Music : The Definitive Collection |
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Rating: - * The best songs by one of the greatest bluesmen in history.... ... This album simply cannot be beat. You get some of the greatest songs from one of the all-time great post-war bluesmen, Chester Burnett, a.k.a. Howlin' Wolf. If BB King is a fine wine, Howlin' Wolf is a shot of strong scotch. The CD starts out with Moaning at Midnight, a song which will send chills up your spine the first time you hear it....if anyone can be said to have an inimitable voice, it can be said of Chester Burnett. Personally, I was not sure I would like Howlin' Wolf as I was just getting into the genre of the blues, and so purchased this album instead of his 3 CD box set. Later, I also added His Best, Volume 2, to my collection. In any case, this album (or the box set), is a must have for anyone who loves the blues. Though it must be said that this is a must have for any lover of the blues, it is also probably just as true that it is a must have for any lover of music in general. Highly recommended. Rating: - * Hoy Hoy I'm your boy! ... Even before college I was grooving to the Wolf. When I got to the University of Rochester, my dreams came true. I got to produce a show with Wolf and his band in 1969. A dance/concert. It was extra special because before the show, we had a picnic thing...ribs, chicken etc., with the band and a surprise guest...Eddie 'Son' House! Thirty years later, I saw Hubert Sumlin at a festival in Maryland, and asked him to re-sign the poster from that '69 show. He told me the band, and Wolf, in particular, were blown away by the gig. 'Best show they ever did'! Muddy could do many things, but Wolf was the most visceral guy out there. I'll never forget the ladies' reactions to 300 Pounds of Heavenly Joy and Built for Comfort. Rating: - * Flawless... but ... There is absolutely no way to fault the material on this collection of masterpieces but... if you are a blues fan, you will want the box set or even more. There is just no one like the Wolf. I love a broad range of blues, from the earliest country blues pickers to the West Side soul crew, but not a one of them can stand up to the Wolf. The primal energy in these tracks has never been matched by any other artist and never will be. The band is almost supernatural in how well they play together and read each other, and, as if having the best songs to choose from (many of them written by legendary Willie Dixon) weren't enough, the icing on the cake is one of the most influential, inimitable, nastiest, just indescribably awesome guitar players of all-time HUBERT SUMLIN!!! Rating: - * Unsurpassed! ... This is really just MCA/Chess' Howlin' Wolf-compilation "His Best" in new guise, but that's not a bad thing. "His Best" was by far the greatest single-disc Wolf-compilation on the market, and now this one is simply taking its place. But do you know what you are getting into here? Even people who like Muddy Waters are sometimes turned off by the "sound of heavy machinery operating on a gravel road" that was Howlin' Wolf's voice. Chester Arthur Burnett, the Howlin' Wolf, stood about 6'4" and weighed close to three hundred pounds in his prime, and his raw, throat-shredding vocals sound positively frightening on early cuts like "Moanin' At Midnight" and the clanging, piano-driven boogie of "How Many More Years", his first R&B hit, and the one which allowed him to proudly state that "I'm the onliest one drove out of the South like a gentleman!" This is electric blues of the highest order, rough and tough and extraordinarily powerful. The songwriting credits are shared about equally by the omnipresent Willie Dixon, who plays bass on most of these cuts, and the Wolf himself, and while few of these songs are as well-known as Muddy Waters' "Hoochie Coochie Man" or Elmore James' "Dust My Broom", they are quite as magnificent. Wolf's tough "Who's Been Talkin'" is an incredibly gritty tour de force set to a thumping rhumba beat, and Dixon's horn-driven rave-up "Hidden Charms" features perhaps the greatest guitar solo ever comitted to tape, courtesy of Jimmy Page's and Eric Clapton's hero (as stated by themselves), the extraordinary Hubert Sumlin. Other highlights include "Forty-Four", the eerie "Smokestack Lightnin'", the slide guitar-driven "Little Red Rooster" and the phenomenal "Killing Floor", written by Howlin' Wolf, shamelessly stolen by Led Zeppelin and covered by several others, but never surpassed, and featured here in the ultimate version, propelled by an incredibly catchy guitar riff by Hubert Sumlin, and with Buddy Guy on acoustic rhythm guitar. Almost every song is a highlight, actually. This CD is a corner stone in any serious blues collection...hard-rocking, bone-crunching electric blues, burning with the sheer ferocity of Chester Burnett's incredible voice. There was never anyone quite like the Wolf, and it doesn't seem likely that there will be. Rating: - * Some of the best blues that money can buy ... With his demonic charisma and bone-chilling voice, Howlin' Wolf was one of the towering figures of the blues, a performer whose greatest moments served as electric counterparts to the incantations of Robert Johnson. As this 20 track compilation proves, the Wolf was one of the Chicago blues' most distinctive and darkly brilliant figures; his performances (and those of his superb backing bands) were pure atmosphere, full of late-night swagger and claustrophobic paranoia, with distorted guitars sneaking their way through gin soaked piano lines and uneasy rhythms. It was a raw, cathartic sound, characterized y manic joy and barely subdued fear. The result is one of the greatest bodies of work in the history of blues music. These 20 tracks can attest to that- the apocalyptic "Moanin' At Midnight" kicks off the proceedings wonderfully, setting the stage for the furious surrealism of "Smokestack Lightnin''" and the hulking sexuality of "Back Door Man." "Wang Dang Doodle" is as divinely deranged as any rockabilly track, and "Spoonful" is an absolutely spine-shredding slow burner, with a vocal performance that drips sexual innuendo. "Killing Floor" is a slinky, rhythmic strut, and "Evil" is as menacing as its title. This is a classic blues disc, and an essential purchase for anyone who doesn't already have these songs. |

