Editorial Review:

Amazon.com:
With his inexhaustible technique, trademark sound, and limitless imagination, tenor and soprano saxophonist John Coltrane was one of jazz's most dominant musicians. This collection covers his important Atlantic Records sessions recorded from 1959 to 1960 (chronicled in their entirety on Heavyweight Champion). The tunes signal an important transitional phase from Trane's stints with Miles Davis and Thelonious Monk to his emergence as a leader in his own right. 'Giant Steps' 'Naima,' and 'Cousin Mary'--featuring pianist Tommy Flanagan and drummer Art Taylor--crystallized Trane's supersonic 'sheets of sound' style. 'Like Sonny,' an Afro-Latin dedication to his friend and contemporary Sonny Rollins with Wynton Kelly on piano, reveals Trane's stylistic debts to Charlie Parker and Coleman Hawkins. His historic renditions of 'My Shining Hour,' 'Body and Soul,' 'Summertime,' and 'My Favorite Things' highlight Coltrane's ability to remake a song into his own image, as well as introduce his influential sound on the soprano sax. These landmark recordings show the development of Coltrane's 'great' quartet as well as forecast his iconoclastic excursions into the outer limits of rhythm and tonality, which grew during until his death in 1967. --Eugene Holley, Jr.









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Disc 1:

1. Giant Steps
2. Cousin Mary
3. Naima
4. Like Sonny
5. My Shining Hour - John Coltrane, Mercer, Johnny
6. My Favorite Things - John Coltrane, Rodgers, Richard
7. Central Park West
8. Summertime - John Coltrane, Gershwin, George
9. Mr. Syms
10. Equinox
11. Body and Soul - John Coltrane, Green, Johnny

Rating: - * Great selection of the most interesting JC tracks... ... I have this CD in a Rhino release: same music, same cover photo, same "very best of" tagline, just not the "Greatest Hits" design. I think of John's time on Atlantic Records as his most interesting, and all the performances here are from 1959 and 1960. In the '50's, Coltrane was a more traditional sax improviser, mainly on the Prestige label, and he produced some lovely things. After 1960, he moved more and more into "avant-garde" or "free-form" jazz and lost me as a fan. On Atlantic, you get the best...he is harmonic and inventive, melodic and yet stretching a few solos into unexpected territory. For those not familiar with Coltrane, but not all that adventurous in their jazz tastes, this is a superb introduction, better than the Ken Burns compliation which was issued back during the "Jazz" miniseries on PBS. Although I own at least a dozen Coltrane CD's, this one will get repeat play. The mix of ballads and uptempo tracks is excellent here. Rating: - * My favorite Jazz Cd ... I love it, great for dinner party background and definitely great just to listen to. Rating: - * Actually, this is pretty good ... It's tempting to laugh at a John Coltrane compilation, simply because so many of the man's albums are essential. However, even though this neglects Trane's awesome Impulse! albums, focusing instead on his Atlantic years, it's a great introduction to Trane before he revolutionized free jazz and turned himself into one of the jazz world's most controversial musicians as a result. Material from five albums is featured here: Giant Steps (a must-have album), My Favorite Things (ditto), Coltrane Plays the Blues (very solid album), Coltrane Jazz (right in the middle) and Coltrane's Sound (his weakest studio album, though it has its moments - all of them are found here). And the only questionable song on the album is Summertime, a standard I'm pretty well tired of: the Coltrane version is okay, but by far the weakest song on My Favorite Things (I'd rather either Ev'ry Time We Say Goodbye or If Not For Me). Other than that one dud, my only complaint about this album is its rather limited scope: The Ole Coltrane album is entirely ignored, which is a shame because its title track (Well, semi-title track) would definitely qualify as "very best", and the fact is you can't get an idea of what Coltrane's like just by listening to his Atlantic recordings: you need the Impulse! ones too if you want the full picture. Still, as a summary of the Atlantic recordings, it's hard to go wrong with this one: you get a few of his most widely known originals (Equinox; Giant Steps; Naima; Cousin Mary; Like Sonny; Central Park West), and a couple superb covers (My Favorite Things; My Shining Hour; Body and Soul - hard to ruin a song with such a beautiful melody!!), as well as a dark horse that's got my blessing, Mr. Syms. And this does for the most part offer the peak of the man's Atlantic recordings. Rating: - * \"Giant Steps\" \"Equinox\" and \"My Favorite Things\" are enough for 10 stars alone. ... This is a good intro to Coltrane, he has too much amazing stuff to put into a single CD but this is a great place to start off. You'll get a little sample of all his sounds from this CD. And for those of us who own more than 10 Coltrane Albums, it's still nice to have all these excellent songs on one high quality CD. Rating: - * The Very Best of John Coltrane -- Not To Be Missed! ... In this recording of John Coltrane, there are several songs that stand out in my mind as I write this: The incredibly complex "Giant Steps", the child-like version of "My Favorite Things", the on-again/off-again sad to happy blues song "Equinox", and the business day blues of "Mr. Syms". Each of these standout songs is different and unique among the other songs on the recording, but it is to these I want to draw your attention as those that captured mine when I listened to the CD. I am a guitarist who wants to learn Coltrane's interval and melodic technique, but I am always perplexed by his ever changing exploration of the note, in and around the note, wrenching it of its juice like a squeezed lemon, until there is no more; and then Coltrane changes his melodic structure and has another entire lemon to work with. Please don't misunderstand this illustration as to make it sound like his music is sour like the lemon, although that's what you may be thinking! Coltrane's unique use of intervals has always what has been his hallmark, some slow and bluesy, others as in the changes of "Giant Steps" blindingly fast and complex. There are other songs I would have liked to have seen appear on this recording, but as advertised as "The Very Best of John Coltrane", this CD doesn't fall that short. If you are new to Coltrane's work, this is an excellent place to start. I gave it 4 out of 5 stars because of the fact there should be other more recognizable songs of his on this recording, and I would have gladly paid for a 2-CD set if "The Very Best of John Coltrane" delved more into his vast repertiore of work. All that being said, the songs on "The Very Best of John Coltrane" will not disappoint or denegrate the recording in its entirety. Again, the CD should be taken for its whole, not just the standout songs I mentioned above. Classic Jazz enthusiasts already know Coltrane, and this is a welcome addition to my collection, almost always in rotation on my CD carousel if not uploaded to my iTunes.