The Definitive Collection
by: John Lee Hooker
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Sales Rank: 3297
Sales Rank: 3297
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Rating:  - * Nice Intro ... I was pretty J L Hooker stupid when I bought this. I only bought it to have a copy of 'Boom Boom'. But this is pretty good stuff. The guy who is mainly into hard rock and heavy metal is finding this very good. There are a lot of good songs encompassing his career. If you are just beginning to delve into the blues, pick this up. Rating: - * American music ... I just finished another review and this CD popped up as a product I recently purchased for me now to review. I don't even have anything to say. I took a look at the reviews below and can't add a single thing except just to express my heartfelt agreement with them and to recommend this CD to anybody that comes along. So read the reviews below and buy this amazing collection of legendary John Lee Hooker's music. Rating: - * Excellent overview ... This is not everything you could ever want from John Lee Hooker, but if you are just looking for a single-disc compilation to get you going, you could do a lot worse than "The Definitive Collection". There are dozens of mediocre Hooker-compilations out there, many of which only cover his output for one particular label, but here you get almost all of the Hook's best and best-known songs, from his sparse 40s recording of "Boom Boom" to his modern-day collaborations with Santana and Bonnie Raitt. I wouldn't have chosen the stylistically challenged "The Healer" to represent the album of the same name, and a single CD can't quite hold all of John Lee Hooker's best songs, but this is still one of the finest compilations of its kind currently on the market. The sound is terrific, the liner notes are fine, and songs like "Dimples", "Boom Boom", "I'm Bad Like Jesse James", "It Serves You Right To Suffer", and "Think Twice Before You Go" are all part of the fabric of the blues. In time you'll want to hear John Lee Hooker's extraordinarily gritty live album from the Café au Go Go, and ALL of his magnificent 50s and 60s waxings for the Vee-Jay label - available on the Tomato albums "The Early Years" vol. I and II - but everybody's gotta start somewhere. And this collection is quite as good as the other five-star, single-disc Hooker-compilation out there, Rhino's "The Very Best of John Lee Hooker", and while the Rhino label's rather more pricey two-disc "Ultimate Collection (1948-1990)" is a bit closer to actually being definitive, this is still a very, very good place to start. Perhaps even the best. Rating: - * The King of the Boogie ... A lot of times these single disc collections try so hard to offer as much as possible the best of a certain artist. Too many times so much essential material is left off, and the same predictable fare is churned out, that it seemed effortless and pointless for the most part. That isn't necessarily the case with someone like John Lee Hooker, whose career spanned some 40-50 years on a variety of more than 20 some labels like Modern, Chess, Impulse, Vee-Jay, ABC-BluesWay and so many others. That's where it becomes very problematic and debatable as to what counts and what doesn't. Every label in every tiny aspect of his career couldn't be represented, of course, so balance becomes an issue, too. Another thing is that a handful of these approach or are over 5 minutes in length. It may sound like this is very picky, but for a single CD, this is a rather noteworthy representation. Early classics like "Boogie Chillen" and "I'm in the Mood" are represented as well as timeless upbeat tunes like "Boom Boom" and "One Bourbon, One Scotch, One Beer" which is blues at its very best. The latter part fo his career is represented with his collaborations with Canned Heat in 1970, and Carlos Santana and Bonnie Raitt in 1988. Other than those mentoned, "Dimples", "I'm Bad Like Jesse James", and "Think Twice Before You Go" are also definitely worth checking out as well as the three final tracks featuring the collaborations. "The Healer" is the most different of the three, and has a slicked, synthesized Latin-tinged groove. Overall, a fair enough representation is made proving how John Lee Hooker was successful with each generation he played for and encountered during his mammoth career, and is still appreciated with many new fans and bands today. Rating: - * Boom Boom - Boogie Chillen ... There is a reason that artists like Santana, Bonnie Raitt and Canned Heat team up with John Lee. There is a reason he shows up in the movie "The Blues Brothers." It is because John Lee Hooker is delta blues to full tilt boogie. The man is a legend and just knocks your socks off if you are really into blues. When you see him in person, his attire also sets off the mood. John Lee you are up there with Muddy and The Wolf. Maybe the best endorsement for any John Lee Hooker compilation comes from none other than George Thoroughgood and The Delaware Destroyers. In one of George's versions of "One Scotch, One Bourbon, One Beer," just before George gets the boot from his land lady for not paying his rent he says "I gathered up my John Lee Hooker collection..." Now that is PAYING HOMAGE TO ONE OF THE THREE GREATEST BLUES ARTISTS OF THE MODERN ERA...i.e. Chicago Style Blues. |
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The device's large, easy-to-read LCD display can separately display aerobic steps and minutes walked more than 10 minutes continuously, so you always have the information you need right in front of you. Meanwhile, a seven day history lets you review a full week of exercise. The device also resets at midnight automatically so it's ready to go every morning. Of course, the device can also function as a handy and highly accurate clock. It also comes with a detachable belt holder and security strap so it's always close at hand.
The HJ-112 is powered by a replaceable lithium battery (CR2032) that will last six months when used for walking 10,000 steps a day. The device measures approximately 2.8 x 2.1 x .6 inches (H x W x D) and weighs 1.1 ounces (not including battery).
What's in the Box
Pedometer, battery (CR2032), screwdriver, strap, clip for strap, holder, and instructional manual.