In Michael Jackson's Complete Guide to Single Malt Scotch, devotees of the dram can peruse the latest revised edition of the 1989 work. In 336 pages brimming with maps, photos, and informed overview of factors such as geography and flavor components--even proximity to the sea--Jackson sketches the evolution of Scotch whisky, from the prebottling days, when shopkeepers like Johnnie Walker and the Chivas Brothers would create their own blends for sale, to the late-1960s and 1970s' surge of individual distilleries marketing their own bottlings. Lamentably labeling the former as a time when "orchestrations drowned out the soloists," Jackson provides some sweet sheet music of his own: 294 pages are devoted to an A-to-Z review (including full-color labels and tasting notes) of more than 800 singles from "every Scottish malt distillery that has ever witnessed its product in a bottle." It's the perfect book to take to your local liquor store next time you're trying to navigate the high shelf of Scotland's highlands, lowlands, and islands. You may laugh at Jackson's description of Auchentoshan Select's "oily" nose with "hints of citrus zest" or Aberlour 10-year-old's "mint-toffee" bouquet. But you'll be laughing out of the other side of your haggis when you actually smell them. All the notes are well researched and designed to appeal to Cardhu-carrying connoisseurs, as well as those who'd just like to know more about Bowmore. In his introduction, the author describes a whisky's finish as "a crescendo, followed by a series of echoes. When I leave the bottle, I like to be whistling the tune." Scotch drinkers will find plenty to wet that whistle in Michael Jackson's Complete Guide to Single Malt Scotch. --Tony Mason


![]() Compact and easy, to use the MyFi offers 150 XM satellite channels. |
The MyFi comes with a densely packed carton of accessories, including everything from headphones and antennas to a remote control, belt clips, and separate docking apparatus for integrating the receiver with your home and car stereos.
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An illuminated six-line LCD is your gateway to browsing XM's programming. You can browse by station, by category, or (our favorite) by currently playing artist. Thirty channel presets simplify access to your favorites, and a handy memo button stores artist and song data for up to 20 performances you'd like to look into later (or find again on XM).
Any satellite radio system requires a fairly heavy-duty antenna. Accordingly, the MyFi comes with four: one for the home (place it in a south-facing window), one for the car (mount it on the roof or trunk), a clip-on antenna for when you're hoofing it, and a built-in antenna. Our home reception was perfect--we never experienced a single drop out. Car reception was spottier, though still excellent. You just have to get used to the fact that where analog radio gets noisier in areas with poor reception, satellite radio drops out altogether; it's either all there, crystal clear, or all absent. And that's where My XM, MyFi's recording feature, comes in handy.
![]() The MyFi mounts easily in most vehicles. |
My XM lets you record XM programming to MyFi's onboard memory--perfect for time shifting your listening (as with a news program or a scheduled performance on XM Live) or for tuning in when you'll be someplace lacking XM reception (in a canyon, on a subway, in a windowless cubicle, etc.). You can schedule a recording or start and stop recording at any time you wish, and new recordings pick up where you last stopped. But you can't erase anything unless you clear the memory--which means you can't whittle away songs you don't like to retain your favorites. It's also important to remember that when you've filled the unit's memory (128 MB, or 5+ hours of full bitrate XM radio), it'll record over earlier material, starting from the top. During playback, however, My XM lets you skip easily from track to track and even pick from a list of all tracks.
You can configure the MyFi's LCD to scroll stock and sports-score tickers, a great way to keep an eye on important stats. The receiver also features a built-in sleep timer (15 minutes to 1 hour) and an alarm clock (wake to a beep or to XM programming).
What's in the BoxFor car use, you have a choice of mounting options for the vehicle cradle: flush mount, vent mount, or swivel mount. The cradle houses a power jack for a DC vehicle power adapter (included), an antenna input, and an audio output for use with the provided cassette-shell audio adapter. You can use the cassette adapter or the MyFi's built-in wireless FM transmitter, which turns any FM radio into an XM radio. (Audio quality is better using the supplied cassette audio adapter, however. You may also purchase a wired FM adapter, though XM asserts that the cassette adapter sounds better than that, too.)
![]() The Delphi XM MyFi comes complete with all of the accessories needed to enjoy XM anywhere. |
Positioning the car antenna can be inelegant, despite its heavy-duty magnet. You can have it professionally installed or live with an exposed antenna cord, though XM recommends using "existing holes, body grommets, and other wiring channels" rather than closing a door over the cord on a daily basis. The receiver's battery pack proved good for about five hours between charges. The included earbud headphones are neither comfortable nor particularly well made; a nicer set would represent XM's strong sound quality. --Michael Mikesell
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MyFi receiver with a clip-on antenna, an integrated rechargeable battery, a complete home accessory kit (with antenna and audio cable), a complete vehicle accessory kit (with antenna), stereo earbud headphones, a remote control, a remote battery, a belt clip/stand, a protective carrying case, and quick-start guides and user's manuals in English and Spanish.
