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Closer-The Best of Sarah McLachlan(more) »rank: 11by: Sarah McLachlan
:Album Description:2008 Digipak Album, Closer: The Best Of Sarah McLachlan contains 24 classic tracks personally selected by the artist from her award-winning catalog, as well as two newly recorded and previously unreleased songs, 'U Want Me 2' and 'Don't Give Up On Us', working with her longtime producer Pierre Marchand. |
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Closer:The Best of Sarah McLachlan Deluxe2 CD Set(more) »rank: 21by: Sarah McLachlan
:Album Description:Closer: The Best Of Sarah Mclachlan contains 24 classic tracks personally selected by the artist from her award-winning catalog, as well as two newly recorded and previously unreleased songs, 'U Want Me 2' and 'Don't Give Up On Us', working with her longtime producer Pierre Marchand. In addition the deluxe two CD set includes an expanded booklet and original art-print from Sarah Mclachlan. |
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Rarities, B-Sides 2 And Other Stuff, Volume 2(more) »rank: 242by: Sarah McLachlan
:Album Description:Culminated from Sarah McLachlan's illustrious recording career, the Rarities, B-Sides And Other Stuff, Volume 2 collection contains Sarah McLachlan material never before available before on one CD. The collection includes live performances, rare recordings, remixes and soundtrack contributions. In addition, the album includes exceptional, one of a kind duets with Bryan Adams, Cyndi Lauper, Emmylou Harris, and more! Billboard magazine raved about the album calling it 'a real beauty.' |
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Surfacing(more) »rank: 486by: Sarah McLachlan
: essential recording:There's the requisite number of gorgeously melodic and deeply heartfelt songs here--the addictive 'Sweet Surrender,' the Hollywood-style ballad 'I Love You,' the sad, profound 'Angel,' the flat-out spectacular 'Witness.' McLachlan's not prolific, but this short, bittersweet album proves again that what she and producer Pierre Marchand do release is cut from the finest of cloth. --Jeff Bateman |
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Afterglow(more) »rank: 1029by: Sarah McLachlan
:Album Description:'Afterglow' features all new songs including: 'Fallen', 'Stupid', 'World on Fire', 'Drifting', 'Answer', 'Trainwreck', 'Perfect Girl', 'Time', and 'Push'. :Is Sarah McLachlan a secret punk rocker? To be sure, her rebellion is hushed. On Afterglow, her first studio album since 1997's Surfacing, McLachlan’s music is as tempered as ever; at times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl: ... |
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Fumbling Towards Ecstasy(more) »rank: 2454by: Sarah McLachlan
: essential recording:Pre-Lilith Fair, McLachlan had critical acclaim and a cult following but was otherwise just another hard-working female singer/songwriter--one who wasn't blasting down doors with overt sexuality or popping along in front of a male Svengali. Similar in their emotional urgency to her more recent work but delightfully less polished, these folk-rock songs are surprising gems. If not for McLachlan's poignant vocals, lyrics like 'Your love is better than ice cream' (on 'Ice Cream') would sound childishly absurd (especially alongside deeper material like 'Hold On'), but here they're given just as much respect as ... |
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Fumbling Towards Ecstasy Legacy Edition(more) »rank: 1793by: Sarah McLachlan
:Album Description:BONUS FEATURES: Fumbling Towards Ecstasy - An Inside Look Possession - music video (U.S. Version) Possession - music video (Canadian Version) Hold On - music video Good Enough - music video |
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Mirrorball(more) »rank: 1561by: Sarah McLachlan
: essential recording:Grafted from McLachlan's supremely satisfying 1998 performances, Mirrorball is drawn almost equally from the multiplatinum Surfacing and its superior predecessor, Fumbling Towards Ecstasy. (Included also is the lovely, hard-to-come-by 'I Will Remember You.') Live, a haunting ballad such as 'Possession' becomes a fevered, aggressive bit of psychedelia. 'Hold On' reveals new depths when performed behind the beat with morphing time signatures and driving piano. McLachlan's warmly expressive voice is still at the epicenter of her performances. She roams through these 14 songs with agile ease, riding the rails between singing for dramatic arena ... |
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Disney's Greatest 3(more) »rank: 1234by: Various Artists
: :Cynical types will accuse Disney of milking the 'greatest' concept until it's drier than Tinkerbell's fairy dust ('Supercalafragilisticexpealidocious,' 'Zip-a-Dee-Doo-Da,' and 'Heigh Ho' were hits off of Vol. 1; 'Bare Necessities,' 'It's a Small World,' and 'Some Day My Prince Will Come' stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad 'I'll Try,' from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the ... |
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Wintersong(more) »rank: 1423by: Sarah McLachlan
: : An album like this could cement Sarah McLachlan as a middle-of-the-road crooner ready for the Andy Williams Christmas Show, but there's more beneath the surface of Wintersong than just Christmas chestnuts, over-roasting on an open fire. Longtime McLachlan producer Pierre Marchand blurs the borders with ambient sound effects, distorted guitars, and subtle echoes. He adds a Mark Isham-esque muted trumpet solo emerging out of reverse echoes on 'I'll Be Home for Christmas' as if viewing the song through a distorted mirror. Violins that sound like they're being blown through a Leslie speaker combine unpredictably ... |

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
![]() Favorite Animated Performances | ![]() Previous Animated Oscar Nominees | ![]() If You Like The Incredibles... |
![]() Our Disney DVD Store | ![]() Looney Tunes Golden Collection | ![]() Walt Disney Treasures |
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |