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Todo a Su Tiempo
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Todo a Su Tiempo

(more) »rank: 77765

by: Marc Anthony




Café del Mar, Vol. 13
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Café del Mar, Vol. 13

(more) »rank: 104609

by: Various Artists


:Album Description:The remarkable thing about this volume is not that it's the 13th installment in the extremely popular Cafe Del Mar series but that they've managed to maintain the quality control and this is just as good as any of the first 12! Caf‚ del Mar is the perfect scenery to enjoy an exclusive fusion of light, water and sound; the primary icon of the cult of sunset, without any doubts, one of the most wonderful and incredible existing in the planet. With the first Volume, thirteen years ago, Caf‚ del Mar began to put music to sunset. Caf‚ del Mar's spirit has ...

Grandes Exitos de Juan Luis Guerra 4.40
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Grandes Exitos de Juan Luis Guerra 4.40

(more) »rank: 13453

by: Juan Luis Guerra


:Album Details:Greatest Hits Collection from Multi-grammy Winner and Dominican Republic's Best Loved Poet/Musician. The Merengue Superstar Studied African-influenced Music, Folk Songs and Jazz at Berklee College of Music in Boston Before Winning the World Over with his Group 440. Includes the Hits 'Burbujas De Amor', 'Bachata Rosa', 'la Bilirrubina', 'Visa Para Un Sueno' and features 'Woman Del Callao' which Replaces 'Guavaberry' Originally Released on the USA Version on Karen Records with Different Cover Art as Well.

100% Merengue
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100% Merengue

(more) »rank: 51256

by: Olga Tañón


:Album Details:Greatest Hits Collection from Multi-grammy Winner and Dominican Republic's Best Loved Poet/Musician. The Merengue Superstar Studied African-influenced Music, Folk Songs and Jazz at Berklee College of Music in Boston Before Winning the World Over with his Group 440. Includes the Hits 'Burbujas De Amor', 'Bachata Rosa', 'la Bilirrubina', 'Visa Para Un Sueno' and features 'Woman Del Callao' which Replaces 'Guavaberry' Originally Released on the USA Version on Karen Records with Different Cover Art as Well.

Ni Es Lo Mismo Ni Es Igual
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Ni Es Lo Mismo Ni Es Igual

(more) »rank: 58802

by: Juan Luis Guerra y 440


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...

Contra la Corriente
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Contra la Corriente

(more) »rank: 90823

by: Marc Anthony


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...

45 Aniversario
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45 Aniversario

(more) »rank: 82905

by: La Sonora Ponceña


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...

I Like It Like That
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I Like It Like That

(more) »rank: 106363

by: Tito Nieves


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...

Pure Brazil: Caipirinha
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Pure Brazil: Caipirinha

(more) »rank: 32190

by: Various Artists


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...

The Mambo King, Vol. 1
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The Mambo King, Vol. 1

(more) »rank: 48727

by: Perez Prado


: :Beginning in 1989 with his breakthrough album Ojala Que Llueva Café, Dominican singer-songwriter Juan Luis Guerra shook the Latin pop world by writing music that was successful both artistically and commercially. Without losing sight of the dancers on the dance floor or of hook-driven radio, Guerra reworked Dominican merengue, and later the romantic, bolero-like bachata, with sophisticated jazz harmonies, poetic lyrics, and top-shelf pop-style production. He even made some astute connections between modern Caribbean and West African pop. But in 1994 he disappeared from view. Ni Es lo Mismo ni Es Igual shows an artist finding his way back, looking for the markers ...


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