Bestsellers > Music > Dixieland
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Pete Fountain's New Orleans(more) »rank: 62847by: Pete Fountain
: :The vastly popular clarinetist and New Orleans stalwart Pete Fountain recorded this album just after the end of his hugely popular two-year stint on Lawrence Welk's Sunday-evening television show. He quit to return to more jazz-based playing. This 1959 quartet album, with Stan Wrightsman on piano, followed Welk's show, with The Blues just behind--and they were both nationwide hits. Long before, Fountain had soaked up the life of New Orleans, the steamy cradle of jazz. The tunes here are evergeens for the first days of jazz associated with New Orleans greats, particularly Louis Armstrong. With unmistakable tone, richness, and poise in his clarinet ... |
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Khomsa(more) »rank: 94564by: Anouar Brahem
: :The vastly popular clarinetist and New Orleans stalwart Pete Fountain recorded this album just after the end of his hugely popular two-year stint on Lawrence Welk's Sunday-evening television show. He quit to return to more jazz-based playing. This 1959 quartet album, with Stan Wrightsman on piano, followed Welk's show, with The Blues just behind--and they were both nationwide hits. Long before, Fountain had soaked up the life of New Orleans, the steamy cradle of jazz. The tunes here are evergeens for the first days of jazz associated with New Orleans greats, particularly Louis Armstrong. With unmistakable tone, richness, and poise in his clarinet ... |
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What a Wonderful Christmas(more) »rank: 80045by: Louis Armstrong
: :The vastly popular clarinetist and New Orleans stalwart Pete Fountain recorded this album just after the end of his hugely popular two-year stint on Lawrence Welk's Sunday-evening television show. He quit to return to more jazz-based playing. This 1959 quartet album, with Stan Wrightsman on piano, followed Welk's show, with The Blues just behind--and they were both nationwide hits. Long before, Fountain had soaked up the life of New Orleans, the steamy cradle of jazz. The tunes here are evergeens for the first days of jazz associated with New Orleans greats, particularly Louis Armstrong. With unmistakable tone, richness, and poise in his clarinet ... |
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Christmas in New Orleans(more) »rank: 47033by: Louis Armstrong, Jelly Roll Morton, Jack Teagarden, Victoria Spivey, The Red Onion Jazz Babies, Louis Jordan, Louis Prima, Mildred Bailey w/Red Norvo & his Band, Duke Ellngton & his Famous Orchestra, Charles Brown
: :The vastly popular clarinetist and New Orleans stalwart Pete Fountain recorded this album just after the end of his hugely popular two-year stint on Lawrence Welk's Sunday-evening television show. He quit to return to more jazz-based playing. This 1959 quartet album, with Stan Wrightsman on piano, followed Welk's show, with The Blues just behind--and they were both nationwide hits. Long before, Fountain had soaked up the life of New Orleans, the steamy cradle of jazz. The tunes here are evergeens for the first days of jazz associated with New Orleans greats, particularly Louis Armstrong. With unmistakable tone, richness, and poise in his clarinet ... |
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The Ultimate Collection(more) »rank: 15869by: Louis Armstrong
: :This three-CD collection provides a remarkable overview of Louis Armstrong's career, beginning with 1924 recordings with Fletcher Henderson's orchestra and carrying all the way through the decades to include the pop hits from the 1960s, like 'Hello, Dolly' and 'What a Wonderful World.' Along the way, there's plenty to document Armstrong's position as the first great soloist of jazz, its first great singer, and a popular entertainer whose charm was as unique as his musical talent. The 1920s are represented by his stellar performances as a 'sideman' to regular associates, like his wife, Lil Hardin Armstrong, and clarinetist Johnny Dodds. The 1930s find ... |
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The Firehouse Five Plus Two Story(more) »rank: 45199by: Firehouse Five Plus Two
: :First recorded in 1949, this band was the side project of a group of animators at the Walt Disney studios; this two-CD set collects the group's recordings up to 1954. The Firehouse Five began at the peak of the California revival of traditional jazz, when the music was sharply divided into warring camps and traditions were jealously defended. But there was nothing doctrinaire about the band's enthusiastic, almost frenetic, approach. Owing as much to vaudeville as it did to New Orleans jazz, it invoked the spirit of America's early popular music, including novelty tunes like 'Who Walks in When I Walk Out.' The ... |
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Dixieland Greatest Hits(more) »rank: 47029by: Various Artists
: :First recorded in 1949, this band was the side project of a group of animators at the Walt Disney studios; this two-CD set collects the group's recordings up to 1954. The Firehouse Five began at the peak of the California revival of traditional jazz, when the music was sharply divided into warring camps and traditions were jealously defended. But there was nothing doctrinaire about the band's enthusiastic, almost frenetic, approach. Owing as much to vaudeville as it did to New Orleans jazz, it invoked the spirit of America's early popular music, including novelty tunes like 'Who Walks in When I Walk Out.' The ... |
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Alone at the Palace(more) »rank: 83117by: Joe Venuti with Dave McKenna
: :First recorded in 1949, this band was the side project of a group of animators at the Walt Disney studios; this two-CD set collects the group's recordings up to 1954. The Firehouse Five began at the peak of the California revival of traditional jazz, when the music was sharply divided into warring camps and traditions were jealously defended. But there was nothing doctrinaire about the band's enthusiastic, almost frenetic, approach. Owing as much to vaudeville as it did to New Orleans jazz, it invoked the spirit of America's early popular music, including novelty tunes like 'Who Walks in When I Walk Out.' The ... |
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Doc Cheatham & Nicholas Payton(more) »rank: 35355by: Doc Cheatham & Nicholas Payton
: :Despite their immense age difference, Cheatham and Payton find common ground in their shared affection for Louis Armstrong. Cheatham used to sub for Armstrong in Chicago in 1926, while Payton grew up in Armstrong's hometown of New Orleans and resembles the jazz giant physically as well as musically. Many of the Tin Pan Alley standards on this project are associated with Satchmo, and the two trumpeters focus on his buttery tone and precision phrasing rather than his pyrotechnics. Like his old friend, Cheatham is a singer as well as a trumpeter, and his graceful, romantic vocals on numbers such as 'I Gotta Right ... |
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The Hurricane Sessions(more) »rank: 56033by: Preservation Hall Jazz Band
: :DVD included with the following track listing:DVD TRACK LISTING: 01. COMPLICATED LIFE 02. EARLY NEWS REEL 03. BRINKLEY NEWS HOUR 1961 04. NEWPORT JAZZ FESTIVAL 05. GERMAN TV NEWS REEL 1960's 06. GERMAN TV NEWS REEL Part II 07. GEORGE LEWIS ALL-STARS, 'Red Wing' |


DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi