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Directions in Music: Live at Massey Hall
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Directions in Music: Live at Massey Hall

(more) »rank: 119703

by: Herbie Hancock, Michael Brecker, Roy Hargrove


: :Directions in Music marks Herbie Hancock's all-star tribute to Miles Davis and John Coltrane. It's clearly a chance for Hancock to return once again to his creative roots, when he was in Davis's great quintet of the mid-'60s, and he has excellent companions for the journey in Michael Brecker and Roy Hargrove, the tenor saxophonist and trumpeter who clearly demonstrate their inspiration in Coltrane and Miles. The CD begins with a reprise of Hancock's 'Sorcerer' from his Miles period, with bassist John Patitucci and drummer Brian Blade, who were so crucial a part of Wayne Shorter's Footprints Live, and prove themselves ...

Secrets
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Secrets

(more) »rank: 33263

by: Herbie Hancock


: :Directions in Music marks Herbie Hancock's all-star tribute to Miles Davis and John Coltrane. It's clearly a chance for Hancock to return once again to his creative roots, when he was in Davis's great quintet of the mid-'60s, and he has excellent companions for the journey in Michael Brecker and Roy Hargrove, the tenor saxophonist and trumpeter who clearly demonstrate their inspiration in Coltrane and Miles. The CD begins with a reprise of Hancock's 'Sorcerer' from his Miles period, with bassist John Patitucci and drummer Brian Blade, who were so crucial a part of Wayne Shorter's Footprints Live, and prove themselves ...

Corea/Hancock
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Corea/Hancock

(more) »rank: 134742

by: Chick Corea & Herbie Hancock


: :Directions in Music marks Herbie Hancock's all-star tribute to Miles Davis and John Coltrane. It's clearly a chance for Hancock to return once again to his creative roots, when he was in Davis's great quintet of the mid-'60s, and he has excellent companions for the journey in Michael Brecker and Roy Hargrove, the tenor saxophonist and trumpeter who clearly demonstrate their inspiration in Coltrane and Miles. The CD begins with a reprise of Hancock's 'Sorcerer' from his Miles period, with bassist John Patitucci and drummer Brian Blade, who were so crucial a part of Wayne Shorter's Footprints Live, and prove themselves ...

Round Midnight: Original Motion Picture Soundtrack
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Round Midnight: Original Motion Picture Soundtrack

(more) »rank: 144341

from: Sony


: :Directions in Music marks Herbie Hancock's all-star tribute to Miles Davis and John Coltrane. It's clearly a chance for Hancock to return once again to his creative roots, when he was in Davis's great quintet of the mid-'60s, and he has excellent companions for the journey in Michael Brecker and Roy Hargrove, the tenor saxophonist and trumpeter who clearly demonstrate their inspiration in Coltrane and Miles. The CD begins with a reprise of Hancock's 'Sorcerer' from his Miles period, with bassist John Patitucci and drummer Brian Blade, who were so crucial a part of Wayne Shorter's Footprints Live, and prove themselves ...

V.S.O.P.: The Quintet
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V.S.O.P.: The Quintet

(more) »rank: 48176

by: VSOP, Herbie Hancock, Freddie Hubbard, Tony Williams, Ron Carter, Wayne Shorter


: :Directions in Music marks Herbie Hancock's all-star tribute to Miles Davis and John Coltrane. It's clearly a chance for Hancock to return once again to his creative roots, when he was in Davis's great quintet of the mid-'60s, and he has excellent companions for the journey in Michael Brecker and Roy Hargrove, the tenor saxophonist and trumpeter who clearly demonstrate their inspiration in Coltrane and Miles. The CD begins with a reprise of Hancock's 'Sorcerer' from his Miles period, with bassist John Patitucci and drummer Brian Blade, who were so crucial a part of Wayne Shorter's Footprints Live, and prove themselves ...

Secrets
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Secrets

(more) »rank: 138146

by: Herbie Hancock


:Album Description:Out of print in the U.S.! Originally released in 1988, this was the third installment in Herbie Hancock's electronic trilogy (the first two were 1983's Future Shock and Soundsystem, which followed a year later). Eight tracks. Sony.

1+1
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1+1

(more) »rank: 151566

by: Herbie Hancock & Wayne Shorter


: essential recording:On this remarkably intimate session, Herbie Hancock and Wayne Shorter reduce themselves to their purest instrumental voices, Hancock's piano and Shorter's soprano sax. In some way the improvisatory character is a return to their musical roots, eschewing the techno-grooves and layered sounds of their most successful commercial ventures. For Hancock it's a return to the spontaneity of the duets with Chick Corea, while for Shorter it's akin to the recording with Jim Hall and Michel Petrucciani. Either way, it's one of the most arresting dates of their later careers, a work of creative introspection and retrospection, two artists turning ...

Takin' Off
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Takin' Off

(more) »rank: 132454

by: Herbie Hancock


: essential recording:In some respects Herbie Hancock's first recording as a leader typifies the hard-bop/funk of many late-'50s/early-'60s Blue Note productions (notably Horace Silver's tight-knit group). At the same time, Hancock's lyrical bent and pliable comping point toward the greater abstraction and open-ended, chamber dimensions to come. Blue Note's splendid remastering brings the underrated bassist Butch Warren's bedrock sonority into focus, while Dexter Gordon's laconic virility meshes surprisingly well with the pianist's quicksilver palette. And for those who want to hear the original, unadulterated version of Hancock's earliest signature composition 'Watermelon Man,' look no further. The disc is rounded out by ...

Future Shock
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Future Shock

(more) »rank: 125498

by: Herbie Hancock


: :The three electronic, hip-hop-influenced albums Herbie Hancock recorded during the 1980s--of which Future Shock was the first, followed by Sound System and Perfect Machine--have been the most maligned by fans of his enormously influential '60s-era jazz work. The reissue of all three albums, each newly remastered with bonus mixes and new liner notes, makes it clear Hancock was much more than simply a jazz pianist reaching for a pop crossover audience. To be sure, Hancock got his pop hit with Future Shock's 'Rockit,' and there's plenty on Future Shock that sounds dated, from the early 80's synthesizer tones to the almost ...

Jazz Moods: 'Round Midnight
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Jazz Moods: 'Round Midnight

(more) »rank: 133538

by: Herbie Hancock


: :The three electronic, hip-hop-influenced albums Herbie Hancock recorded during the 1980s--of which Future Shock was the first, followed by Sound System and Perfect Machine--have been the most maligned by fans of his enormously influential '60s-era jazz work. The reissue of all three albums, each newly remastered with bonus mixes and new liner notes, makes it clear Hancock was much more than simply a jazz pianist reaching for a pop crossover audience. To be sure, Hancock got his pop hit with Future Shock's 'Rockit,' and there's plenty on Future Shock that sounds dated, from the early 80's synthesizer tones to the almost ...


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$10.99



You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry


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