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At Folsom Prison
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At Folsom Prison

(more) »rank: 97

by: Johnny Cash


: essential recording:Johnny Cash had been breaking new ground for a decade when At Folsom Prison suddenly made the world at large take notice. The interaction of a volatile prison population starved for entertainment and a desperately on-form Johnny Cash was electrifying. His somber machismo finally found a home. The songs, which included every prison song Cash knew ('I Got Stripes,' 'The Wall,' '25 Minutes to Go,' 'Cocaine Blues,' plus his own 'Folsom Prison Blues') were tailored to galvanize the crowd. This set is all about atmosphere. Live at the Grand Ole Opry this ain't. The 1999 version drops the San Quentin portion ...

Carnival Ride
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Carnival Ride

(more) »rank: 50

by: Carrie Underwood


: :\N :Carrie Underwood’s Some Hearts, hastily made and released some five months after she won the 2005 American Idol crown, was surprisingly solid and tuneful. For her follow-up, producer Mark Bright steers her toward the big Martina McBride skies, with a plethora of strings and huge emotional crescendos. Underwood co-wrote four songs, mostly with the tried-and-true tunesmiths who made Some Hearts soar. On the torchy heartache ballad 'I Know You Won’t,' she gives a beautifully nuanced and controlled performance, but if that song would suit any number of lush female pop stars from Celine Dion on down, 'Flat on the Floor' rocks ...

Rock n Roll Jesus
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Rock n Roll Jesus

(more) »rank: 74

by: Kid Rock


: :Rock Is Back. After 22 million records sold in the US and a three year hiatus, Kid Rock is back with the brand new album 'Rock N Roll Jesus'. Kid Rock hustled in the Detroit underground for over ten years before he burst into the mainstream in 1999 with the timeless rock anthem 'Bawitdaba.' Other hits like 'Cowboy' and 'American Bad A**' followed while ballads like his 'Picture' duet with Sheryl Crow and 'Only God Knows Why' helped to propel him forward as one of the greatest artists of our time. His latest offering Rock N Roll Jesus is no exception, running the ...

Call Me Irresponsible
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Call Me Irresponsible

(more) »rank: 72

by: Michael Bublé


:Album Description:Melding the contemporary and the classic in ways only he can, Michael Buble has created his most complete studio effort yet. Ranging from 'I've Got The World On a String' to 'Me and Mrs. Jones,' in addition to two new songs co-written by Michael, Call Me Irresponsible makes this album irresistible. :It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on 'The Best Is Yet to Come,' a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, ...

Daughtry
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Daughtry

(more) »rank: 110

by: Daughtry


: :\N :Chris Daughtry starts his first post-American Idol disc with a song whose title reviewers coast to coast will be grateful for: 'It's Not Over.' What an understatement. For the Idol-watching rock fan's money, nobody--not even Southern-fried heartthrob Bo Bice in season four--stormed the stage with more raw talent. That it translates so well to a solo disc (Daughtry was recorded with studio musicians; future discs will include a Daughtry-assembled band) proves all he needed was a little prodding, the kind the tube has gotten so good at. Here are a dozen songs that'll flick your rock & roll switch, whether you're ...

Back in Black
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Back in Black

(more) »rank: 131

by: AC/DC


:Album Description:AC/DC's 1980 album digitally remastered and reissued in a special digipak plus a 16 page full color booklet containing all original album art, many unpublished photos, classic memorabilia and new 2003 liner notes. Epic. essential recording:Most critics complain Back in Black, the album AC/DC recorded after the death of their original lead screamer Bon Scott, is ridiculously juvenile, obvious, snickering, bludgeoning, derivative, single-minded about sex and booze, a big cartoon. All true, of course, and--on rock 'n' ragers like 'What Do You Do For Money Honey,' 'You Shook Me All Night Long,' and the title track--all great. As Scott's replacement Brian ...

Facing Future
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Facing Future

(more) »rank: 118

by: Israel Kamakawiwo'ole


:Album Description:There's a smart balance of traditional Hawaiiana and contemporary tunes on this CD. There's heart-tugging warmth along with unexpected chuckles. The end result is a candid, honest reinforcement of his vocal breadth. :To gauge the magnitude of Israel Kamakawiwo'ole's popularity in his native Hawaii, consider this: following his death in 1997 (at age 38, attributed to his profound obesity), Kamakawiwo'ole's body lay in state in the state capitol, only the second person to receive such an honor. Kamakawiwo'ole's appeal lies in his love for prestatehood, precondominium Hawaii and the expressiveness of his gently passionate voice, which can float through higher registers with ...

Sgt. Pepper's Lonely Hearts Club Band
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Sgt. Pepper's Lonely Hearts Club Band

(more) »rank: 135

by: The Beatles


:Album Description:One of the most famous and influential albums ever recorded, Sgt. Pepper's Lonely Hearts Club Band had a huge impact on the music world, signaling the beginning of a new era of sophistication and maturity in rock. The musical experimentation was dynamic and fresh, several tracks were edited to create seamless transitions, and even the visual design was more elaborate than anything previously attempted. Producer George Martin and The Beatles searched for new sounds and studio effects. They added crowd sounds and animal cries from sound-effects recordings, sped up Paul McCartney's vocals in 'When I'm Sixty-Four' (to make him sound younger), and ...

Abbey Road
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Abbey Road

(more) »rank: 126

by: The Beatles


: essential recording:The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, 'Come Together' and 'I Want You (She's So Heavy)' make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ('Golden Slumbers'/'Carry That Weight'/'The End') is nicely undercut, in typical Beatles fashion, by Paul McCartney's ...

Greatest Hits
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Greatest Hits

(more) »rank: 140

by: Journey


: essential recording:The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, 'Come Together' and 'I Want You (She's So Heavy)' make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ('Golden Slumbers'/'Carry That Weight'/'The End') is nicely undercut, in typical Beatles fashion, by Paul McCartney's ...


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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