Bestsellers > Music > Traditional Vocal Pop
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Nipper's Greatest Hits - The 20's(more) »rank: 25351by: Various Artists
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Sunday in the Park with George (1984 Original Broadway Cast)(more) »rank: 7592from: RCA
:Album Description: A Classic Stephen Sondheim Musical Available Now at a New Low Price! Features bonus tracks, digitally remastered and new liner notes. essential recording:After Merrily We Roll Along's devastating flop in 1981, Stephen Sondheim thought about abandoning the theater. He wrote one of his most beloved shows instead, Sunday in the Park with George. Sondheim and his new collaborator, librettist/director James Lapine, used George Seurat's painting 'A Sunday Afternoon on the Island of La Grande Jatte' as a way to tackle the issue of artistic creation itself. Both Mandy Patinkin and Bernadette Peters play two different parts with brio, ... |
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Sings The Great Italian Hits(more) »rank: 3456by: Jerry Vale
:Album Description: A Classic Stephen Sondheim Musical Available Now at a New Low Price! Features bonus tracks, digitally remastered and new liner notes. essential recording:After Merrily We Roll Along's devastating flop in 1981, Stephen Sondheim thought about abandoning the theater. He wrote one of his most beloved shows instead, Sunday in the Park with George. Sondheim and his new collaborator, librettist/director James Lapine, used George Seurat's painting 'A Sunday Afternoon on the Island of La Grande Jatte' as a way to tackle the issue of artistic creation itself. Both Mandy Patinkin and Bernadette Peters play two different parts with brio, ... |
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At Last(more) »rank: 30856by: Cyndi Lauper
: :The girl who just wanted to have fun has matured into a sensitive interpreter of eclectic standards. Taking a cue from Rod Stewart Cyndi Lauper applies her formidable pipes to an eclectic collection of covers that range from a few Edith Piaf tunes ('La Vie En Rose' and 'Hymn to Love') to classics from the songbooks of Bacharach/David, Etta James, and Smokey Robinson. Although there are some upbeat tracks such as the remarkably authentic Specials-styled ska of a radically reworked 'Sunny Side of the Street,' a rather forced but fun duet with Tony Bennett on 'Makin’ Whoopee,' and the cha-cha, Ricky ... |
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Night and Day: The Cole Porter Songbook(more) »rank: 11879by: Various Artists
: :Cole Porter's songs have a unique charm. Whether conveying the bantering, urbane wit of 'I Get a Kick out of You' or the affecting depths of sentiment in 'Every Time We Say Goodbye,' his lyrics are matched to his melodies with a conversational ease. No matter how hard Porter might have worked at those effects, his efforts are invisible. That seeming nonchalance is conveyed magnificently here by a complement of wonderful singers, including Sarah Vaughan, Betty Carter, and Shirley Horn. Drawn largely from Verve's immense store of 1950s and 1960s recordings, the CD presents some ideal matches of singer and song, ... |
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The Divine Miss M(more) »rank: 5309by: Bette Midler
: essential recording:Was Bette Midler playing on the title of Dinah Washington's The Swingin' Miss D when she named her 1972 debut? Washington would've been proud of this album's tune stack, which makes a sensuous slow-jam classic of 'Do You Want to Dance?' by Bobby Freeman, salutes the Andrews Sisters' 'Boogie Woogie Bugle Boy,' and produces signature pieces of John Prine's 'Hello in There' and Buzzy Linhart's 'Friends.' Midler might not have set out to reinvent the wheel, but on her first try, she outdid Barbra Streisand in taste, wit, and yes, sophistication. --Rickey Wright |
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Christmas Memories(more) »rank: 3001from: Sony
: :What's a nice Jewish girl from Brooklyn cum internationally renowned pop diva doing releasing a(nother) Christmas album? Well, maintaining a long-lived American tradition, for one thing. But then, this companion piece to Barbra Streisand's 1967 A Christmas Album has a mature, jazzy charm and sometimes smoky atmosphere that don't exactly conjure chestnuts roasting by an open fire. Just as Streisand has always used music as a stepping stone to something more ambitiously dramatic, she's used the holiday season here as an excuse to explore rich emotional sentiments, if not necessarily sentimentalism itself. As on its 1960s forebear, her choice of material ... |
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22 Great Hits(more) »rank: 3956by: The Mills Brothers
: :What's a nice Jewish girl from Brooklyn cum internationally renowned pop diva doing releasing a(nother) Christmas album? Well, maintaining a long-lived American tradition, for one thing. But then, this companion piece to Barbra Streisand's 1967 A Christmas Album has a mature, jazzy charm and sometimes smoky atmosphere that don't exactly conjure chestnuts roasting by an open fire. Just as Streisand has always used music as a stepping stone to something more ambitiously dramatic, she's used the holiday season here as an excuse to explore rich emotional sentiments, if not necessarily sentimentalism itself. As on its 1960s forebear, her choice of material ... |
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Louis Armstrong - All-Time Greatest Hits(more) »rank: 3163by: Louis Armstrong
: :What's a nice Jewish girl from Brooklyn cum internationally renowned pop diva doing releasing a(nother) Christmas album? Well, maintaining a long-lived American tradition, for one thing. But then, this companion piece to Barbra Streisand's 1967 A Christmas Album has a mature, jazzy charm and sometimes smoky atmosphere that don't exactly conjure chestnuts roasting by an open fire. Just as Streisand has always used music as a stepping stone to something more ambitiously dramatic, she's used the holiday season here as an excuse to explore rich emotional sentiments, if not necessarily sentimentalism itself. As on its 1960s forebear, her choice of material ... |
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Let It Snow(more) »rank: 2546from: Warner Classics
: :What's a nice Jewish girl from Brooklyn cum internationally renowned pop diva doing releasing a(nother) Christmas album? Well, maintaining a long-lived American tradition, for one thing. But then, this companion piece to Barbra Streisand's 1967 A Christmas Album has a mature, jazzy charm and sometimes smoky atmosphere that don't exactly conjure chestnuts roasting by an open fire. Just as Streisand has always used music as a stepping stone to something more ambitiously dramatic, she's used the holiday season here as an excuse to explore rich emotional sentiments, if not necessarily sentimentalism itself. As on its 1960s forebear, her choice of material ... |




