Time After Time: The Best of Cyndi Lauper
by: Cyndi Lauper
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Sales Rank: 48356
Sales Rank: 48356
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Rating:  - * Great Album ... I bought this CD and was sent another one, not this one. So becareful when buying this CD. But overall after buying this CD a second time, the album is great! Rating:  - * Missing \"Money\" ... I've probably posted this story before in a review of one of Cyndi Lauper's albums, so I won't belabor it here. But the thing that convinced me that Cyndi was a good as I had been hearing (and reading) back in 1984 was not either of the first two hit singles played constantly on the radio (good as "Girls Just Wanna..." and "Time After Time" were). I had no idea what a commanding singer she could be until I walked into a record store where they were playing "Money Changes Everything" on the stereo. It was one of thos "aha" moments you hear about. So that's what they were talking about. I stood riveted as she wailed out those final beautifully angry notes. As scorching a vocal eruption as anything Janis had ever put to record. Ever since I've been fan, whether it was the hip thing to be or not. When others were writing her off as a cute novelty act, I was championing Cyndi Lauper as a great singer. My diva pantheon is select and a bit quirky, but for me Cyndi was right up there with Janis, Grace, Judy Henske, Nico, Laura Nyro and Tracy Nelson (no, NOT the actress, silly). But it was that one song that made a believer out of me, so imagine my disappointment when this German "best of" import left it out. I mean, I won't argue with too many of the songs that did make it onto this disc, and maybe it's kind of a European thing. It's hard to imagine "Money..." being left off of ANY American compilation (so far it has not, to my knowledge). But it did not make it onto this Deutsche disc nor its French equivalent (LES INDISPENSIBLES). Unlike the American (and British) 12 DEADLY CYNS, this compilation is a little less heavily weighted toward SHE'S SO UNUSUAL. Well, actually both had five tracks from the first solo album, but this European product at least gives the sophomore effort TRUE COLORS equal representation with five tracks from that one. The oft maligned and always underrated NIGHT TO REMEMBER is at least represented by two songs, and it's nice to see that aside from "I Drove All Night" (still the best version for my money) the brooding, very grown-up sound that album introduced is captured by one of its better ballads, "I Don't Want To Be Your Friend," on which Cyndi surprised many by sounding uncannily like Joan Armatrading. The more recent American release THE ESSENTIAL CYNDI LAUPER also includes the much in demand "Goonies R Good Enough," so its inclusion here may no longer be reason enough for fans to shell out for this import. However, TIME AFTER TIME does offer another much sought after rarity, the European single "The World Is Stone." This gorgeously sombre composition has also finally appeared on an American CD--oddly a budgetline Christmas CD entitled "Feels Like Christmas," which is certainly inexpensive, but the Gallic gloom seems totally out of place on a holiday CD. It's like mixing absinthe in the egg nog. And here it's all of a piece with such other bits of tristesse as "True Colors" and "Time After Time." It hangs together beautifully. Whoever determined the sequence of the songs did a masterful job by wisely throwing chronology out the window (pretty much) and coming up with a record that flows pretty much seamlessly from beginning to end. But then it works pretty well on random select too. A testament ot Cyndi's talent for sure. And the entire CD is a testament to her universal appeal, I'd say. Too bad she lacks the recognition in this country that the Europeans and Japanese have accorded her since the beginning. Rating: - * Missing \"Money...\" ... I've probably posted this story before in a review of one of Cyndi Lauper's albums, so I won't belabor it here. But the thing that convinced me that Cyndi was a good as I had been hearing (and reading) back in 1984 was not either of the first two hit singles played constantly on the radio (good as "Girls Just Wanna..." and "Time After Time" were). I had no idea what a commanding singer she could be until I walked into a record store where they were playing "Money Changes Everything" on the stereo. It was one of thos "aha" moments you hear about. So that's what they were talking about. I stood riveted as she wailed out those final beautifully angry notes. As scorching a vocal eruption as anything Janis had ever put to record. Ever since I've been fan, whether it was the hip thing to be or not. When others were writing her off as a cute novelty act, I was championing Cyndi Lauper as a great singer. My diva pantheon is select and a bit quirky, but for me Cyndi was right up there with Janis, Grace, Judy Henske, Nico, Laura Nyro and Tracy Nelson (no, NOT the actress, silly). But it was that one song that made a believer out of me, so imagine my disappointment when this German "best of" import left it out. I mean, I won't argue with too many of the songs that did make it onto this disc, and maybe it's kind of a European thing. It's hard to imagine "Money..." being left off of ANY American compilation (so far it has not, to my knowledge). But it did not make it onto this Deutsche disc nor its French equivalent (LES INDISPENSIBLES). Unlike the American (and British) 12 DEADLY CYNS, this compilation is a little less heavily weighted toward SHE'S SO UNUSUAL. Well, actually both had five tracks from the first solo album, but this European product at least gives the sophomore effort TRUE COLORS equal representation with five tracks from that one. The oft maligned and always underrated NIGHT TO REMEMBER is at least represented by two songs, and it's nice to see that aside from "I Drove All Night" (still the best version for my money) the brooding, very grown-up sound that album introduced is captured by one of its better ballads, "I Don't Want To Be Your Friend," on which Cyndi surprised many by sounding uncannily like Joan Armatrading. The more recent American release THE ESSENTIAL CYNDI LAUPER also includes the much in demand "Goonies R Good Enough," so its inclusion here may no longer be reason enough for fans to shell out for this import. However, TIME AFTER TIME does offer another much sought after rarity, the