Bestsellers > Music > Compilations
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Gold(more) »rank: 33196by: Louis Armstrong
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Wintersong(more) »rank: 60656by: Paul Winter Consort
:Album Description:WINTERSONG is a collection of international tributes to the season, with traditional songs and circle dances from England, Scandinavia, Italy, France and the Appalachian Mountains. |
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A Go Go(more) »rank: 54945by: John Scofield
:Album Details:Japanese Release featuring Two Bonus Tracks: Like it Or Not, and Hope Springs Eternal. :John Scofield's stature as a modern jazz master on electric guitar puts him in a sweet spot for this simmering, sexy collaboration with acid jazz pathfinders Medeski, Martin and Wood, Scofield's taut and spicy lines striking sparks against the soulful grooves pitched by drummer Billy Martin, keyboard colorist John Medeski, and bassist Chris Wood. Far from a cheap commercial shot, the leader's plunge into this reheated '60s style is appropriately redolent of its funk heritage and his own astringent command of sharp lyrical and smart harmonic asides. --Sam ... |
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The Art of the Trio, Vol. 1(more) »rank: 32152by: Brad Mehldau
: :Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening 'Blame It on My Youth,' 'I Didn't Know What Time It Was,' and a lovely reading of the Beatles' 'Blackbird') and some equally strong originals. Drummer Jorge Rossy and ... |
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Bossa Nova for Lovers(more) »rank: 54871by: Various Artists
: :Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening 'Blame It on My Youth,' 'I Didn't Know What Time It Was,' and a lovely reading of the Beatles' 'Blackbird') and some equally strong originals. Drummer Jorge Rossy and ... |
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Isn't It Romantic: Capitol Sings Rodgers & Hart(more) »rank: 29014by: Various Artists
: :Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening 'Blame It on My Youth,' 'I Didn't Know What Time It Was,' and a lovely reading of the Beatles' 'Blackbird') and some equally strong originals. Drummer Jorge Rossy and ... |
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Late Night Piano(more) »rank: 14004by: Various Artists
: :Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadly serious title. Happily, Mehldau pulls it off on this critically-acclaimed 1997 release, which finds his luminous touch bringing fresh power to standards (including the opening 'Blame It on My Youth,' 'I Didn't Know What Time It Was,' and a lovely reading of the Beatles' 'Blackbird') and some equally strong originals. Drummer Jorge Rossy and ... |
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The Complete 1961 Village Vanguard Recordings(more) »rank: 23542by: John Coltrane
: essential recording:Coltrane had only recently moved to the Impulse label when producer Bob Thiele decided to set up recording equipment for performances at the Village Vanguard in November 1961. It was a crucial period in Coltrane's artistic development, as his music assumed apocalyptic power and controversy swirled around his expanded band and marathon performances. The band ranges from a trio with bass and drums for the extended tenor workouts like 'Impressions' and 'Chasin' the Trane'; to an octet on some versions of 'India,' where Coltrane's soprano swirls through the throbbing drones and percussion. Among the sidemen are the multireed player Eric Dolphy ... |
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Concord Jazz Christmas 2(more) »rank: 33152by: Various Artists
: essential recording:Coltrane had only recently moved to the Impulse label when producer Bob Thiele decided to set up recording equipment for performances at the Village Vanguard in November 1961. It was a crucial period in Coltrane's artistic development, as his music assumed apocalyptic power and controversy swirled around his expanded band and marathon performances. The band ranges from a trio with bass and drums for the extended tenor workouts like 'Impressions' and 'Chasin' the Trane'; to an octet on some versions of 'India,' where Coltrane's soprano swirls through the throbbing drones and percussion. Among the sidemen are the multireed player Eric Dolphy ... |
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Jazz Icons: Louis Armstrong Live in '59(more) »rank: 24939starring: Louis Armstrong
:Description:Jazz Icons: Louis Armstrong is one of the only known complete Armstrong concerts from the 1950s to be captured on fi lm. This 55-minute set, fi lmed in Belgium in 1959, features many of SatchmoÂ’s greatest songs including Â'Mack The KnifeÂ', Â'When ItÂ’s Sleepy Time Down SouthÂ' and Â'StompinÂ’ At The Savoy,Â' backed by his stellar band the All-Stars, featuring Trummy Young, Peanuts Hucko, Billy Kyle, Danny Barcelona and Mort Herbert. :The very existence of this hour-long concert, billed as perhaps the only complete Louis Armstrong show ever recorded on film, is a treat; the fact that Live in '59 is excellent both ... |

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

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