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The Cole Porter Mix
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The Cole Porter Mix

(more) »rank: 1755

by: Patricia Barber


:Album Description:Sublimely intimate but hugely expressive investigation of the brilliant songs of Cole Porter by the wonderfully artful singer/pianist and composer Patrica Barber. She breathes fresh life into his music as well as contributing three typically intelligent originals. Like her label mate Wilson, Barber is a genuine one off and Cole Porter Mix is un-missable. 'One of the most accomplished female jazz singer-pianists on the planet. Chicago-based Barber has a voice that caresses and challenges and cajoles and taunts and teases every nuance of meaning from each ambiguous syllable'. The Guardian 'Even a casual listener would soon be won over by her seductive ...

Cathedral Classics
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Cathedral Classics

(more) »rank: 48206

by: Patricia Thompson, Brian Newhouse, Gregorio Allegri, Samuel Barber, Herbert Howells, Frank Martin, Dale Warland Singers, Jerry Rubino, Angela Malek, Julie Ann Olson, Marie Spar Dymit, Dean Palermo, Dean Palmero


:Album Description:Sublimely intimate but hugely expressive investigation of the brilliant songs of Cole Porter by the wonderfully artful singer/pianist and composer Patrica Barber. She breathes fresh life into his music as well as contributing three typically intelligent originals. Like her label mate Wilson, Barber is a genuine one off and Cole Porter Mix is un-missable. 'One of the most accomplished female jazz singer-pianists on the planet. Chicago-based Barber has a voice that caresses and challenges and cajoles and taunts and teases every nuance of meaning from each ambiguous syllable'. The Guardian 'Even a casual listener would soon be won over by her seductive ...

Mythologies
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Mythologies

(more) »rank: 13992

by: Patricia Barber


: : Considerable time, thought and Guggenheim grant money went into the making of Patricia Barber's Mythologies, an ambitious modern take on Ovid's Metamorphoses. As she is wont to do, the Chicagoan continually reminds us of her aspirations to art with her joyless, half-whispered vocals and show-offy intellectualism. The song sequence, which seems destined for a staged reading, never escapes its literary trappings. But in reflecting on the age-old dance of dreams and destiny, the poetry is mostly good, and sometimes better than that ('unrequited love/is what i know of love/spellbound/I will stay'). And though Barber mostly keeps her considerable skills as a pianist ...

Live: A Fortnight in France
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Live: A Fortnight in France

(more) »rank: 15770

by: Patricia Barber


:Album Description:Critically-acclaimed jazz pianist-vocalist Patricia Barber performs live in France with her outstanding quartet delighting listeners with a mix of original compositions and standards including 'Witchcraft', 'Call Me' and 'Norwegian Wood'. Recorded in March and April 2004 at clubs in three French cities (L'Arsenal in Metz, La Coursive in La Rochelle and La Cigale in Paris), Live: A Fortnight In France is her eighth release, and offers further proof that Patricia Barber is at the vanguard of the new school of jazz singer/songwriters who are continuing to explore intriguing improvisational terrain. :Recorded in the spring of 2004, Live: A Fortnight in France presents ...

The Premonition Years: 1994-2002
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The Premonition Years: 1994-2002

(more) »rank: 28295

by: Patricia Barber


:Album Description:Critically-acclaimed jazz pianist-vocalist Patricia Barber performs live in France with her outstanding quartet delighting listeners with a mix of original compositions and standards including 'Witchcraft', 'Call Me' and 'Norwegian Wood'. Recorded in March and April 2004 at clubs in three French cities (L'Arsenal in Metz, La Coursive in La Rochelle and La Cigale in Paris), Live: A Fortnight In France is her eighth release, and offers further proof that Patricia Barber is at the vanguard of the new school of jazz singer/songwriters who are continuing to explore intriguing improvisational terrain. :Recorded in the spring of 2004, Live: A Fortnight in France presents ...

