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Bestsellers > Music > Rock Guitarists

From the Cradle
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From the Cradle

(more) »rank: 6580

by: Eric Clapton


: :The full-tilt blues album that Clapton had been promising for years, From the Cradle proves the guitarist's enduring devotion to a form he had long relegated to merely a flavor in his music rather than the main ingredient. Clapton's singing on the album is somewhat mannered; he tries to compete with original versions of these songs by Muddy Waters, Charles Brown, and others, and there's no way he's going to win that battle. Still, you can feel the emotional connection Clapton has with these songs, and guitar aficionados will swoon over his fretwork on songs such as 'Third Degree,' 'Someday After a While,' ...

Monsters & Robots
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Monsters & Robots

(more) »rank: 3490

by: Buckethead


: :The full-tilt blues album that Clapton had been promising for years, From the Cradle proves the guitarist's enduring devotion to a form he had long relegated to merely a flavor in his music rather than the main ingredient. Clapton's singing on the album is somewhat mannered; he tries to compete with original versions of these songs by Muddy Waters, Charles Brown, and others, and there's no way he's going to win that battle. Still, you can feel the emotional connection Clapton has with these songs, and guitar aficionados will swoon over his fretwork on songs such as 'Third Degree,' 'Someday After a While,' ...

Diver Down
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Diver Down

(more) »rank: 7888

by: Van Halen


:Album Description:Japanese pressing. Reissue of 1982 original release has been remastered and comes in a standard jewel case. Warner. 2005.

Women and Children First
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Women and Children First

(more) »rank: 5798

by: Van Halen


:Album Description:Japanese pressing. Reissue of 1980 original release has been remastered and comes in a standard jewel case. Warner. 2005.

First Rays of the New Rising Sun
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First Rays of the New Rising Sun

(more) »rank: 6825

by: Jimi Hendrix


: :The guy was damn ingenious with a guitar, but not half as industrious as the folks who've packaged and repackaged his posthumous material. First Rays of the New Rising Sun, however, is an attractive assortment of 'spiritual, very earthy' late recordings that surfaced in the '70s via The Cry of Love, Crash Landing, Rainbow Bridge, and War Heroes. Hendrix appeared to be in transition between flamboyant showman and serious musician personas at the time (meaning his work, had he lived, might have been twice as meritorious and half as fun), and that makes many of these tracks all the more interesting. --Steven Stolder

Light from Above
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Light from Above

(more) »rank: 5104

by: Black Tide


:Album Description:BLACK TIDE: Gabriel God given name: Gabriel Garcia Place of birth: Miami, Florida Ethnicity: White/Hispanic Occupation: Student, singer and guitar player in Black Tide Status: Single Quick Bio: 'My cousin Mario was the one who taught me how to play most of my guitar, and from there i just practiced my ass off. I'm influenced by bands such as Megadeth, Iron Maiden, Yngwie Malmsteen, Morbid Angel, Kreator, Emperor, Judas Priest, Van Halen, Children Of Bodom, Trivium, Death, Testament, Cannibal Corpse, Napalm Death, Black Label Society, Lamb Of God, Opeth, Pantera, Guns n roses, Black Sabbath, Ozzy Osbourne, At The Gates, Dream Theater, ...

Live at Carnegie Hall
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Live at Carnegie Hall

(more) »rank: 20725

by: Stevie Ray Vaughan


: essential recording:The series of Stevie Ray Vaughan concert albums that began with Live Alive (1986) and continued after the guitarist's 1990 death is far from the catalog-bloating cash-in you'd expect from the record company of a platinum seller cut down at a career peak. Instead, each disc gives a distinctly different view of the Texas blues-rocker's stage strengths. Where Live Alive captured Vaughan and his band Double Trouble in full arena roar and In the Beginning recorded a looser early club gig, Live at Carnegie Hall finds the outfit broadening its range with guest shots from Dr. John and the Roomful of ...

The Extremist
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The Extremist

(more) »rank: 22883

by: Joe Satriani


: essential recording:The series of Stevie Ray Vaughan concert albums that began with Live Alive (1986) and continued after the guitarist's 1990 death is far from the catalog-bloating cash-in you'd expect from the record company of a platinum seller cut down at a career peak. Instead, each disc gives a distinctly different view of the Texas blues-rocker's stage strengths. Where Live Alive captured Vaughan and his band Double Trouble in full arena roar and In the Beginning recorded a looser early club gig, Live at Carnegie Hall finds the outfit broadening its range with guest shots from Dr. John and the Roomful of ...

In Session
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In Session

(more) »rank: 8582

by: Albert King, Stevie Ray Vaughn


:Album Description:Originally recorded for Canadian television. The two blues g uitar legends jam on 'Stormy Monday', 'Don't lie To Me' and 'Pride and Joy'. 1999 release. Standard jewel case. :Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the ...

Law and Order
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Law and Order

(more) »rank: 13035

by: Lindsey Buckingham


:Album Description:Originally recorded for Canadian television. The two blues g uitar legends jam on 'Stormy Monday', 'Don't lie To Me' and 'Pride and Joy'. 1999 release. Standard jewel case. :Recorded for a television program of the same name back in 1983, In Session bills itself as the only known recording of Stevie Ray Vaughan and Albert King, who was Vaughan's idol and mentor, playing together. That leads to some heavy expectations, which fortunately aren't disappointed, at least if you aren't expecting the customary over-the-top performances Vaughan was famous for. His playing here is much more laid-back and controlled, which is actually a recommendation--the ...


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On her eighth studio album, Damita Jo--the title lifted from her middle name--Janet Jackson teams up with Jimmy Jam and Terry Lewis once again on what is perhaps the most feverish album in her two decade long career. Whether she's taking the listener on a torrid excursion in the four song island suite, or boasting of her sexual prowess on "Sexhibition's" word games lyrics, where she tells fans "relax, it's just sex," the singer tries hard--maybe too hard--to establish herself as a sexual avatar with portfolio. But in "Strawberry Bounce," she seems more like a pole dancer in stilettos than a social revolutionary, as she catalogs the way she plans to make her inamorato lose control, and she just sounds silly on "Moist," which extols the female orgasm. Instead, the best moments on the album are when Jackson comes off as saucy and winsome instead of a heavy breather, like on the down-tempo "Thinkin' Bout My Ex," her collaboration with Babyface, which seems lifted right out of her autobiography, and on the athletic Prince clone "Just A Little While." The title track is Jackson's own version of J-Lo's "Jenny On the Block," and she sounds just as insincere as Lopez when she tried to convince us that she was just an ordinary neighborhood diva. Instead, Janet’s much more persuasive when she joins up with hip-hop savant Kanye West on "My Baby," pairing her breathy, little girl vocals to his sharp, focused rap. Then and only then does Damita Jo sound like love can actually trump sex. --Jaan Uhelszki

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