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John Barleycorn Must Die
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John Barleycorn Must Die

(more) »rank: 4036

by: Traffic


: :Traffic's third studio album is also its third best, ranking below the band's superb second record (1968's Traffic) and its psychedelic debut (1968's Mr. Fantasy). The depth of those albums came from having two superior songwriters, Steve Winwood and Dave Mason; by John Barleycorn, Winwood was leading a trio that included Chris Wood on horns and Jim Capaldi on drums. Winwood now supplied guitar as well as keyboards, and songs such as 'Glad' and 'Freedom Rider' reflected the trio's fondness for instrumental jams. But the 1970 album is remembered most for the title tune, a traditional folk song blessed with one ...

Low Spark of High Heeled Boys
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Low Spark of High Heeled Boys

(more) »rank: 2409

by: Traffic


: :Despite not even charting in the band's native England, this album became a platinum-selling American hit on the basis of three enduring FM radio staples--the expansive, jazzy impressionism of the near-12 minute title track, and the more straightforward funk of the R&B charmers 'Light Up or Leave Me Alone' and 'Rock & Roll Stew.' Those disparate tracks perfectly underscore Traffic's rich musical appeal and its restless, sometimes problematic creative and interpersonal relationships. With now thrice-departed Dave Mason out of the mix and percussionists Jim Gordon and Reebop Kwaku Baah participating in the studio for the first time, the band's innate musicality ...

Traffic
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Traffic

(more) »rank: 7787

by: Traffic


: :Considering that Traffic couldn't seem to stay intact for more than a few months at a time, the band's work seems even more remarkable. Recorded in the summer of 1968 and released later that fall, Traffic, the band's sophomore release, stands as the outfit's high-water mark and one of the great rock albums of its time. Clearly, Dave Mason and Steve Winwood had completely different visions for the band, both musically and socially. In fact, Mason had already left the band at the year's beginning, only to return a few short months later. Mason liked to work alone and favored rooted ...

Feelin' Alright: The Definitive Collection
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Feelin' Alright: The Definitive Collection

(more) »rank: 4106

by: Traffic


: :Considering that Traffic couldn't seem to stay intact for more than a few months at a time, the band's work seems even more remarkable. Recorded in the summer of 1968 and released later that fall, Traffic, the band's sophomore release, stands as the outfit's high-water mark and one of the great rock albums of its time. Clearly, Dave Mason and Steve Winwood had completely different visions for the band, both musically and socially. In fact, Mason had already left the band at the year's beginning, only to return a few short months later. Mason liked to work alone and favored rooted ...

Shoot Out at the Fantasy Factory
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Shoot Out at the Fantasy Factory

(more) »rank: 35999

by: Traffic


:Album Description:Japanese-only SHM-CD (Super High Material CD) paper sleeve pressing of this classic album from the British Rock band led by Steve Winwood, originally released in 1973. SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.

Traffic Gold
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Traffic Gold

(more) »rank: 8874

by: Traffic


:Album Description:Japanese only 2 x SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.

Heaven Is in Your Mind
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Heaven Is in Your Mind

(more) »rank: 10129

by: Traffic


:Album Description:Japanese only 2 x SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008.

Mr. Fantasy
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Mr. Fantasy

(more) »rank: 17635

by: Traffic


: :It's a rather druggy record, Traffic's debut; in fact, decades later, it's still possible to get a decent contact high off of it. From the stuttering, lyrically ponderous 'Heaven Is in Your Mind' to the awe-inspiring psychedelic soul of 'Dear Mr. Fantasy,' this is Traffic's most reverb-saturated and elliptical release. This 2000 reissue is in mono, but it does finally bring the American and British versions of the record together, so that you get 'Paper Sun' and other singles from 1967. Dave Mason-era Traffic was nothing if not eclectic. On Mr. Fantasy, they mix and match the art-prog of Caravan and ...

When the Eagle Flies
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When the Eagle Flies

(more) »rank: 9485

by: Traffic


: :It's a rather druggy record, Traffic's debut; in fact, decades later, it's still possible to get a decent contact high off of it. From the stuttering, lyrically ponderous 'Heaven Is in Your Mind' to the awe-inspiring psychedelic soul of 'Dear Mr. Fantasy,' this is Traffic's most reverb-saturated and elliptical release. This 2000 reissue is in mono, but it does finally bring the American and British versions of the record together, so that you get 'Paper Sun' and other singles from 1967. Dave Mason-era Traffic was nothing if not eclectic. On Mr. Fantasy, they mix and match the art-prog of Caravan and ...

Welcome to the Canteen
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Welcome to the Canteen

(more) »rank: 40589

by: Traffic


: :To call Traffic 'mercurial' might be an understatement. After a promising debut, the band (whose core consisted of vocalist and multi-instrumentalist Stevie Winwood, vocalist-percussionist Jim Capaldi, and winds player-keyboardist Chris Wood) variously broke up, saw Winwood's participation in the supergroup Blind Faith, reformed, and struggled with lineup expansions and contractions. Indeed, this 1971 live album recorded in London followed an unreleased Fillmore East effort by John Barleycorn's four-piece edition (the trio plus Blind Faith bassist Rick Grech). Now rhythmically augmented by Jim Gordon, ex-Dizzy Gillespie sideman Reebop Kwaku Baah, and the return of singer-songwriter Dave Mason for his third stint in ...


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San Francisco filmmaker Ernie Fosselius made the most successful short film of all time in the 1978 Hardware Wars, an inspired, mock-trailer for a nonexistent, cheapo rip-off of Star Wars. It worked like this: instead of Chewbacca, Fosselius offers the Cookie Monster. Instead of Darth Vader's breathy, slightly echoed voice emerging somehow behind that black-mask helmet, we get a villain whose every ranting utterance is so muffled even this film's Princess Leia equivalent beseeches him, "What? I don't understand you." And so on. Part of the joke is that George Lucas's revolutionary special effects are supplanted by common kitchen gizmos--mixers, toasters--that serve as spaceships and weapons sources. The updated special edition contains 20 computer-generated "special defects" that don't--the distributor boasts--at all match Fosselius's earlier version. Um... right on? --Tom Keogh



It's Christmas in the tech noir slum of the post-apocalyptic future, and scrap-metal sculptor Stacey Travis gets a present she'll never forget. Scavenger boyfriend Dylan McDermott returns from the wastelands with the insectoid robot head of a killing machine. In no time it whirs to life and builds itself a gizmo-laden body out of handy appliances to continue its single-minded destruction of the human race, one warm body at a time. Director Richard Stanley, something of a scavenger himself, plunders everything from The Terminator, Blade Runner, and The Road Warriorto Short Circuit (the spidery construct resembles a demonic Number 5) for his violent flesh-vs.-metal survival thriller. Shot in sun-blasted orange and sweltering red, it's a triumph of style, set design, and grunge aesthetics over story, driven by a pounding techno score by Simon Boswell and punctuated by splattering gore. --Sean Axmaker

by Jay Webster
$16.88

Average customer rating: ISBN: 0766814033

by Jay Webster
$57.54

Average customer rating: 5.0 ISBN: 0766813916

by Lawrence H. Sparey, L.H. Sparey
$25.95

Average customer rating: 3.5 ISBN: 0852422881

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