Music : Undertow

Music : Undertow

Undertow

by: Tool



Undertow
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Average Rating:  out of 5 stars
Sales Rank: 1431










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Binding: Audio CD
Brand: TOOL
EAN: 6142231052220
Format: Explicit Lyrics
Label: Volcano
Manufacturer: Volcano
Number Of Discs: 1
Publisher: Volcano
Release Date: April 06, 1993
Sales Rank: 1431
Studio: Volcano










Editorial Review:

Item Description:
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  • Track: 10: Disgustipated,
  • Track: 1: Intolerance,
  • Track: 2: Prison Sex,
  • Track: 3: Sober,
  • Track: 4: Bottom,
  • Track: 5: Crawl Away,
  • Track: 6: Swamp Song,
  • Track: 7: Undertow,
  • Track: 8: 4 Degrees,
  • Track: 9: Flood
    Media Type: CD
    Artist: TOOL
    Title: UNDERTOW
    Street Release Date: 09/17/1996
    Domestic
    Genre: HEAVY METAL

    Amazon.com:
    Arguably their finest album, this follow-up to Opiate showcases Tool at their best, assisted by clean, crisp production, without the muddiness of Aenima. Edgy guitar riffs are complemented by spitting, heavy bass, especially on 'Sober' and 'Crawl Away'. Lyrically, Tool are at their vitriolic best, targeting religious hypocrisy ('Intolerance,' 'Sober'; always a popular theme), the loss of innocence and its consequences ('Prison Sex'), and deliberate ignorance ('Swamp Song'). Henry Rollins makes a guest appearance on 'Bottom,' which, along with '4 Degrees,' deals with questions of identity. Undertow is also Tool's most musically adventurous album, lacking the occasionally numbing sameness of Aenima, and with considerably more sophistication than their previous work. Very highly recommended. --Genevieve Williams









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    Disc 1:
    1. Intolerance
    2. Prison Sex
    3. Sober
    4. Bottom - Tool, Rollins, Henry
    5. Crawl Away
    6. Swamp Song
    7. Undertow
    8. Flood
    9. Disgustipated


    Customer Reviews
    Average Rating:  out of 5 stars

    Rating: 2 out of 5 stars - * Great music but a bad pressing. ...
    I absolutely love Tool but I somewhat regret buying this LP. The light weight of the vinyl leaves me unsatisfied. Also, the labels look like they were applied by a three year old. The labels were sloppily pressed into the record, cut/torn and don't even feature any artwork (a little boring to look at).



    Rating: 5 out of 5 stars - * A different meaning every time!?! ...
    Undertow begs for the listener to see, hear and especially FEEL what it is all about. From the lyrics, art and the music itself you receive an explaination on what Tool thinks about life, isolation, love disguised as sex, sex disguised as an oulet to understanding oneself, politics and disorder.
    In the begining of the album you hear what sounds like someone hitting a bong (hookah for our eastern friends) ironic huh, the first track is intolerance and you hear that sound when in actuality it is a scuba divers lungs filling up with water and suffocating. But I digress eveyone has an opinion on Tools music and regardless if I agree with what people think or not opinions are useful. I happen to have a tatoo of the minds eylet from aenema on my forarm... and I could go on and on about how it represents a minds eye and not a "regular" eye.
    That's the thing about Tool you think you know what your getting from them and they surpass expectations in a vast majority.



    Rating: 5 out of 5 stars - * Tool - Feel The Undertow ...
    It took me a while to warm up to Tool. Being a long time fan of progressive rock tool seemed to fit that mold so I picked up "Aenmia" but it did not do that much for me. Then when "Lateralus" came out I kept seeing glowing reviews for it on progressive rock web sites to I decided to give Tool another shot. This time it clicked and I "got it". Since that time I have become a big fan and went back and picked up "Undertow" from their back catalogue. I don't think this one is quite as strong as some of the albums that came later, and the production is a bit on the muddy side compared to the later discs, but this is still a great album that introduced the band to the masses with the song "Sober" which is still a fan favorite. "Prison Sex", "Bottom", "Swamp Song", "Undertow" and "Flood" are all great grinding metal / prog that still sound unique. Maynard Keenan's vocals soar over it all like a roaring engine. I have grown to really appreciate this band and finally got the chance to see them live last year. "Undertow" is not their best, but it is certainly worth checking out.



    Rating: 5 out of 5 stars - * There's no choice but to confront you, to engage you, to erase you.. ...
    My soul must be iron... This record was so refreshing in 93. A band of true artists. The music is everything. This record rocks. Weird, arty videos that don't show the band at all. A frontman who is not a typical frontman. Performing Live, he is a shadow. Again, because it is the music, not the personalities or looks. I love that about this band. Buy it.




    Rating: 5 out of 5 stars - * Serious, Powerful, Intense and Insightful ...
    Tool formed in Los Angeles in the early '90's and in a very short amount of time got a record deal with Zoo Entertainment. They released an EP then this full-length "Undertow". They achieved great success as soon as their single "Sober" hit the air waves and nu-metal/progressive rock fans ate Tool up QUICKLY.

    Singer Maynard James Keenan writes serious, powerful, intense, insightful lyrics and that, put with Danny Carey's bruising drumming riffs and Adam Jones's grinding ultra-loud bass riffs, sets "Undertow" as one of the best albums of the decade. The songs are long at times and in a way go off into their own world, but that's one side people love about Tool. They set the standard high and are known for doing things their own way and in their own time. They have much voice in the production, so it's done on Tool's time and sense.


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    On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

    Undertow,B000000993
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