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The Scent of Light(more) »rank: 1946by: Ottmar Liebert + Luna Negra
: :While The Scent of Light is Ottmar Liebert + Luna Negra's first studio album featuring the band since 2004's La Semana, the recording picks up on the spacial sensibility of the recent binaural CD Up Close by spreading the sound across the full stereo field to create superb listening depth. While Ottmar has stepped away from the recent minimalism of his 2007 Grammy nominated solo album One Guitar, you still sense the high resolution, beautiful clarity, and live combo dynamic. It's a layered recording, with the multiple guitars, basses, keyboards & percussion subtly exchanging altitude, rooms, and dimensions. The excellent detailing and ... |
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Nouveau Flamenco(more) »rank: 9042by: Ottmar Liebert
: essential recording:Ottmar Liebert's most famous, if not most accomplished, effort gave a new genre its title, the New Age market a new champion, and flamenco purists--like Paco de Lucia, who despite a thank-you on the album, has called Liebert's music 'worthless'--a new punching bag. All of which is a little beside the point; Liebert's rhythms may not be complex compas, but he perfectly captures the laid-back, open-space feel of his adopted home of Santa Fe with simple two-chord progressions and piquant nylon-string guitar lines that remain memorable long after listening. The indelible 'Heart Still Beating' and the elegaic 'Moon over Trees' bear ... |
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Poets & Angels: Music 4 The Holidays(more) »rank: 3303by: Ottmar Liebert
: essential recording:Ottmar Liebert's most famous, if not most accomplished, effort gave a new genre its title, the New Age market a new champion, and flamenco purists--like Paco de Lucia, who despite a thank-you on the album, has called Liebert's music 'worthless'--a new punching bag. All of which is a little beside the point; Liebert's rhythms may not be complex compas, but he perfectly captures the laid-back, open-space feel of his adopted home of Santa Fe with simple two-chord progressions and piquant nylon-string guitar lines that remain memorable long after listening. The indelible 'Heart Still Beating' and the elegaic 'Moon over Trees' bear ... |
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Barcelona Nights: The Best of Ottmar Liebert, Vol. 1(more) »rank: 5437by: Ottmar Liebert
: :This compilation project's official title is already long enough, but for true accuracy it should read, The Best of Ottmar Liebert's First Two Recordings, Volume 1. Barcelona Nights strings together the more upbeat and animated selections from his two earliest recordings, Nouveau Flamenco (his famed debut) and Borrasca (plus one track, 'Festival,' from Poets and Angels). The package serves as the first installment in a two-disc series; the subsequent Surrender to Love will patch together romantically inclined selections of those early 1990s recordings. It's the same music, but with different sequencing and different packaging. As such, it offers graceful and pleasant listening, though ... |
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Up Close(more) »rank: 8052by: Ottmar Liebert + Luna Negra
: :Last Summer Ottmar and his group Luna Negra gathered around the Fritz (Neumann) Head in his private adobe studio in Santa Fe, and recorded nine songs. No smoke and mirrors, just a virtuoso performance with a spacial accuracy that suggests that you are actually there in the room, maybe an unseen player in the band. As Stephen Duros (2nd guitar) says, 'Best seat in the house, man.' Any change in volume or left-to-right or front-to-back movement was created by the musicians moving around the dummy head. The goal of performers is always to capture the essence of live performance, and binaural recording ... |
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Best of Ottmar Liebert(more) »rank: 37532by: Ottmar Liebert
: :Last Summer Ottmar and his group Luna Negra gathered around the Fritz (Neumann) Head in his private adobe studio in Santa Fe, and recorded nine songs. No smoke and mirrors, just a virtuoso performance with a spacial accuracy that suggests that you are actually there in the room, maybe an unseen player in the band. As Stephen Duros (2nd guitar) says, 'Best seat in the house, man.' Any change in volume or left-to-right or front-to-back movement was created by the musicians moving around the dummy head. The goal of performers is always to capture the essence of live performance, and binaural recording ... |
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Christmas & Santa Fe(more) »rank: 13516by: Ottmar Liebert