Modern Cool
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Modern Cool

(more) »rank: 86391

by: Patricia Barber


:Album Description:Critically-acclaimed jazz pianist-vocalist Patricia Barber performs live in France with her outstanding quartet delighting listeners with a mix of original compositions and standards including 'Witchcraft', 'Call Me' and 'Norwegian Wood'. Recorded in March and April 2004 at clubs in three French cities (L'Arsenal in Metz, La Coursive in La Rochelle and La Cigale in Paris), Live: A Fortnight In France is her eighth release, and offers further proof that Patricia Barber is at the vanguard of the new school of jazz singer/songwriters who are continuing to explore intriguing improvisational terrain. :Recorded in the spring of 2004, Live: A Fortnight in France presents ...

Companion
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Companion

(more) »rank: 20146

by: Patricia Barber


:Album Description:Critically-acclaimed jazz pianist-vocalist Patricia Barber performs live in France with her outstanding quartet delighting listeners with a mix of original compositions and standards including 'Witchcraft', 'Call Me' and 'Norwegian Wood'. Recorded in March and April 2004 at clubs in three French cities (L'Arsenal in Metz, La Coursive in La Rochelle and La Cigale in Paris), Live: A Fortnight In France is her eighth release, and offers further proof that Patricia Barber is at the vanguard of the new school of jazz singer/songwriters who are continuing to explore intriguing improvisational terrain. :Recorded in the spring of 2004, Live: A Fortnight in France presents ...

Night Club
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Night Club

(more) »rank: 13510

by: Patricia Barber


: :The piano-playing singer Patricia Barber has quite a pearl of 12 standards on Nightclub with three stellar trios, including three tracks with Charlie Hunter's eight-string guitar. The incomparable bassist Marc Johnson also adds supple support on a few tunes and has a very tasty solo on 'Yesterdays.' And speaking of soloing, because Barber's vocal phrasing, rhythm, and timbre are so unique, it's easy to overlook her brilliant improvisations on piano. Despite their surface similarities, Barber seems worlds apart from Diana Krall in her presentation. Putting out an album of standards after the ultrahip Modern Cool challenges Barber with a different concept, rather than ...

A Distortion of Love
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A Distortion of Love

(more) »rank: 22858

by: Patricia Barber


: :The piano-playing singer Patricia Barber has quite a pearl of 12 standards on Nightclub with three stellar trios, including three tracks with Charlie Hunter's eight-string guitar. The incomparable bassist Marc Johnson also adds supple support on a few tunes and has a very tasty solo on 'Yesterdays.' And speaking of soloing, because Barber's vocal phrasing, rhythm, and timbre are so unique, it's easy to overlook her brilliant improvisations on piano. Despite their surface similarities, Barber seems worlds apart from Diana Krall in her presentation. Putting out an album of standards after the ultrahip Modern Cool challenges Barber with a different concept, rather than ...

Café Blue
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Café Blue

(more) »rank: 14509

by: Patricia Barber


: :The piano-playing singer Patricia Barber has quite a pearl of 12 standards on Nightclub with three stellar trios, including three tracks with Charlie Hunter's eight-string guitar. The incomparable bassist Marc Johnson also adds supple support on a few tunes and has a very tasty solo on 'Yesterdays.' And speaking of soloing, because Barber's vocal phrasing, rhythm, and timbre are so unique, it's easy to overlook her brilliant improvisations on piano. Despite their surface similarities, Barber seems worlds apart from Diana Krall in her presentation. Putting out an album of standards after the ultrahip Modern Cool challenges Barber with a different concept, rather than ...


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by John Steinbeck
$10.88

Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


by W. Stephen Damron
$117.33

Average customer rating: ISBN: 0131189328

by Bill Mollison, Reny Mia Slay

Average customer rating: 5.0 ISBN: 0908228015
$49.99



Norton Confidential safeguards against online identity theft, protecting your confidential information from fraudulent phishing Web sites and crimeware before login, purchase, or any online interaction. Norton Confidential protects you when you’re most vulnerable: at a Web site while banking or shopping online, and about to submit passwords, account numbers, or other confidential information.

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Barber,Music Patricia
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