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Pete Seeger's Greatest Hits
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Pete Seeger's Greatest Hits

(more) »rank: 2047

by: Pete Seeger


: :Pete Seeger's recording career covers more than 60 years, so a single-CD collection is bound to leave out more than a few worthy songs. But the 16 selections on Pete Seeger's Greatest Hits include indispensable Seeger-composed classics like 'Turn! Turn! Turn!,' 'Bells of Rhymney,' and an abbreviated a cappella version of 'Where Have All the Flowers Gone?' Also included are songs Seeger popularized, such as 'Wimoweh,' which he learned from Solomon Linda's original South African recording in the 1940s, and 'Guantanamera,' which he picked up from some children at a Catskills summer camp where he ...

Visiter
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Visiter

(more) »rank: 1451

by: The Dodos


: :Pete Seeger's recording career covers more than 60 years, so a single-CD collection is bound to leave out more than a few worthy songs. But the 16 selections on Pete Seeger's Greatest Hits include indispensable Seeger-composed classics like 'Turn! Turn! Turn!,' 'Bells of Rhymney,' and an abbreviated a cappella version of 'Where Have All the Flowers Gone?' Also included are songs Seeger popularized, such as 'Wimoweh,' which he learned from Solomon Linda's original South African recording in the 1940s, and 'Guantanamera,' which he picked up from some children at a Catskills summer camp where he ...

The Very Best of Linda Ronstadt
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The Very Best of Linda Ronstadt

(more) »rank: 2361

by: Linda Ronstadt


:Album Description:The very best of Linda Ronstadt packs a single CD with 21 Ronstadt classics released by Capitol and Elektra/Asylum from 1967-1993. 2002. :Linda Ronstadt, who emerged from SoCal's vaunted early-'70s country-folk scene, became the American female rock superstar of the Me Decade. After the initial success of the Stone Poneys' Michael Nesmith-penned 'Different Drum,' Ronstadt expanded her horizons through interpretations of a long string of successful pop and R&B covers. Along the way she championed emerging songwriters like Warren Zevon ('Poor Poor Pitiful Me') and contemporary favorites like Neil Young ('Love Is a Rose') ...

John Prine
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John Prine

(more) »rank: 5531

by: John Prine


: essential recording:Prine's 1971 self-titled debut set the tone for the rest of his career. A critical smash and a commercial disappointment, the record contains many of his best known compositions. Proving himself capable of tackling folk balladry, country, and rock with ease, Prine seems to spring into being as a fully formed singer-songwriter at age 24. Lyrically diverse, Prine offers topical songs such as 'Sam Stone,' the tale of a drug addicted Vietnam vet, achingly sad songs, such as the oft-covered 'Angel from Montgomery,' and, of course, his trademark wit gets ample time in ...

Edgar Meyer & Chris Thile
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Edgar Meyer & Chris Thile

(more) »rank: 1751

by: Edgar Meyer, Chris Thile


: :This collaboration between Chris Thile, leader of Nonesuch quintet the Punch Brothers and former Nickel Creek vocalist-mandolin player, and double bassist Edgar Meyer is a meeting of two prodigious, Grammy Award-winning talents in, quite literally, the most down home of settings. Co-writing a dozen compositions, the pair recorded their work at Meyer's house in Nashville. No frills, no words and no other musicians were needed, keeping the focus on thed quick-thinking repartee between these two players. Their wide-ranging musical dialogue incorporates bluegrass, folk, country, and classical elements.

Desire
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Desire

(more) »rank: 2697

by: Bob Dylan


: :This collaboration between Chris Thile, leader of Nonesuch quintet the Punch Brothers and former Nickel Creek vocalist-mandolin player, and double bassist Edgar Meyer is a meeting of two prodigious, Grammy Award-winning talents in, quite literally, the most down home of settings. Co-writing a dozen compositions, the pair recorded their work at Meyer's house in Nashville. No frills, no words and no other musicians were needed, keeping the focus on thed quick-thinking repartee between these two players. Their wide-ranging musical dialogue incorporates bluegrass, folk, country, and classical elements.

Nashville Skyline
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Nashville Skyline

(more) »rank: 4058

by: Bob Dylan


: :This collaboration between Chris Thile, leader of Nonesuch quintet the Punch Brothers and former Nickel Creek vocalist-mandolin player, and double bassist Edgar Meyer is a meeting of two prodigious, Grammy Award-winning talents in, quite literally, the most down home of settings. Co-writing a dozen compositions, the pair recorded their work at Meyer's house in Nashville. No frills, no words and no other musicians were needed, keeping the focus on thed quick-thinking repartee between these two players. Their wide-ranging musical dialogue incorporates bluegrass, folk, country, and classical elements.

Living & The Dead
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Living & The Dead

(more) »rank: 435

by: Jolie Holland


: :With a vocal style hailed by the Village Voice as 'sultry and sweet, despairing and lonely', Jolie has experimented in the past with various settings for her unique, jazz-inflected voice. This time working with such collaborators as M. Ward (She & Him, My Morning Jacket) and Marc Ribot (Tom Waits, Elvis Costello), she has embraced both the rocking side of her roots, and the compositional possibilities of the studio, multi-tracking her voice for the first time. The results have intensified the evocative moodiness of her music but also brought out a rollicking looseness.

The Future
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The Future

(more) »rank: 5670

by: Leonard Cohen


: essential recording:Leonard Cohen's deeply personal first LPs came out at a time when many of his peers were issuing furious, counterculture-inspired rants; he clearly had little interest in sticking with the pack at the time. So it makes a certain kind of contrary sense that Cohen would put out an offbeat topical collection two and a half decades later. The Future is an odd duck of an album; it's also brave, funny, and fascinating. 'Give me back the Berlin Wall / Give me Stalin and St. Paul,' Cohen petitions sardonically in the title track, ...

Walt Disney Records : Children's Favorite Songs, Vol. 3 : 23 Classic Tunes
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Walt Disney Records : Children's Favorite Songs, Vol. 3 : 23 Classic Tunes

(more) »rank: 1400

by: Larry Groce


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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