: :The innovative virtuoso acoustic guitarist delivers a baker's dozen of Christmas standards that are often amended, appended, and otherwise embellished with memorable second themes. Set against a lively percussion section that gives many songs a distinctively Latin flavor, Liebert's playing here is crisp and light and always imaginative. His version of 'Silent Night' is touched deftly by a quieting theme called 'Snow White,' while 'Hark the Herald Angels Sing' emerges out of a lovely fragment called 'Canyon Road on Christmas Eve.' 'Dig the Wonderland/Winter Wonderland' combines the right amount of wintry playfulness and seasonal humor to warm even the stodgiest heart. With real ... |
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La Semana(more) »rank: 12516by: Ottmar Liebert + Luna Negra
: :For the last five years, guitarist Ottmar Liebert has been reviewing and reconsidering his career: variously re-recording, remixing, and remastering his older songs. Initially, La Semana, which translates as 'The Week,' sounds like a stylistic return to that early sound. No electronics, orchestras, or smooth jazz combos - only Liebert on multi-tracked guitar with bass, and percussion, just like on Nouveau Flamenco. Songs like Carousel and La Luna feature Liebert's upbeat mix of deft, precisely picked melody and flamenco groove. :For the last five years, guitarist Ottmar Liebert has been regurgitating his career: variously re-recording, remixing, and remastering his older songs. Initially, ... |
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Borrasca(more) »rank: 14686by: Ottmar Liebert
:Album Description:Nominated for a Grammy, Borrasca is the third in the trilogy from Ottmar and his band Luna Negra, consisting of Jon Gagan on bass and keyboards and Dave Bryant on drums and percussion. This power-packed album (which includes 15 songs) features a few new surprises with special horn arrangements from Gary Meek on tenor and alto saxophones and Jeff Elliot on trumpet and flugelhorn. Co-producer and engineer Dominic Camardella adds his touch with a sultry Latin piano. Certified Gold! |
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One Guitar(more) »rank: 13574by: Ottmar Liebert
:Album Description:After 22 releases and a stellar career enjoyed by few guitarists of our time, three-time Grammy nominee Ottmar Liebert has released his most daring and unadorned recording yet. This 13 song release, One Guitar is filled with gorgeous soulful performances and a palette full of intimate moods and lush landscapes. Recorded solo with no overdubs, Ottmar delivers his amazing guitar prowess. This 13 song release was ''70% improvised'' says Liebert, which contributes to more personal nature and intimate environment that takes the listener to a different place. |

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley


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Bird has his cake and eats it, too. He and the Pixar wizards send up superhero and James Bond movies while delivering a thrilling, supercool action movie that rivals Spider-Man 2 for 2004's best onscreen thrills. While it's just as funny as the previous Pixar films, The Incredibles has a far wider-ranging emotional palette (it's Pixar's first PG film). Bird takes several jabs, including some juicy commentary on domestic life ("It's not graduation, he's moving from the fourth to fifth grade!").
The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode.
Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.
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The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.
The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).
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Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.
There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas
More Incredibles at Amazon.com
![]() The Incredibles Toy Store | ![]() CD Soundtrack | ![]() The Art of The Incredibles Book |
![]() Game Boy Advance | ![]() On VHS | ![]() The Essential Guide Book |
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The Pixar Feature Films
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More Animation DVDs
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More Superheroes on DVD
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Also from Filmmaker Brad Bird
![]() The Iron Giant (Writer/Director) | ![]() "Family Dog" on Amazing Stories (Writer/Director) | ![]() Batteries Not Included (Cowriter) |
![]() The Simpsons (Director/Consultant) | ![]() King of the Hill (Consultant) | ![]() The Critic (Consultant) |