European single "The World Is Stone." This gorgeously sombre composition has also finally appeared on an American CD--oddly a budgetline Christmas CD entitled "Feels Like Christmas," which is certainly inexpensive, but the Gallic gloom seems totally out of place on a holiday CD. It's like mixing absinthe in the egg nog. And here it's all of a piece with such other bits of tristesse as "True Colors" and "Time After Time." It hangs together beautifully. Whoever determined the sequence of the songs did a masterful job by wisely throwing chronology out the window (pretty much) and coming up with a record that flows pretty much seamlessly from beginning to end. But then it works pretty well on random select too. A testament ot Cyndi's talent for sure. And the entire CD is a testament to her universal appeal, I'd say. Too bad she lacks the recognition in this country that the Europeans and Japanese have accorded her since the beginning. Rating: - * Missing \"Money\"...Otherwise Fine ... I've probably posted this story before in a review of one of Cyndi Lauper's albums, so I won't belabor it here. But the thing that convinced me that Cyndi was a good as I had been hearing (and reading) back in 1984 was not either of the first two hit singles played constantly on the radio (good as "Girls Just Wanna..." and "Time After Time" were). I had no idea what a commanding singer she could be until I walked into a record store where they were playing "Money Changes Everything" on the stereo. It was one of thos "aha" moments you hear about. So that's what they were talking about. I stood riveted as she wailed out those final beautifully angry notes. As scorching a vocal eruption as anything Janis had ever put to record. Ever since I've been fan, whether it was the hip thing to be or not. When others were writing her off as a cute novelty act, I was championing Cyndi Lauper as a great singer. My diva pantheon is select and a bit quirky, but for me Cyndi was right up there with Janis, Grace, Judy Henske, Nico, Laura Nyro and Tracy Nelson (no, NOT the actress, silly). But it was that one song that made a believer out of me, so imagine my disappointment when this German "best of" import left it out. I mean, I won't argue with too many of the songs that did make it onto this disc, and have to wonder if maybe it's not just a kind of European thing. It's hard to imagine "Money..." being left off of ANY American compilation (so far it has not, to my knowledge). But it did not make it onto this Deutsche disc nor its French equivalent (LES INDISPENSIBLES). Unlike the American (and British) 12 DEADLY CYNS, this compilation is a little less heavily weighted toward SHE'S SO UNUSUAL. Well, actually both had five tracks from the first solo album, but this European product at least gives the sophomore effort TRUE COLORS equal representation with five tracks from that one. The oft maligned and always underrated NIGHT TO REMEMBER is at least represented by two songs, and it's nice to see that aside from "I Drove All Night" (still the best version for my money) the brooding, very grown-up sound that album introduced is captured by one of its better ballads, "I Don't Want To Be Your Friend," on which Cyndi surprised many by sounding uncannily like Joan Armatrading. The more recent American release THE ESSENTIAL CYNDI LAUPER also includes the much in demand "Goonies R Good Enough," so its inclusion here may no longer be reason enough for fans to shell out for this import. However, TIME AFTER TIME does offer another much sought after rarity, the European single "The World Is Stone." This gorgeously sombre composition has also finally appeared on an American CD--oddly a budgetline Christmas CD entitled "Feels Like Christmas," which is certainly inexpensive, but the Gallic gloom seems totally out of place on a holiday CD. It's like mixing absinthe in the egg nog. And here it's all of a piece with such other bits of tristesse as "True Colors" and "Time After Time." It hangs together beautifully. Whoever determined the sequence of the songs did a masterful job by wisely throwing chronology out the window (pretty much) and coming up with a record that flows pretty much seamlessly from beginning to end. But then it works pretty well on random select too. A testament ot Cyndi's talent for sure. And the entire CD is a testament to her universal appeal, I'd say. Too bad she lacks the recognition in this country that the Europeans and Japanese have accorded her since the beginning Rating: - * Brilliant eighties rock ... After one unsuccessful album, Cyndi recorded three albums in the eighties (She's so unusual, True colors, A night to remember) that gave her plenty of success and it is from these three albums that this compilation is mainly assembled. Some of her later albums, though less successful, are well worth hearing but it is the eighties that most people associate with Cyndi. So, this compilation includes all of Cyndi's important hits of the eighties including Girls just want to have fun, Time after time (later covered by Eva Cassady among others), She bop, All through the night, True colors, Change of heart (with the Bangles on backing vocals), What's going on (a cover of a Marvin Gaye classic) and I drove all night (which also became a top ten UK hit for Roy Orbison). If you just want one collection of Cyndi's music, this has all the essential eighties tracks. |
Each episode is self-contained, from "Decalogue I" ("I Am the Lord Thy God"), the touching story of a boy who starts asking the hard questions of life from his rationalist father and religious aunt, to "Decalogue X" ("Thou Shalt Not Covet Thy Neighbor's Goods"), a comic tale of estranged brothers who bond through a winding ordeal involving their father's priceless stamp collection. There are stories of tragedy and triumph, both expansive and intimate, some profoundly moving and others delicately shaded--but all are warmed by Kieslowski's sympathetic direction and his eye for resonant, fragile imagery. Initially drawn together by location--the series is set in a dreary Warsaw apartment complex--a web of associations forms as characters pass through other stories, sometimes only briefly, and themes reverberate through the series. The Decalogue is ultimately a personal spiritual investigation into the soul of man, a work of quiet attention and deep emotion marked by astounding images and vivid characters. Each volume is also available individually on VHS. --Sean Axmaker
