Music : The Best of Talking Heads

Music : The Best of Talking Heads

The Best of Talking Heads

by: Talking Heads



The Best of Talking Heads
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List Price: $18.98
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Average Rating:  out of 5 stars
Sales Rank: 837










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Binding: Audio CD
EAN: 0081227648824
Format: Original recording remastered
Label: Rhino / Wea
Manufacturer: Rhino / Wea
Number Of Discs: 1
Publisher: Rhino / Wea
Release Date: August 17, 2004
Sales Rank: 837
Studio: Rhino / Wea










Editorial Review:

Album Description:
Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, the Talking Heads evolved out of their now-legendary humble beginnings at CBGB's to become one of the most adventurous and influential bands ever. Inducted into the Rock and Roll Hall of Fame in 2002, the Heads' visionary, polyrhythmic sound daringly combined funk and punk, African beats, avant-garde minimalism, and pure pop. From their 1977 debut through their Brian Eno-produced classics to their '88 farewell, Naked, they both pushed artistic boundaries and delivered indelible radio hits like 'Once In A Lifetime' and 'Burning Down The House.'









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Disc 1:
  1. Love ->
  2. Building On Fire
  3. Psycho Killer
  4. Oh, Love Comes To Town
  5. Take Me To The River
  6. Found A Job
  7. Life During Wartime
  8. Heaven
  9. Memories Can't Wait
  10. Once In A Lifetime
  11. Houses In Motion
  12. This Must Be The Place (Naive Melody)
  13. Girlfriend Is Better
  14. Burning Down The House
  15. Road To Nowhere
  16. And She Was
  17. Wild Wild Life
  18. Blind
  19. (Nothing But) Flowers


Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - * Agood intro, better to have them all! ...
Most of the other reviewers have made good points so I'll try to be brief and not repeat. I was always a fair weather Talking Heads fan and finally got fully into them with the live "The Name of This Band..." release. I was overcome and had to go out and get their first four releases. I feel the best wat to explore this band is to start at the beginning and you can slowly trace their progress from an educated pop band all the way into their more produced rhythms and textures. I always remember a review from Rolling Stone about one of their shows at a festival when they suddenly appeared as an eight piece, or so, band. It may not seem like the same band if you just have one disc of the entire career. It seems jolting somewhat all the transitions they have gone through. I would strongly recommend progressing from :77, More Songs..., Fear of Music, Remain in Light, Speaking in Tongues, True Stories, Little Creatures, all the way to Naked. This way it's a natural progression and showcases the pure genius of their evolution. A good live presentation of this is the Jonathan Demme film "Stop Making Sense" which opens with Byrne alone on a baren stage and adds one musician per song up to their full strength. I saw this show three times. Once as part of their tour at the Greek, then as a rehearsal at the Long Beach Arena, and finally for the actual filming at the Pantages. Truly one of the greatest concert films ever and a true showing of their changes over the years.



Rating: 5 out of 5 stars - * Fab, Talking Heads for the ages ...
I have only one Talking Heads CD....And with this one, What else do you need?



Rating: 4 out of 5 stars - * Almost perfect - but minus 1 star for... ...
not including Stay Up Late. You know that song "please let me hold him, I want to make him stay up all night". If your a casual fan of TH and just wanted a greatest hits, like I said, it's almost perfect. It has the mainstream hits Take Me To The River, Once In A Lifetime, Burning Down The House, And She Was, Wild Wild Life, Psycho Killer. Although I really feel the version Psycho Chicken by The Fools is much better. But there ya go, 6 great songs for $14.99, ya ain't gonna find that on a late night infomercial.



Rating: 5 out of 5 stars - * Hard Head Leather Brain ...
.... thats what you must have if you dont grab this OUTSTANDING cd. only wish I had spotted it years ago, what a great set of tunes!!! A lot of bang for the buck.



Rating: 5 out of 5 stars - * An extremely well-done introduction to the band ...
The Best of Talking Heads is the latest in a (relatively short compared to other artists) line of "Greatest Hits" for the band. However, if you are someone who is looking for a single-disc package of the best songs from each of the band's albums, this is the CD for you. With an average of two songs from each album and a running time of over 75 minutes, it gives a very good overview of the band. The songs are very well picked given the limitations of the medium, and I don't think you can do much better when trying to turn a casual listener into a full-fledged fan. Sure, you can argue about the selections: "Houses in Motion" over "Born Under Punches"? No "I Zimbra"? But remember, this CD is for "new" listeners, and throwing songs like "Born Under Punches" in is like trying to teach calculus to a five-year-old. As for "I Zimbra", it pales in comparison to the other three selections from Fear of Music. Overall, this album is a great conversion tool to pop in while driving with a friend, which is exactly what it is for.


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Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden gems. Julie Miller's "Midnight and Lonesome" is dragged into the murky swamps as a driving ballad with eerie qualities that live up to its name. Miller and husband Buddy are also credited with the righteous-yet-rugged gospel of "Shelter Me." "Somebody's Got to Go," originally by Lonnie Johnson, gets a crisp, frisky makeover, and even Buffalo Springfield's crusty "For What It's Worth" takes a swim in the muddy waters of Benoit's home state, with a little help of some altered, post-Katrina lyrics. The guitarist lets his Cajun influences fly on the bouncy rhythms of "Sac-Au-Lait Fishing," the album's only original, and shifts into pleading Otis Redding mode for the aching blues ballad "I'm Guilty of Lovin' You." The Chicago-by-way-of-the-Delta shuffle of "One Foot in the Bayou" is also an apt description of Benoit's approach. He touches on a variety of Americana styles, yet always keeps part of himself planted firmly in the wetlands of his roots. --Hal Horowitz

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