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The Baroque Christmas Album(more) »rank: 7485from: Archiv Produktion
: : This compilation of re-issues, originally recorded in the 1990s and 2001 features music, by Bach, Charpentier, Gabrieli, Schütz, Corelli (the famous beloved 'Pastorale') and Praetorius, all of it beautiful and just right for celebrating a festival of light, hope, worshipful praise, and jubilation. It is performed to perfection by several period vocal and instrumental groups, the latter tuned to various 'authentic' pitches. Some of the pieces are excerpts from longer works, some are arrangements, such as four lovely French Christmas carols in an instrumental version by Charpentier, whose harmonic and contrapuntal complexity makes the simplicity of the melodies all the more touching. ... |
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Haydn - The Creation / Piau, Padmore, Davies, Gabrieli Consort & Players, McCreesh(more) »rank: 39975from: ARCHIV Produktion
: : This compilation of re-issues, originally recorded in the 1990s and 2001 features music, by Bach, Charpentier, Gabrieli, Schütz, Corelli (the famous beloved 'Pastorale') and Praetorius, all of it beautiful and just right for celebrating a festival of light, hope, worshipful praise, and jubilation. It is performed to perfection by several period vocal and instrumental groups, the latter tuned to various 'authentic' pitches. Some of the pieces are excerpts from longer works, some are arrangements, such as four lovely French Christmas carols in an instrumental version by Charpentier, whose harmonic and contrapuntal complexity makes the simplicity of the melodies all the more touching. ... |
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Christmas in Rome [DVD Video](more) »rank: 24365from: Deutsche Grammophon
: : This compilation of re-issues, originally recorded in the 1990s and 2001 features music, by Bach, Charpentier, Gabrieli, Schütz, Corelli (the famous beloved 'Pastorale') and Praetorius, all of it beautiful and just right for celebrating a festival of light, hope, worshipful praise, and jubilation. It is performed to perfection by several period vocal and instrumental groups, the latter tuned to various 'authentic' pitches. Some of the pieces are excerpts from longer works, some are arrangements, such as four lovely French Christmas carols in an instrumental version by Charpentier, whose harmonic and contrapuntal complexity makes the simplicity of the melodies all the more touching. ... |
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Praetorius - Mass for Christmas Morning(more) »rank: 58996from: Archiv
: essential recording:This exhilarating disc is arguably the most important record Paul McCreesh has made. Praetorius, the first great composer of Lutheran church music, wrote countless pieces based on popular Lutheran chorale tunes, ranging from simple harmonizations to flamboyant fantasias for multiple choirs with instruments. He also provided detailed instructions regarding various performance options--including ways to involve the congregation. Here, for the first time, McCreesh puts these instructions into practice, reconstructing an extravagant Christmas service. We hear elaborately scored Mass movements, simple harmonizations, the Creed (with Luther's own music), lusty congregational singing, and spirited organ improvisations. Many of the Christmas chorales Praetorius used ... |
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Schütz: Christmas Vespers / McCreesh, Gabrieli Consort and Players(more) »rank: 117277by: Gregorian Chant, Heinrich Schutz, Gabrieli Consort and Players, Paul McCreesh, Charles Daniels, Neal Davies, Andrew Carwood, Susan Hemington Jones, Charles Pott, Simon Grant, Robert Horn, James Johnstone, Kristian Olesen, Choir of Roskilde Cathedral
: :Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers--the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests). As you might expect, there are a number of fine recordings of this proto-oratorio, from the graceful and somewhat delicate rendition ... |
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Giovanni Gabrieli: Music For San Rocco(more) »rank: 64512from: Archiv Produktion
: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the extraordinary Suscipe ... |
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Christmas Mass in Rome(more) »rank: 49229from: Polygram Records
: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the extraordinary Suscipe ... |
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SACD: The Classics Sampler [Hybrid SACD](more) »rank: 107666from: Deutsche Grammophon
: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the extraordinary Suscipe ... |
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A Venetian Coronation 1595(more) »rank: 73362from: Angel Records
: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the extraordinary Suscipe ... |
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Handel - Messiah / Röschmann, Gritton, Fink , C. Daniels, N. Davies; McCreesh(more) »rank: 153472by: George Frideric Handel, Paul McCreesh, Dorothea Röschmann, Susan Gritton, Gabrieli Consort & Players, Bernarda Fink, Charles Daniels, Neal Davies
: :You would think that everyone in the world owned a copy of Messiah by now, and that there would certainly be no need to record new ones very year. Wrong! Here's DG's 1997 entry, and it's a fine one too. The only reservation is the recorded sound, which seems to be somewhat congested at the climaxes, as though the chorus and orchestra were recorded in differing acoustic spaces. Otherwise, this is as fine an 'authentic' performance as we're likely to get. --David Hurwitz |

Where the NBA Dynasty series (the other initial entry is the slightly meatier Los Angeles Lakers: The Complete History) outdoes Ultimate Jordan is in the six playoff games--one for each year--as they were originally broadcast, minus halftime and commercials. Having the nearly complete game (usually running 90-100 minutes, from the TV introductions to post-game interviews) means you can skip straight to John Paxson's clutch basket or what was expected to be the final shot of Jordan's career. Or you can savor each game in its entirety, all the better to appreciate the artistry of Jordan in his three-pointer barrage against Portland or his "flu game" against Utah. You can see other great players too, of course, including Jordan's teammates--Scottie Pippen, Horace Grant, Dennis Rodman--and those opponents unfortunate enough to face the Bulls--Clyde Drexler, Charles Barkley, John Stockton, Karl Malone, and others. Because these are all NBA Finals games, you won't see Jordan's shot over Craig Ehlo or his 63-point coming-out party against Boston, but the 1990s Chicago Bulls were a team for the ages, and merely having their games--some of them all-time classics--available for home viewing is a major milestone in archived sports. --David Horiuchi

While last-minute heroics tend to be the standard by which we define excellence, there are many other moments that have left an indelible impression, many of them highlighted here. The video clips fall into 10 categories: Dunks, Alley-oops, Assists, Steals, Blocks, Teamwork, the Clutch Shot, Moves, Hustle, and Buzzer-Beaters. At the beginning of each section is a brief introduction. Before showing the top 10 dunks of all time, for example, we learn about the evolution of the dunk--from the first slam to the man who could fly, Michael Jordan--and we hear background commentary from NBA legends such as Magic Johnson, Charles Barkley, Dr. J, and Bill Russell. This video recalls familiar moments of NBA lore that you will want to own for countless repeat viewings. --Jeremy Storey