Bestsellers > Music > House
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In the House: Louie Vega(more) »rank: 6804by: Various Artists
:Album Details:Louie Vega Brings Us Another Addition Defected's 'in the House' Series the Only Way He Knows How. The King of Latin House Combines Soulful and Upfront Tracks Across the First Two CDs with Exclusives from Bob Sinclar, Martin Solveig, Yass, Dennis Ferrer and Partner Kenny Dope, Alongside his Own Productions. The Third Unmixed CD Offers an Insight Into Vega's Inspirations, with Tracks from Kool and the Gang, Sergio Mendes and Ultra Nate Just to Name a Few. After Listening Across the 3CD'S, You Can Understand How Louie Vega's Musical Talent Has Lead Him to Two Grammy Nominations. This Truly is ... |
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Singles 93-03(more) »rank: 73858by: The Chemical Brothers
: :To remain relevant after a decade in the music industry is rare indeed; for a dance act, it's virtually unique. Singles 93-03 ably demonstrates how the Chemical Brothers have managed it. Having first carved a reputation as DJs the Dust Brothers in the early 1990s, the two history graduates narrowly avoided calling themselves the London Dust Explosion before spearheading big beat, becoming a huge live draw, collaborating with Noel Gallagher and having Glastonbury Festival founder Michael Eavis play 'Hey Boy, Hey Girl' at his wedding. It's been 10 years of fun, frolics, and gigantean left-field beats for Ed Simmons and Tom ... |
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Loteria Beats Mixtapes, Vol. 1(more) »rank: 86340by: Various Artists
: :To remain relevant after a decade in the music industry is rare indeed; for a dance act, it's virtually unique. Singles 93-03 ably demonstrates how the Chemical Brothers have managed it. Having first carved a reputation as DJs the Dust Brothers in the early 1990s, the two history graduates narrowly avoided calling themselves the London Dust Explosion before spearheading big beat, becoming a huge live draw, collaborating with Noel Gallagher and having Glastonbury Festival founder Michael Eavis play 'Hey Boy, Hey Girl' at his wedding. It's been 10 years of fun, frolics, and gigantean left-field beats for Ed Simmons and Tom ... |
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Autoimmune(more) »rank: 23526by: Meat Beat Manifesto
: :Meat Beat Manifesto has been hailed as one of the frontrunners in the electronic music scene since 1987. Front man Jack Dangers has avoided being categorized by continuously expanding his musical influences and overall direction of the band. No two albums sound alike. Now, with this tenth release, the group is pushing musical boundaries even further, creating a tour de force of electronic genius sure to spark renewed interest in the dubstep and electronic music scenes. |
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All Rights Reserved, Vol. 2(more) »rank: 37796by: George Acosta
: :Meat Beat Manifesto has been hailed as one of the frontrunners in the electronic music scene since 1987. Front man Jack Dangers has avoided being categorized by continuously expanding his musical influences and overall direction of the band. No two albums sound alike. Now, with this tenth release, the group is pushing musical boundaries even further, creating a tour de force of electronic genius sure to spark renewed interest in the dubstep and electronic music scenes. |
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The Sun & the Neon Light(more) »rank: 82232by: Booka Shade
:Album Description:2008 two CD set, a mature work that tackles the contradictions between our day-life and our night-life, between the organic and the artificial, the individual and the crowd, the inner and the outer. This eternal tension is reflected not just in the range and complexity of the album's moods, but also its mingling of acoustic and electronic textures. Booka Shade's roots lie in club music, but for this album, they adopt a song-based approach, and expertly weave real instruments and voices with superbly detailed electronics to create a futuristic but very organic sound. 2008. |
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Renaissance: The Mix Collection, Vol. 1 (Remastered 10th Anniversary Edition)(more) »rank: 68804by: Sasha & John Digweed
:Album Description:MixMag voted Renaissance: The Mix Collection the #1 mix CD of all time, stating, 'For many it was the first mix compilation they bought and, for us, it remains the best.' Upon its release in 1994, Renaissance: The Mix Collection by Sasha & John Digweed launched the dance music compilation market and went on to become the first ever DJ/Club mix to reach gold status in sales in the UK. The triple-disc set served as a blueprint for the music scene of the time (heralded as the golden age of British dance) and featured works by Moby, Leftfield, Fluke, Bedrock, ... |
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Body of Work(more) »rank: 42698by: Nitzer Ebb
:Album Description:MixMag voted Renaissance: The Mix Collection the #1 mix CD of all time, stating, 'For many it was the first mix compilation they bought and, for us, it remains the best.' Upon its release in 1994, Renaissance: The Mix Collection by Sasha & John Digweed launched the dance music compilation market and went on to become the first ever DJ/Club mix to reach gold status in sales in the UK. The triple-disc set served as a blueprint for the music scene of the time (heralded as the golden age of British dance) and featured works by Moby, Leftfield, Fluke, Bedrock, ... |
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This Binary Universe(more) »rank: 24830by: BT
: :BT's This Binary Universe is really a follow-up to his 2004 soundtrack to Monster, a brilliant work of cinematic moods and ambient Americana. It was unjustly ignored by both the Oscars and the Grammys, where it should have at least been nominated for Best Surround Sound Recording. None of that has stopped Brian Transeau from going further down this path of expansive ambient electronica that takes him out of the techno-pop and trance direction he had been pursuing. This Binary Universe taps into BT's classical side, with expansive arrangements and intricate, albeit minimalist, thematic development. From the opening of 'All That ... |
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Music Sounds Better with You(more) »rank: 109602by: Stardust
: :'Music Sounds Better with You,' with its infectious horn samples, groove-laden bass hooks, and a lusty Benjamin Diamond vocal slowed to a crawl, quickly went from a 1998 Winter Music Conference hit in Miami to a prime mover of dance floors everywhere, becoming one of the biggest selling house singles of all time. Masterminded by Thomas Bangalter, one half of Daft Punk, the song's a sinful pleasure. Repetition rules the record, with no verse or bridge, only a chorus ('Ooooh, baby, I feel like music sounds better with you,' sung by Diamond) to propel the song. Sprinkle a little Stardust and ... |