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A Decade of Hits 1969-1979
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A Decade of Hits 1969-1979

(more) »rank: 967

by: The Allman Brothers Band


: :With their dueling guitar leads and harmonies built on a double drummer foundation, the Allman Brothers Band cast the mold for the southern rock sound that would proliferate in the '70s. Virtuoso musicians, their songs drew upon a number of southern influences, including country, the blues, New Orleans jazz, and even gospel, creating a sound that was distinctly theirs. Decade of Hits is a great catalog of the Allman's at their guitar wielding best. The sweet, infectious harmonies on the instrumental 'Jessica' have become a classic reference point in themselves. Next to the tragedies that plagued them--two motorcycle deaths, heroin addiction--the Allman's are ...

The Allman Brothers at Fillmore East
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The Allman Brothers at Fillmore East

(more) »rank: 1646

by: The Allman Brothers Band


: essential recording:There has never been a better showcase for improvisational rock than this 1971 concert recording, and few (if any) live rock albums are in its rank. With only two studio albums (and plenty of touring) under their belt, the Georgia sextet tore into the Fillmore East with road-tested buoyancy. Titanic guitarist Duane Allman was at the peak of his powers, pushing his foil, Dickey Betts, to unsurpassed peaks. Vocalist-keyboardist Gregg Allman would have been a star in any other setting; here he's merely one more component in a brilliant ensemble. Duane Allman died shortly after At Fillmore East shipped, and the ...

Brothers and Sisters
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Brothers and Sisters

(more) »rank: 2841

by: The Allman Brothers Band


: :Their first full studio album without guitarist Duane, 1973's Brothers and Sisters doesn't match what came before it but would probably be considered a masterpiece if it came from most other bands. The Allman(s) move away from their rougher blues rock toward a groovier Southern rock, a shift that reflects the increased influence of Dickey Betts and new pianist Chuck Leavell. Betts contributes chestnuts such as 'Ramblin' Man,' 'Southbound,' and the classic instrumental 'Jessica,' plus the acoustic finale 'Pony Boy,' which showcases his work on Dobro. Gregg's impact is not nearly what it once was, although his 'Come and Go Blues' and 'Jelly ...

Eat a Peach
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Eat a Peach

(more) »rank: 2924

by: The Allman Brothers Band


:Album Details:Not the Remastered Version. :Having firmly established themselves as 'The Grateful Dead of the South' via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus 'Mountain Jam,' blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's 'One Way Out' and his own 'Melissa,' it was second guitarist Dickey Betts who came out from under the ...

The Allman Brothers Band
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The Allman Brothers Band

(more) »rank: 4371

by: The Allman Brothers Band


:Album Description:UK pressing from one of the most influential rock groups of the 70's. Features 7 tracks including 'Stormy Monday', 'Trouble No More', 'Whippin' Post' and more recorded live at the American University in Washington D.C. on December 13, 1970. Castle Music. 2005.

Beginnings
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Beginnings

(more) »rank: 3296

by: The Allman Brothers Band


: essential recording:For once, a record label actually gives us more bang for the buck, combining two indisputable classics--1969's self-titled debut and the 1970 follow-up Idlewild South--onto one glorious CD. Five urgent notes kick off Spencer Davis's 'Don't Want You No More,' and by the time that searing instrumental morphs into Gregg Allman's superb slow blues 'It's Not My Cross to Bear,' it's clear these Georgians mean business. Everyone talks of the Muddy Waters and Willie Dixon covers, the furious twin leads of Duane and Dickey Betts, Gregg's soulful voice and formidable organ, the percussion attack of Jaimoe and Butch Trucks, but what ...

At Fillmore East
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At Fillmore East

(more) »rank: 6058

by: The Allman Brothers Band


:Album Description:Made up of two 1971 (March 12 & 13 along with June 27) visits by Les Brers to New York, 'The Allman Brothers Band at Fillmore East' has long been regarded as one of rock's great live albums, but portions of those legendary performances have also wound up on albums like 'Eat A Peach' (the awesome, half-hour 'Mountain Jam') & the Duane Allman anthology. Now, for the first time, all recordings (in their original mixes) lifted from the Fillmore East dates have been assembled together into a two disc double gatfold digipak package with a slipcase boasting rare photos, notes & over ...

Eat a Peach
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Eat a Peach

(more) »rank: 9046

by: The Allman Brothers Band


:Album Description:Made up of two 1971 (March 12 & 13 along with June 27) visits by Les Brers to New York, 'The Allman Brothers Band at Fillmore East' has long been regarded as one of rock's great live albums, but portions of those legendary performances have also wound up on albums like 'Eat A Peach' (the awesome, half-hour 'Mountain Jam') & the Duane Allman anthology. Now, for the first time, all recordings (in their original mixes) lifted from the Fillmore East dates have been assembled together into a two disc double gatfold digipak package with a slipcase boasting rare photos, notes & over ...

Idlewild South
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Idlewild South

(more) »rank: 16253

by: The Allman Brothers Band


:Album Description:Made up of two 1971 (March 12 & 13 along with June 27) visits by Les Brers to New York, 'The Allman Brothers Band at Fillmore East' has long been regarded as one of rock's great live albums, but portions of those legendary performances have also wound up on albums like 'Eat A Peach' (the awesome, half-hour 'Mountain Jam') & the Duane Allman anthology. Now, for the first time, all recordings (in their original mixes) lifted from the Fillmore East dates have been assembled together into a two disc double gatfold digipak package with a slipcase boasting rare photos, notes & over ...

Seven Turns
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Seven Turns

(more) »rank: 19631

by: The Allman Brothers Band


: :Not many expected this legendary outfit to have any pulse at all by 1990, much less a pulse throbbing so mightily. Fiery new lead and slide guitarist Warren Haynes is as suitable a replacement for Duane as you're likely to find, and new bassist Allen Woody takes a back seat to no one. Clearly, the new kids rejuvenated the weary veterans on this excellent offering, which kicks off the Allmans' second classic period. Seven Turns finds the band returning to form with its unmistakable twin-lead instrumentals, abrasive blues rock, and even the sunny Betts ballads. --Marc Greilsamer


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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