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Donizetti - L'Elisir d'Amore / Eschwe, Netrebko, Villazon, Wiener Staatsoper
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»rank: 13391
: :Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance. The leads ...
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Smetana - The Bartered Bride
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»rank: 20177
: :Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance. The leads ...
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Beethoven - Fidelio
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»rank: 31534
: :Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance. The leads ...
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J. Strauss - Die Fledermaus
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»rank: 29586
: :Donizetti's L'Elisir d'Amore is one of the staples of the comic opera repertory. The plot hinges on whether earnest but dim-witted Nemorino will snag Adina, the flirtatious heroine. She's a tease who takes up with Belcore, an army sergeant, to make Nemorino jealous. After numerous (and humorous) plot twists that include a phony love potion, it all ends happily. Adina and Nemorino declare their love for each other, Belcore is dumped, and the fraudulent Dulcamara does a landslide business in love potions. It's all a fast-moving bundle of fun, especially with the star-filled cast of this 2005 Vienna State Opera performance. The leads ...
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Strauss: Arabella
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»rank: 69530
: :A classic, historic and faithful account of Strauss s comedy of manners, the only film version available of this opera. Subtitles available: English, French, German, Italian, Spanish, Chinese
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Wagner - Tannhauser (remastered)
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»rank: 43183
: :This Tannhäuser is a fine example of something that unfortunately has become rare: a modern Wagner opera performance that Wagner would certainly have applauded. Under the artistic leadership of conductor James Levine, the production team of director Otto Schenk and designer Günther Schneider-Siemssen has adhered strictly to the composer's wishes. These are not hard to fathom; they were clearly articulated in his lifetime and rigorously enforced at Bayreuth long after his death. But in the last half-century they have been frequently violated by his descendants and heirs, among others. The temptation to plumb these music dramas for symbols and allegories is almost irresistible. ...
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Johann Strauss: Die Fledermaus
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»rank: 35891
: :This Tannhäuser is a fine example of something that unfortunately has become rare: a modern Wagner opera performance that Wagner would certainly have applauded. Under the artistic leadership of conductor James Levine, the production team of director Otto Schenk and designer Günther Schneider-Siemssen has adhered strictly to the composer's wishes. These are not hard to fathom; they were clearly articulated in his lifetime and rigorously enforced at Bayreuth long after his death. But in the last half-century they have been frequently violated by his descendants and heirs, among others. The temptation to plumb these music dramas for symbols and allegories is almost irresistible. ...
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