Music : Ummagumma

Music : Ummagumma

Ummagumma

by: Pink Floyd



Ummagumma
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Average Rating:  out of 5 stars
Sales Rank: 2189










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Binding: Audio CD
EAN: 0077774640428
Format: Live
Label: Capitol
Manufacturer: Capitol
Number Of Discs: 2
Publisher: Capitol
Release Date: October 25, 1990
Sales Rank: 2189
Studio: Capitol










Editorial Review:

Amazon.com:
Released in 1969, Ummagumma represents where the influence of departed founding songwriter Syd Barrett began to fade in favor of the rather less whimsical and pastoral visions of Roger Waters. Ummagumma is a double album, divided into live and studio halves. The live cuts--'Astronomy Domine,' 'Careful with That Axe, Eugene,' 'Set the Controls for the Heart of the Sun,' and 'A Saucerful of Secrets'--established the Floyd's predilection for gloomily atmospheric and faintly preposterous sci-fi bombast that would turn them into such a successful stage act. The kindest that may be said of the studio compositions--by and large interminable avant-prog rambles in search of the lost chord--is that they haven't dated terribly well. --Andrew Mueller









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Related Items:
Atom Heart Mother A Saucerful of Secrets Meddle Obscured by Clouds More see more

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Disc 1:
  1. Astronomy Domine - Pink Floyd, Barrett, Syd
  2. Careful With That Axe, Eugene - Pink Floyd, Waters, Roger
  3. Set the Controls for the Heart of the Sun - Pink Floyd, Waters, Roger
  4. A Saucerful of Secrets - Pink Floyd, Waters, Roger
Disc 2:
  1. Sysyphus, Pt. 1 - Pink Floyd, Wright, Richard [1]
  2. Sysyphus, Pt. 2 - Pink Floyd, Wright, Richard [1]
  3. Sysyphus, Pt. 3 - Pink Floyd, Wright, Richard [1]
  4. Sysyphus, Pt. 4 - Pink Floyd, Wright, Richard [1]
  5. Grantchester Meadows - Pink Floyd, Waters, Roger
  6. Several Species of Small Furry Animals Gathered Together in a Cave and - Pink Floyd, Waters, Roger
  7. The Narrow Way, Pt. 1 - Pink Floyd, Gilmour, David
  8. The Narrow Way, Pt. 2 - Pink Floyd, Gilmour, David
  9. The Narrow Way, Pt. 3 - Pink Floyd, Gilmour, David
  10. The Grand Vizier's Garden Party, Pt. 1: Entrance - Pink Floyd, Mason, Nick
  11. The Grand Vizier's Garden Party, Pt. 2: Entertainment - Pink Floyd, Mason, Nick
  12. The Grand Vizier's Garden Party, Pt. 3: Exit - Pink Floyd, Mason, Nick


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - * A Classic album from Pink Floyd from before they became so well known ...
This is a CLASSIC album from Pink Floyd. I've loved it since it's release.

Not only do you have live tracks of songs from their earliest albums (A Saucerful of Secrets, Astronomy Domine, etc.), but you have a suite of pieces each from Richard Wright (Sysyphus, Parts 1-4), David Gilmour (The Narrow Way, Parts 1-3), and Nick Mason (The Grand Vizier's Garden Party, Parts 1,2, & 3). ...Ans don't miss Roger Waters' 2 pieces: Grantchester Meadows and the inimitable (not that any have tried, to my knowledge) Several Species of Small Furry Aninals Gathered Together in a Cave and Grooving With a Pict!

This album covers Floyd's gamut up to the time of its release (1969) and presages their future from that vantage point. A MUST purchase for anyone wanting to know Pink Floyd from all sides.



Rating: 5 out of 5 stars - * should have been more popular because it's good ...
The studio album of Ummagumma is VERY underappreciated.

The "Sysyphus" suite is quite ununual the way it begins with a rather dark and intimidating riff that leads into an Emerson, Lake and Palmer piano melody. It's a peaceful and beautiful melody, that stays consistently good for the most part, until it reaches a point where two notes keep rambling back and forth, then the piano playing gets all messy for a minute or so. Not as good as the stuff ELP would do a few years later, but decent enough.

The third part features WEIRD monkey sound effects with jungle-like sounds, and the fourth and final part is absolutely AWESOME because it has an eerie mellotron melody with soft sprinkles of keyboards building slowly, and cautiously, into a loud and intense theme until eventually going back to the intimidating riff that started the whole thing. The fourth part of this suite is really really good though, especially the eerie few minutes that begins the thing, which would work extremely well in a horror film.

"Grantchester Meadows" features nice acoustic guitar (I think?) and closely resembles "Wish You Were Here" in the vocals. I wasn't expecting to hear such a mature song on this album going by all the other reviews. "Several Small Species" is a MAJOR head trip, that's for sure! It's totally unique and needs to be appreciated on that level to fully understand.

