Bestsellers > Music > Rock Guitarists
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Live! Go for What You Know(more) »rank: 58250by: Pat Travers
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The Ultimate Ted Nugent(more) »rank: 58879by: Ted Nugent
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Splendido Hotel(more) »rank: 39729by: Al di Meola
:Album Description:Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. :Al Di Meola earned his stripes playing alongside Stanley Clarke and Chick Corea in Return to Forever, but he made his most compelling personal statements with 1980's Splendido Hotel and its precursor, Elegant Gypsy. Di Meola's compositional embrace of Argentinean tango (on a duet with Corea), Brazilian bossa (the romantic 'Silent Story in Her Eyes'), and flamenco compas (the overdubbed solo piece 'Splendido Sundance') made him more than just another fast guitar player and paved the way for his future work with John McLaughlin and Paco DeLucia. ... |
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Dick Dale & His Deltones - Greatest Hits 1961-1976(more) »rank: 41469by: Dick Dale & the Del-Tones
:Album Description:Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. :Al Di Meola earned his stripes playing alongside Stanley Clarke and Chick Corea in Return to Forever, but he made his most compelling personal statements with 1980's Splendido Hotel and its precursor, Elegant Gypsy. Di Meola's compositional embrace of Argentinean tango (on a duet with Corea), Brazilian bossa (the romantic 'Silent Story in Her Eyes'), and flamenco compas (the overdubbed solo piece 'Splendido Sundance') made him more than just another fast guitar player and paved the way for his future work with John McLaughlin and Paco DeLucia. ... |
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I've Got My Own Album to Do(more) »rank: 20503by: Ron Wood
:Album Description:Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. :Al Di Meola earned his stripes playing alongside Stanley Clarke and Chick Corea in Return to Forever, but he made his most compelling personal statements with 1980's Splendido Hotel and its precursor, Elegant Gypsy. Di Meola's compositional embrace of Argentinean tango (on a duet with Corea), Brazilian bossa (the romantic 'Silent Story in Her Eyes'), and flamenco compas (the overdubbed solo piece 'Splendido Sundance') made him more than just another fast guitar player and paved the way for his future work with John McLaughlin and Paco DeLucia. ... |
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Led Zeppelin Box Set, Vol. 2(more) »rank: 33825by: Led Zeppelin
:Album Description:Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. :Al Di Meola earned his stripes playing alongside Stanley Clarke and Chick Corea in Return to Forever, but he made his most compelling personal statements with 1980's Splendido Hotel and its precursor, Elegant Gypsy. Di Meola's compositional embrace of Argentinean tango (on a duet with Corea), Brazilian bossa (the romantic 'Silent Story in Her Eyes'), and flamenco compas (the overdubbed solo piece 'Splendido Sundance') made him more than just another fast guitar player and paved the way for his future work with John McLaughlin and Paco DeLucia. ... |
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Carl Perkins - Original Sun Greatest Hits(more) »rank: 11550by: Carl Perkins
: :There's something about Carl Perkins's original version of 'Blue Suede Shoes' that's wilder than Elvis's less popular, though today better known, cover of the song. It's not that Perkins is in your face; his version is remarkably restrained. But that restraint hides a real sense of hillbilly threat--Elvis is playing, but Carl sounds like he'd kick your teeth in. That vocal edge, along with his influential lead guitar, is what makes Perkins' sides such as 'Honey Don't' and 'Everybody's Trying to Be My Baby' the very definition of rockabilly's darker edge--all of which becomes perfectly clear when he finally cuts loose and gets ... |
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Clean(more) »rank: 18893by: Martone
: :Guests: Joe Satriani, Greg Howe, Billy Sheehan, Daniel Adair (Nickelback)Special Digipak EditionFeatured in Guitar One Magazine Jan 2008 issue as one of the top 4 underground shredders in North AmericaMartone . . . visiting what the future of guitar music would sound like.If you thought that Canadian rock started and ended with Rush, Saga or Triumph, think again. Canadian guitar virtuoso, Dave Martone is a force to be reckoned with. I wanted the album to be playable by a 3 piece band, while not relying heavily on studio production techniques. I wanted more of a 4 on the floor vibe, with very ... |
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Old New Ballads Blues(more) »rank: 23919by: Gary Moore
:Album Description:Gary Moore’s brand new studio album 'Old, New, Ballads, Blues' continues his exploration of the blues through the combination of classic blues tracks written by the likes of Otis Rush and Willie Dixon and new self-penned songs. Gary has had the fortune in the past to have played with both Albert Collins and Albert King and is currently on the BB King farewell tour of the UK. 'Old, New, Ballads, Blues' fits right into the pocket of Gary’s platinum-selling album 'Still Got the Blues'. This great new album should bring Gary right up to the top in the blues and blues rock ... |
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Money and Cigarettes(more) »rank: 28952by: Eric Clapton
: :Maybe it was the recording environs of Nassau, Bahamas, that made this such a laidback effort. Maybe it was the presence of trusty Clapton pals Albert Lee, Ry Cooder, and Donald 'Duck' Dunn. Money is a relaxed collection of simple songs summed up by the album's sole hit, 'I've Got a Rock and Roll Heart.' Old-time boogie-woogie and '50s rock is the key inspiration on tracks such as 'Slow Down Linda' (which even sounds like a second 'Lay Down Sally'), the Eddie Cochran-esque 'Man in Love' and 'The Shape You're In,' which features a nice lead tradeoff between Clapton and Lee. Covers of ... |

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

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