Music : The Complete Village Vanguard Recordings, 1961

Music : The Complete Village Vanguard Recordings, 1961

The Complete Village Vanguard Recordings, 1961

by: Bill Evans



The Complete Village Vanguard Recordings, 1961
Buy Now
See Larger Image
Availability: Usually ships in 24 hours

List Price: $29.98
Your Price: $15.99
You Save: $13.99 (47%)
Prices subject to change.

Average Rating:  out of 5 stars
Sales Rank: 1294










Please click here for more info


Binding: Audio CD
EAN: 0025218444323
Format: Live, Original recording remastered
Label: Riverside
Manufacturer: Riverside
Number Of Discs: 3
Publisher: Riverside
Release Date: September 13, 2005
Sales Rank: 1294
Studio: Riverside










Editorial Review:

Amazon.com:
Bill Evans, with virtuoso bassist Scott LaFaro and drummer Paul Motian, reinvented the jazz piano trio, creating stunning contrapuntal dialogues that merged luminous lyricism with layers of complex, elusive harmonies, its moments of limpid beauty suddenly giving way to surging rhythms. The trio's finest recorded moments, these performances were captured just 10 days before LaFaro's death in a car accident. The original releases--Sunday at the Village Vanguard and Waltz for Debby--are celebrated masterpieces. This three-CD set is a brilliant reissue--almost a revision--of that material, with superb sound from the newly remastered original tapes and all of the music presented in the sequence of the original five sets, adding a previously unissued take of 'Gloria's Step,' spoken introductions, and the band's incidental conversation. For those who know this music, it's a chance to hear it in a fresh way; for new listeners, it will come as a revelation at a bargain price. --Stuart Broomer









Availability: Usually ships in 24 hours


Related Items:
Explorations Moon Beams Portrait in Jazz Kind of Blue Somethin' Else see more

Related Items:


Disc 1:
  1. Spoken Introduction - Bill Evans,
  2. Gloria's Step - Bill Evans, LaFaro, Scott
  3. Alice in Wonderland - Bill Evans, Fain
  4. My Foolish Heart - Bill Evans, Young, Victor
  5. All of You - Bill Evans, Porter, Cole
  6. Announcement and Intermission - Bill Evans,
  7. My Romance - Bill Evans, Rodgers, Richard
  8. Some Other Time - Bill Evans, Bernstein, Leonard
  9. Solar - Bill Evans, Davis, Miles
Disc 2:
  1. Gloria's Step - Bill Evans, LaFaro, Scott
  2. My Man's Gone Now - Bill Evans, Gershwin, George
  3. All of You - Bill Evans, Porter
  4. Detour Ahead - Bill Evans, Carter
  5. Discussing Repertoire - Bill Evans,
  6. Waltz For Debby (Take 1)
  7. Alice in Wonderland - Bill Evans, Fain
  8. Porgy (I Loves You, Porgy) - Bill Evans, Gershwin
  9. My Romance - Bill Evans, Rodgers, Richard
  10. Milestones - Bill Evans, Davis
Disc 3:
  1. Detour Ahead - Bill Evans, Carter
  2. Gloria's Step - Bill Evans, LaFaro, Scott
  3. Waltz For Debby (Take 2)
  4. All of You - Bill Evans, Porter
  5. Jade Visions - Bill Evans, LaFaro
  6. Jade Visions - Bill Evans, LaFaro
  7. ...A Few Final Bars - Bill Evans,


Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - * simply stated, a timeless weekend captured in an intimate setting ...
First of all, I was blown away by the recording. The ambience of the audience only adds to the feeling that you are right there, front row, listening, watching three guys ripping it. This is truly one of the best live recordings I have heard, jazz or otherwise. The reperoire between the musicians seems almost telepathic, but the audience doesnt really appreciate the specialness of what they are hearing. They had no idea that less than a month later Scott Lefaro would be tragically killed in an auto accident.

This was a great purchase, but be forewarned, the track sequence can be a problem , it comes in the form of 3 MP3 album downloads. The correct sequence is shown on the album sample page on Amazon. You may have to edit some track #s to get it in the correct chronological order. Once you have that sorted, the entire collection can be burned onto two Audio Cds.

Do yourself a favor, get this one...




