Bestsellers > Music > Piano
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Genius & Soul: The 50th Anniversary Collection(more) »rank: 14579by: Ray Charles
: essential recording:If anyone deserves his own section in record stores, it's Ray Charles. Witness this Charles box set, a full five-disc career retrospective that follows smaller packages concentrating on his early R&B (The Birth of Soul) and Blues + Jazz work. In addition to those styles, we get Ray's stabs at Nat 'King' Cole/Charles Brown urban blues ('Baby Let Me Hold Your Hand'), handfuls of country songs ('I Can't Stop Loving You'), definitive readings of the American songbook ('Georgia on My Mind,' 'Come Rain or Come Shine'), and personal claims on the '60s soul he made possible ('I Don't Need No Doctor'). ... |
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Blowin' the Blues(more) »rank: 87814by: Little Walter
:Album Description:Little Walter is without doubt remembered as the most influential Chicago-style blues harmonica player ever, and this three-disc collection, which includes most of his classics, bears witness to that fact. Inducted into the Rock and Roll Hall of Fame in March 2008. |
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Presumed Innocent(more) »rank: 38631by: Marcia Ball
: :Raised near the border of Texas and Louisiana, Marcia Ball continues to claim dual citizenship for her music, forging a rollicking roadhouse groove that has never sounded richer or more vital than it does here. With her piano style steeped in the soul of New Orleans, Ball and coproducer Doyle Bramhall enlist the Cajun accordion of Pat Breaux and the bluesy Texas bite of Pat Boyack's guitar and Gary Primich's harmonica on a collection that holds its own with the classics that inspired her. Highlights range from a duet with Delbert McClinton on Allen Toussaint's 'You Make It Hard' to the supper-club sophistication ... |
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Beach Music Anthology, Vol. 2(more) »rank: 94750by: Various Artists
: :Raised near the border of Texas and Louisiana, Marcia Ball continues to claim dual citizenship for her music, forging a rollicking roadhouse groove that has never sounded richer or more vital than it does here. With her piano style steeped in the soul of New Orleans, Ball and coproducer Doyle Bramhall enlist the Cajun accordion of Pat Breaux and the bluesy Texas bite of Pat Boyack's guitar and Gary Primich's harmonica on a collection that holds its own with the classics that inspired her. Highlights range from a duet with Delbert McClinton on Allen Toussaint's 'You Make It Hard' to the supper-club sophistication ... |
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Today!(more) »rank: 116051by: Skip James
: :Raised near the border of Texas and Louisiana, Marcia Ball continues to claim dual citizenship for her music, forging a rollicking roadhouse groove that has never sounded richer or more vital than it does here. With her piano style steeped in the soul of New Orleans, Ball and coproducer Doyle Bramhall enlist the Cajun accordion of Pat Breaux and the bluesy Texas bite of Pat Boyack's guitar and Gary Primich's harmonica on a collection that holds its own with the classics that inspired her. Highlights range from a duet with Delbert McClinton on Allen Toussaint's 'You Make It Hard' to the supper-club sophistication ... |
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Ray Charles, Genius Loves Company (Monster Music High Definition Surround Sound CD SUPERDISC)(more) »rank: 90282by: Ray Charles
:Album Description:Genius Loves Company is great in stereo but it’s incredible in surround sound, the music opens up and the dynamic among the artists is more transparent, more alive. You hear Billy Preston’s Hammond B3 in its own channel. There is an eighty-piece orchestra, a gospel choir and a horn section. In surround sound you can hear each instrument. Because there is more space in a surround field, you can hear the trumpet and the trombone separately-with each instrument occupying its own space in stereo it’s all pressed together. In surround sound it’s larger-than-life. Genius Loves Company won eight Grammy Awards, joining the ... |
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America's #1 Band: The Columbia Years(more) »rank: 12655by: Count Basie
:Album Description:Genius Loves Company is great in stereo but it’s incredible in surround sound, the music opens up and the dynamic among the artists is more transparent, more alive. You hear Billy Preston’s Hammond B3 in its own channel. There is an eighty-piece orchestra, a gospel choir and a horn section. In surround sound you can hear each instrument. Because there is more space in a surround field, you can hear the trumpet and the trombone separately-with each instrument occupying its own space in stereo it’s all pressed together. In surround sound it’s larger-than-life. Genius Loves Company won eight Grammy Awards, joining the ... |
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Christmas Gumbo(more) »rank: 46124by: Fats Domino
:Album Description:Genius Loves Company is great in stereo but it’s incredible in surround sound, the music opens up and the dynamic among the artists is more transparent, more alive. You hear Billy Preston’s Hammond B3 in its own channel. There is an eighty-piece orchestra, a gospel choir and a horn section. In surround sound you can hear each instrument. Because there is more space in a surround field, you can hear the trumpet and the trombone separately-with each instrument occupying its own space in stereo it’s all pressed together. In surround sound it’s larger-than-life. Genius Loves Company won eight Grammy Awards, joining the ... |
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New Orleans Party Classics(more) »rank: 41036by: Various Artists
:Album Description:Genius Loves Company is great in stereo but it’s incredible in surround sound, the music opens up and the dynamic among the artists is more transparent, more alive. You hear Billy Preston’s Hammond B3 in its own channel. There is an eighty-piece orchestra, a gospel choir and a horn section. In surround sound you can hear each instrument. Because there is more space in a surround field, you can hear the trumpet and the trombone separately-with each instrument occupying its own space in stereo it’s all pressed together. In surround sound it’s larger-than-life. Genius Loves Company won eight Grammy Awards, joining the ... |
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Driftin' Blues: The Best of Charles Brown(more) »rank: 13591by: Charles Brown
: :This mellow-toned singer and pianist came to prominence in the mid-'40s as part of Johnny Moore's Three Blazers. Moore's brother Oscar was a member of Nat 'King' Cole's trio, a group that greatly influenced the direction of the Blazers. With Moore's fluid guitar and Brown's mellifluous voice, the Blazers pioneered the refined, jazz-influenced West Coast school of blues. Nineteen forty-five's 'Driftin Blues' brought the trio national attention, but after recording a handful of tunes under his own name (with the Blazers still behind him), Brown broke away for good and rolled up a series of R&B hits for Aladdin, ending with the 1956 ... |