"The Narrow Way" is the highlight of the album for me. Part One has EXCELLENT acoustic guitar, melodic and emotionally touching, and the second part features a Black Sabbath-like guitar riff for a few minutes, before the final part comes in, which sounds like something that would fit in PERFECTLY with the Dark Side of the Moon album. I don't understand people who say Meddle shows signs of what Pink Floyd would sound like later, when this song obviously shows what the band would become just a few years later.

"The Grand Vizier's Garden Party" is the only weak point- radical drumming that doesn't go anywhere, and goes on too long. The rest of the album though, is quite fantastic. I don't get the negative reviews for this one I'm afraid.

The live album of Ummagumma (which by the way, sounds like a tasty kind of Halloween snack!) isn't NEARLY as good as people have been telling me. What IS really great however, is the opening song "Astronomy Domine", which has an AWESOME space rock jam in the middle that sounds like it probably influenced several bands such as Hawkwind. The jam just feels so natural, like the vocals needed that jam all along in order to complete a perfect song.

"Careful with that Axe Eugene" is another great song. The slow keyboard melody in the beginning that builds into these soothing vocals that sail and soar to new heights... Pink Floyd was really good at this. The song gets noisy after a while, but in an appealing kind of way, where you don't want it to stop. Great song.

Then the album loses steam super fast. "Set the Controls for the Heart of the Sun" was better on Saucerful of Secrets, because it had a Moody Blues-like vibe flowing through it. Here, the song tries to be something more, and just ends up being a boring song. This version of "Saucerful of Secrets" is overrated BIG time. Everyone says it's better than the version from the studio album of the same name, but it's not. The studio version had these rather unique sound effects, muddy production, and a spooky atmosphere to help make it one of the creepiest songs ever. This version is just loud, and repeats the same notes for several minutes. Not good to me. Yes, I know the studio version repeats a lot too, but that version had sound effects that seemed to add more atmosphere to the song, so it was easy to avoid the parts that repeated a lot.

Still, the album gets 5 stars for the studio stuff, which rules.



Rating: 5 out of 5 stars - * This Is Why I Used To Like Pink Floyd ...
This album, along with Meddle, are the two best Pink Floyd albums ever, as far as I'm concerned (discounting the Syd Barrett albums, which were in a different category and great in their own right). I don't need to describe the two discs in this set as it's been done over and over again.

What I'll say is I think this is when the band was the most creative, and Roger Waters had the least amount of influence on the outcome. I love it for the true experimentation, the originality, and the sheer psychedelic mood of it all. As I listened to it again after 30 years, it still rings true with me and despite what the band itself has said about it (and not all of it complimentary), I think this showed the band as a truly creative force.

They never did anything after this that comes close, except for Meddle.

If you want to hear what the Floyd sounded like before they went commercial, I highly recommend this album.





Rating: 4 out of 5 stars - * BRILLIANT LIVE SIDES, NOT SO STUDIO ...
Am adding my 2cents on word of Wright's death...his keyboards and effects are a highlight of the "live" sides and these are the versions of these 4 pieces that blow away the studio versions: louder, more intense and spookier by far, they epitomize late '60s psychedelic rock. For me, these are timeless and I'll be listening to them (usually on 'phones) 'til I can't hear anymore. R.I.P., Rick (BTW, skip the "studio" sides; they're self-indulgent, boring and a bad harbinger of excess to come). One of the great album covers of all time too (loses a lot on a small CD case, tho).



Rating: 3 out of 5 stars - * 4 for the live side, 1 for the studio side. A solid 3. ...
Probably the biggest avant-garde album in history. That might not be a good thing though. By 1969, Pink Floyd had somewhat of a fanbase going. Their live shows were getting some good word, and due to their music being used in documentaries and films, they were able to make a decent living off of touring and recording. So, they decided to celebrate a bit and make their first double album. First things first, the live side is great. Containing four tracks, mostly from the Syd and the Syd-influenced days, this showcases early Floyd at their best. The live Astronomy Domine blows away the original. Vocal harmonies, wahed guitar, creepy keyboard solos, it's all there. Amazing how the band would work on these songs over the years and make drastic improvements. Careful With That Axe, Eugene is brilliant. There's not one note wasted, and the climax 3 mintes in is spellbinding. Set The Controls and Saucerful are both excellent live too, with Set being drastically changed to a much more spacier and intense performance. I really dig the trippy 'outer-space' keyboard section in the middle. Kewl. However, I have to say...WHAT IS WITH THE STUDIO SIDE?! Did they seriously want to alienate all their fans? This sucks! The band returns to some of the failed experimental atonal noises that they hashed out unsuccessfully on Saucerful and Piper, only this time they are "solo pieces." Whatever, no one should listen to this garbage. Sysphus starts out interesting, almost like an ELP song, before going into harsh noise territory. Several Species is just pure garbage, I guess it would be cool if I was tripping. The Narrow Way is just amazingly dull, though there is a cool Sabbathesque riff in one section that would've been awesome had they worked on it. And the Grand Vizier thing is just a long drum solo with some weird flute noises. Bleh, this sucks! The only song worth noticing is Grantchester Meadows, and that's if you enjoy the folky stuff from More. Just download the live side. You'll be glad ya did instead of wasting money.


Ummagumma


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