Rating: 4 out of 5 stars - * Good but not Great ...
This is a very good sample of the Bill Evans trio at its best. Its interesting, enjoyable and mellow but it is not innovative. This set will impress fans of Dave Brubeck and mellow jazz but it will disappoint listners expecting "Kind of Blue" and John Coltrane style innovation.
If you like the mellow Bill Evans style I recommend his "Nirvana" set with Herbie Mann. I personally feel "Nirvana" is a more innovative recording of this style.



Rating: 5 out of 5 stars - * Don't assume you've heard it until now ...
Even though I had the two original Riverside LP's and two later CD's purporting to contain remastered essentials from the session, Amazon's price for the latest three-disc collection was too attractive to pass up. After listening to the three discs in sequence, I now question if I even heard what was on the previous recordings. This is at once stunning and immeasurably satisfying music, LaFaro and Evans "in the moment" as never before, their empathy, individual genius, and shared quest of discovery brought to vivid realization for the listener. Not until his final trio with bassist Marc Johnson would the pianist again approach such a level of artistry, but there would be no possibility of a return to the moment of incipient splendor. This may be the greatest value on Amazon, but there's no way to put a price on the music herein. Even if you've limited or stopped purchasing the endangered CD (now apparently going the way of the LP), this one had better be the exception. Forget the download. Both you and Bill deserve better.

WARNING (read the directions): Shortly into the first track, "Gloria's Step," there's an audio drop-out that sounds like some flawed CDs that I've purchased. I requested a replacement from Amazon before reading the enclosed booklet. The one-second gap of silence is a technical glitch or power failure with the Ampex tape recorder, captured just as it transpired (or momentarily expired) on that Sunday afternoon, June 25, 1961.

Warning #2: Listen to "All of You," Take 1 (which moreover was rejected!). Comparing it to Jarrett's version will only convince you that jazz piano has regressed over the past 30 years. Same with Mehldau, or just about any new pianist, however "original." Bill was sui generis. He can become old, at times stale, during the vast "middle period." But on these sets (and anything pre-1961) as well as his last 18 months (1979-80), his music can be more inexhaustibly satisfying than 2000 of my best CDs. In fact, no other artist's music is required (though I guess I would miss Diz, Stitt, and Hank Mobley).



Rating: 5 out of 5 stars - * No Bill like this Bill ...
I can give you a book full of reasons why, if you are into jazz, or into piano, or into music in general, you need to buy this set of recordings. Suffice to say, Bill Evans was the peak, the bee's knees, the top of the pole in his time, and this captures some of his brightest and best moments, all in one collection. Delightful tunes, both standards and not so, and alternate takes that shed light on the music making process and the insight that Bill brought to his music. You will read or hear about other jazz pianists who are billed as "the next Bill Evans", or who are "as good as Bill Evans", but whatever, number one: don't believe it, and number two: buy and listen to this set to see what "they" are talking about. This is a wonderful piece of jazz history, and you can have it in your home as fast as the UPS truck can get there. If you prefer studio versions to live, you can get Waltz for Debby or Portrait in Jazz, but be warned that they'll probably make you want to buy this set anyway.



Rating: 5 out of 5 stars - * Yep, it's THAT good... ...
Occasionally I read a review on Amazon and then order the item - and wonder what planet the people who gave it high marks are living on. Not so for this gem. This is the REAL DEAL. Others have been far more eloquent than I could ever hope to be in explaining WHY it's so good. Let me simply say this: I've got a half a gazillion jazz recordings and this rates right up there with the very best of them. It's just really good music, really well recorded. And, at this price, it's a truly great deal as well. You won't be disappointed.


1961 Recordings, Vanguard Village Complete The


read more customer reviews on The Complete Village Vanguard Recordings, 1961


Browse for similar items by category:

 







Housewares and Kitchen Shopper









$21.99



Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

$9.99



Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
$8.99



What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

by Marc Shapiro

Average customer rating: ISBN: 1550224670

by Amy; Parker, Sarah Jessica Sohn

Average customer rating: ISBN: 0752265059

by vogue

Average customer rating: ISBN: B000V81CGW
$10.99



The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman

1961,B000AMJEKA Recordings Vanguard Village Complete The
Shopping at music.bestglobalgifts.com  Created at Tue Dec 2 04:50:43 2008