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Fame the Musical (1999 Original American Cast Recording)(more) »rank: 70283by: Steve Margoshes, Jacques Levy
: :First things first: You won't find 'Out Here on My Own' or 'Hot Lunch Jam' in Fame: The Musical. Unlike the Broadway version of its early-'80s counterpart, Footloose, this not-yet-ready-for-Broadway production doesn't migrate the movie (or its music) to the stage but merely uses the same subject matter as did the film and subsequent TV series--the dance, drama, and music students at New York City's High School of Performing Arts. In fact, the story is set in 1980-1984, right after the film's release, and one of the teachers laments, 'We're the Fame school now. Ever since that movie came out.' To help establish ... |
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DRG 25th Anniversary Show Stopping Performances(more) »rank: 82043from: Drg
: :First things first: You won't find 'Out Here on My Own' or 'Hot Lunch Jam' in Fame: The Musical. Unlike the Broadway version of its early-'80s counterpart, Footloose, this not-yet-ready-for-Broadway production doesn't migrate the movie (or its music) to the stage but merely uses the same subject matter as did the film and subsequent TV series--the dance, drama, and music students at New York City's High School of Performing Arts. In fact, the story is set in 1980-1984, right after the film's release, and one of the teachers laments, 'We're the Fame school now. Ever since that movie came out.' To help establish ... |
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Fame on 42nd Street (2003 Original Off-Broadway Cast)(more) »rank: 208529by: Steve Margoshes, Jacques Levy, Jenna Coker
: :First things first: You won't find 'Out Here on My Own' or 'Hot Lunch Jam' in Fame: The Musical. Unlike the Broadway version of its early-'80s counterpart, Footloose, this not-yet-ready-for-Broadway production doesn't migrate the movie (or its music) to the stage but merely uses the same subject matter as did the film and subsequent TV series--the dance, drama, and music students at New York City's High School of Performing Arts. In fact, the story is set in 1980-1984, right after the film's release, and one of the teachers laments, 'We're the Fame school now. Ever since that movie came out.' To help establish ... |
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A Glass of Paint(more) »rank: 1039254from: 4Tay
:Album Description:Piano Music Written and Performed by Steve Margoshes, probably best known as the composer of the international hit musical FAME which has been performed in English, Swedish, Spanish, Hungarian, Dutch, Danish, Polish, Japanese, Korean, Norwegian, and Italian. Recently, he's been composing romantic symphonic music, theatrical music and solo piano works including: SYMPHONIC FAME, SUN, SAWING TO NEW HEIGHTS, and A GLASS OF PAINT. As orchestrator, Steve's numerous credits include 6 Broadway shows - AIDA, The Who's TOMMY, BIG RIVER, Tommy Tune's GREASE!, SMOKEY JOE'S CAFE, and DANCE OF THE VAMPIRES. |
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Symphonic Fame(more) »rank: 1039254by: Steve Margoshes
:Album Description:Piano Music Written and Performed by Steve Margoshes, probably best known as the composer of the international hit musical FAME which has been performed in English, Swedish, Spanish, Hungarian, Dutch, Danish, Polish, Japanese, Korean, Norwegian, and Italian. Recently, he's been composing romantic symphonic music, theatrical music and solo piano works including: SYMPHONIC FAME, SUN, SAWING TO NEW HEIGHTS, and A GLASS OF PAINT. As orchestrator, Steve's numerous credits include 6 Broadway shows - AIDA, The Who's TOMMY, BIG RIVER, Tommy Tune's GREASE!, SMOKEY JOE'S CAFE, and DANCE OF THE VAMPIRES. |
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Sawing to New Heights With Steve & Dale(more) »rank: 517191by: Steve Margoshes
:Album Description:Piano Music Written and Performed by Steve Margoshes, probably best known as the composer of the international hit musical FAME which has been performed in English, Swedish, Spanish, Hungarian, Dutch, Danish, Polish, Japanese, Korean, Norwegian, and Italian. Recently, he's been composing romantic symphonic music, theatrical music and solo piano works including: SYMPHONIC FAME, SUN, SAWING TO NEW HEIGHTS, and A GLASS OF PAINT. As orchestrator, Steve's numerous credits include 6 Broadway shows - AIDA, The Who's TOMMY, BIG RIVER, Tommy Tune's GREASE!, SMOKEY JOE'S CAFE, and DANCE OF THE VAMPIRES. |
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Symphonic Fame (Violin)(more) »rank: 875688by: Steve Margoshes
:Album Description:Piano Music Written and Performed by Steve Margoshes, probably best known as the composer of the international hit musical FAME which has been performed in English, Swedish, Spanish, Hungarian, Dutch, Danish, Polish, Japanese, Korean, Norwegian, and Italian. Recently, he's been composing romantic symphonic music, theatrical music and solo piano works including: SYMPHONIC FAME, SUN, SAWING TO NEW HEIGHTS, and A GLASS OF PAINT. As orchestrator, Steve's numerous credits include 6 Broadway shows - AIDA, The Who's TOMMY, BIG RIVER, Tommy Tune's GREASE!, SMOKEY JOE'S CAFE, and DANCE OF THE VAMPIRES. |
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Sawing to New Heights(more) »rank: 570769from: 4Tay
:Album Description:Sawing to New Heights is a wonderful and unusual new album of music for singing saw and piano, written by Steve Margoshes and performed by saw virtuoso Dale Stuckenbruck, with the composer on piano. Dale is a superb violinist and the concertmaster of many fine New York ensembles, both on the classical stage and in the theater. Steve is probably best known as the composer of the hit musical Fame, which has been performed in 11 languages internationally. Recently, he's been composing romantic symphonic music, theatrical music, solo piano works and other chamber music, including Symphonic Fame and Sun. As orchestrator, Steve's ... |

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |