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The Very Best of Willie Nelson
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The Very Best of Willie Nelson

(more) »rank: 36716

by: Willie Nelson


: :Perhaps his superb three-CD box Revolutions of Time is a bit out of your price range. Maybe his 16 Biggest Hits collection feels a bit slight. This two-CD set works as a fair compromise between the two, although it lacks any discographical information or liner notes. Still, the music here is mostly breathtaking and is varied and balanced enough to provide a clear sense of Nelson's numerous strengths: a deft songwriting flair, a respect for country's traditions, a distinctive nasal twang, and a wonderful touch and feel on his gut-string guitar. --Marc Greilsamer

12 Classics
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12 Classics

(more) »rank: 14216

by: Ed Bruce


: :Perhaps his superb three-CD box Revolutions of Time is a bit out of your price range. Maybe his 16 Biggest Hits collection feels a bit slight. This two-CD set works as a fair compromise between the two, although it lacks any discographical information or liner notes. Still, the music here is mostly breathtaking and is varied and balanced enough to provide a clear sense of Nelson's numerous strengths: a deft songwriting flair, a respect for country's traditions, a distinctive nasal twang, and a wonderful touch and feel on his gut-string guitar. --Marc Greilsamer

Johnny Cash - Love, God, Murder
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Johnny Cash - Love, God, Murder

(more) »rank: 12244

by: Johnny Cash


: :More than a few novelists and literature professors have cited the troika of love, god, and death as the basic subjects of all literary works. It just so happens that most music is about the same stuff, and Johnny Cash's music is especially so. Except in Cash's music, you can tease from the general (peculiarly American?) idea of death the more dramatic, intentional, cruel strain of murder. The distinction is crucial for Cash--and this 48-track, three-CD collection--as the struggle presented throughout this set is to understand the subject of a person's will. The will to love, the will to believe, the will to ...

Kris Kristofferson - All Time Greatest Hits
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Kris Kristofferson - All Time Greatest Hits

(more) »rank: 8226

by: Kris Kristofferson


: :More than a few novelists and literature professors have cited the troika of love, god, and death as the basic subjects of all literary works. It just so happens that most music is about the same stuff, and Johnny Cash's music is especially so. Except in Cash's music, you can tease from the general (peculiarly American?) idea of death the more dramatic, intentional, cruel strain of murder. The distinction is crucial for Cash--and this 48-track, three-CD collection--as the struggle presented throughout this set is to understand the subject of a person's will. The will to love, the will to believe, the will to ...

The Last of the True Believers
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The Last of the True Believers

(more) »rank: 30672

by: Nanci Griffith


: essential recording:The album cover shows Nanci Griffith standing outside a Woolworth's, holding a book of poetry--a recurring motif in her album art--while lovers dance behind her. That combination of the most quotidian, small-town details and the most committed but rarely pretentious poetic ambition is the key to Griffith's art. Her fourth and final album for Philo, a quiet masterpiece of the Texas singer-songwriter's style, weaves together a spunky, newgrass sound (courtesy of Bela Fleck and Mark O'Connor) and songs of leaving home and leaving lovers. --Roy Kasten

Honkytonkville
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Honkytonkville

(more) »rank: 50405

by: George Strait


: :After more than 20 years and 30-plus albums, George Strait might be entitled to cruise through a CD or two. But after the sublime 'She'll Leave You with a Smile' hit the benchmark of 50 No. 1 country singles, the crisply starched Texan went on to make one of the most satisfying albums of his career. Honkytonkville finds him sitting a little taller on the barstool than his last efforts, more concerned with the kind of romantic disappointment that hurts too much for middle-of-the road leanings and requires more of a sawdust-on-the-floor environment. Jim Lauderdale's 'She Used to Say That to Me' kicks ...

Fate's Right Hand
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Fate's Right Hand

(more) »rank: 9193

by: Rodney Crowell


: :Fate's Right Hand finds Rodney Crowell eschewing the hands-on autobiographical narratives of The Houston Kid (one of his best ever) for songs about less concrete, but no less essential, concerns. As the self-helpers might say, this is an album about growth, about knowing the difference between what you can change and what you can't. It's about facing your mistakes--or wishing you wanted to anyway (on 'The Man in Me')--and it includes a recitation about meditation ('Time to Go Inward') and a rousing anthem about wanting to stick around, problems and all ('Earthbound'). Crowell seems to be in a particularly introspective version of the ...

Beth Nielsen Chapman - Greatest Hits
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Beth Nielsen Chapman - Greatest Hits

(more) »rank: 18142

by: Beth Nielsen Chapman


: :Throughout the '90s, Beth Nielsen Chapman was one of the most industrious and literate songwriters in Nashville, penning material for a new breed of female country star, including Kathy Mattea, Faith Hill, Martina McBride, and Lorrie Morgan. However, her own recordings have barely dented the country charts, for the simple fact that they're not really country at all. As a singer and arranger, Chapman owes much to the jazz-folk of Joni Mitchell, while echoing the AAA soul-smarts of Shawn Colvin. Her spiritual sensibility shines on songs like 'Sand and Water' and 'The Color of Roses,' as she confronts personal tragedy with an openness ...

Lovin Her Was Easier/After All These Years
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Lovin Her Was Easier/After All These Years

(more) »rank: 94054

by: Tompall and the Glaser Brothers


: :Throughout the '90s, Beth Nielsen Chapman was one of the most industrious and literate songwriters in Nashville, penning material for a new breed of female country star, including Kathy Mattea, Faith Hill, Martina McBride, and Lorrie Morgan. However, her own recordings have barely dented the country charts, for the simple fact that they're not really country at all. As a singer and arranger, Chapman owes much to the jazz-folk of Joni Mitchell, while echoing the AAA soul-smarts of Shawn Colvin. Her spiritual sensibility shines on songs like 'Sand and Water' and 'The Color of Roses,' as she confronts personal tragedy with an openness ...

Bobby Bare Sings Lullabys, Legends and Lies (And More)
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Bobby Bare Sings Lullabys, Legends and Lies (And More)

(more) »rank: 16750

by: Bobby Bare


: :Throughout the '90s, Beth Nielsen Chapman was one of the most industrious and literate songwriters in Nashville, penning material for a new breed of female country star, including Kathy Mattea, Faith Hill, Martina McBride, and Lorrie Morgan. However, her own recordings have barely dented the country charts, for the simple fact that they're not really country at all. As a singer and arranger, Chapman owes much to the jazz-folk of Joni Mitchell, while echoing the AAA soul-smarts of Shawn Colvin. Her spiritual sensibility shines on songs like 'Sand and Water' and 'The Color of Roses,' as she confronts personal tragedy with an openness ...


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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