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At Your Birthday Party
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At Your Birthday Party

(more) »rank: 89522

by: Steppenwolf




Lita
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Lita

(more) »rank: 29140

by: Lita Ford




Tokyo Tapes
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Tokyo Tapes

(more) »rank: 32824

by: Scorpions


: :No Description AvailableNo Track Information AvailableMedia Type: CDArtist: SCORPIONSTitle: TOKYO TAPESStreet Release Date: 10/29/2002DomesticGenre: HEAVY METAL

America's Least Wanted
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America's Least Wanted

(more) »rank: 13293

by: Ugly Kid Joe


: :No Description AvailableNo Track Information AvailableMedia Type: CDArtist: SCORPIONSTitle: TOKYO TAPESStreet Release Date: 10/29/2002DomesticGenre: HEAVY METAL

Beast from the East
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Beast from the East

(more) »rank: 61776

by: Dokken


: :No Description AvailableNo Track Information AvailableMedia Type: CDArtist: SCORPIONSTitle: TOKYO TAPESStreet Release Date: 10/29/2002DomesticGenre: HEAVY METAL

Music from 'The Elder'
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Music from 'The Elder'

(more) »rank: 18417

by: Kiss


:Album Description:Digitally remastered Japanese reissue of their 1981soundtrack album in a miniaturized gatefold LP sleevelimited to the initial pressing only. Contains 11 tracks,including the chart hit 'A World Without Heroes'. 1998Mercury release.

Tooth and Nail
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Tooth and Nail

(more) »rank: 69897

by: Dokken


:Album Description:Digitally remastered Japanese reissue of their 1981soundtrack album in a miniaturized gatefold LP sleevelimited to the initial pressing only. Contains 11 tracks,including the chart hit 'A World Without Heroes'. 1998Mercury release.

Oracle
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Oracle

(more) »rank: 61924

by: Kittie


:Album Description:Kittie's 2001 album on Artemis Records was produced by GGGarth (R.A.T.M, Red Hot Chili Peppers & Testament). :On Spit, Kittie's 1999 debut, the just-out-of-high-school all-female quartet were an anomaly, giving the male-dominated metal scene a run for its money thanks to the Canadian lineup's near death-metal heaviness. On sophomore outing Oracle, minus original guitarist Fallon Bowman, Kittie rock harder than ever, yet lack the memorable songs required from a band of any gender or genre. In songs like 'Mouthful of Poison,' Morgan Lander's often ethereal, decidedly feminine vocals contrast with bassist Talena Atfield's death-metal growls. That, along with ferocious double-bass drums and ...

Steppenwolf the Second
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Steppenwolf the Second

(more) »rank: 37045

by: Steppenwolf


:Album Description:Kittie's 2001 album on Artemis Records was produced by GGGarth (R.A.T.M, Red Hot Chili Peppers & Testament). :On Spit, Kittie's 1999 debut, the just-out-of-high-school all-female quartet were an anomaly, giving the male-dominated metal scene a run for its money thanks to the Canadian lineup's near death-metal heaviness. On sophomore outing Oracle, minus original guitarist Fallon Bowman, Kittie rock harder than ever, yet lack the memorable songs required from a band of any gender or genre. In songs like 'Mouthful of Poison,' Morgan Lander's often ethereal, decidedly feminine vocals contrast with bassist Talena Atfield's death-metal growls. That, along with ferocious double-bass drums and ...

Slave to the Grind
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Slave to the Grind

(more) »rank: 18295

by: Skid Row


:Album Description:Kittie's 2001 album on Artemis Records was produced by GGGarth (R.A.T.M, Red Hot Chili Peppers & Testament). :On Spit, Kittie's 1999 debut, the just-out-of-high-school all-female quartet were an anomaly, giving the male-dominated metal scene a run for its money thanks to the Canadian lineup's near death-metal heaviness. On sophomore outing Oracle, minus original guitarist Fallon Bowman, Kittie rock harder than ever, yet lack the memorable songs required from a band of any gender or genre. In songs like 'Mouthful of Poison,' Morgan Lander's often ethereal, decidedly feminine vocals contrast with bassist Talena Atfield's death-metal growls. That, along with ferocious double-bass drums and ...


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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