
History 7 days 7 days 7 days 7 days (displayed)
42 days (in memory)
Warranty 1 Year 1 Year 1 Year 1 Year
Batteries 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032)
Estimated Battery Life Approx. 1 year
(when used for walking 10,000 steps a day)
Approx. 1 year
(when used for walking 10,000 steps a day)
Approx. 6 months
(when used for walking 10,000 steps a day)
Approx. 6 months
(when used for walking 10,000 steps a day)
Time of Day Display
Omron Health Management Software

Q&A - Pedometers
Does it matter where the pedometer is placed or attached?
The HJ-150 and 151 Pedometer must be positioned correctly. Attach the unit to your belt or to the top of your waistband. The unit must be horizontal to the ground in order for the unit to function correctly. The HJ-112 and HJ-720ITC Pocket Pedometer can also be placed in your pocket or purse.
What's the accuracy rate of Omron pedometers?
The precision of the step counting is within +/- 5%.
What are moderate steps?
At least 30 minutes of moderate exercise is recommended each day. The HJ-151 Pedometer separately displays the steps and minutes walked at a moderate pace.
What are aerobic steps?
The HJ-112 and HJ-720ITC Pocket Pedometer separately displays aerobic steps and minutes that start counting after 10 minutes of continuous walking with more than 60 steps a minute.
How does the PC software work?
The HJ-720ITC Pocket Pedometer includes PC software for Windows 2000 or XP. It keeps track of daily, weekly, monthly and yearly progress.

$31.27



The Omron HJ-720ITC Pocket Pedometer is an advanced, high-tech pedometer that--thanks to unique dual sensor technology--can be carried in your pocket or bag. Now you can just drop your pedometer in your purse to find out how much exercise you get in a typical day of work, errands, and other tasks. Of course, you can also attach it to your belt like a traditional pedometer.

The device's large, easy-to-read LCD display can separately display aerobic steps and minutes walked more than 10 minutes continuously, so you always have the information you need right in front of you. Meanwhile, a seven day history lets you review a full week of exercise, and there's also a 42-day memory for uploading past workouts to your PC. The device resets at midnight automatically so it's ready to go every morning. Of course, the device can also function as a handy and highly accurate clock. It also comes with a detachable belt holder and security strap so it's always close at hand.

The HJ-720ITC is powered by a replaceable lithium battery (CR2032) that will last six months when used for walking 10,000 steps a day. The pedometer also includes PC software for Windows 2000 or XP, which keeps track of daily, weekly, monthly and yearly progress.



The included Omron Health Management Software provides a steps graph that lets you see how your values are trending over time. View larger.


View pedometer and blood pressure data together (via a split screen) on a weekly, monthly, or yearly basis. View larger.
Omron Health Management Software
Take your health to the next level with the included Omron Health Management Software. This PC software provides a blood pressure and pulse graph that lets you see how your values are trending over time. A morning/evening comparison graph tracks your morning and evening systolic and diastolic blood pressure and heart rate. You can also view your most common values and identify variations by time frame with the frequency distribution graph. The software is simple to use, and it supports multiple users. With just one click, you can download data via the HJ-720ITC's USB connection and see graphically displayed measurements on your computer screen in seconds.

Compare Omron Pedometers

HJ-150

HJ-151

HJ-112

HJ-720ITC
Measurement
  • Steps
  • Steps
  • Moderate steps and minutes
  • Calories
  • Distance
  • Steps
  • Aerobic steps and minutes
  • Calories
  • Distance
  • Steps
  • Aerobic steps and minutes
  • Calories
  • Distance
Product Placement Clip to belt Clip to belt Pocket, bag or clip to belt Pocket, bag or clip to belt
History 7 days 7 days 7 days 7 days (displayed)
42 days (in memory)
Warranty 1 Year 1 Year 1 Year 1 Year
Batteries 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032) 3 VDC (1 lithium battery CR2032)
Estimated Battery Life Approx. 1 year
(when used for walking 10,000 steps a day)
Approx. 1 year
(when used for walking 10,000 steps a day)
Approx. 6 months
(when used for walking 10,000 steps a day)
Approx. 6 months
(when used for walking 10,000 steps a day)
Time of Day Display
Omron Health Management Software

Q&A - Pedometers
Does it matter where the pedometer is placed or attached?
The HJ-150 and 151 Pedometer must be positioned correctly. Attach the unit to your belt or to the top of your waistband. The unit must be horizontal to the ground in order for the unit to function correctly. The HJ-112 and HJ-720ITC Pocket Pedometer can also be placed in your pocket or purse.
What's the accuracy rate of Omron Pedometers?
The precision of the step counting is within +/- 5%.
What are moderate steps?
At least 30 minutes of moderate exercise is recommended each day. The HJ-151 Pedometer separately displays the steps and minutes walked at a moderate pace.
What are aerobic steps?
The HJ-112 and HJ-720ITC Pocket Pedometer separately displays aerobic steps and minutes that start counting after 10 minutes of continuous walking with more than 60 steps a minute.
How does the PC software work?
The HJ-720ITC Pocket Pedometer includes PC software for Windows 2000 or XP. It keeps track of daily, weekly, monthly and yearly progress.


Edition,B00156ZWV0 S Collector The Williams Vaughan
Shopping at music.bestglobalgifts.com  Created at Sun Nov 23 01:42:51 2008