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Red Dirt Girl(more) »rank: 6976from: Nonesuch
: :Consider this Emmylou Harris's emancipation proclamation--an album that confirms that 1995's adventurously atmospheric Wrecking Ball wasn't an aberration, but a preview of more radical changes to come. Long the godmother of alternative-country's traditionalist wing, Harris here writes songs with Luscious Jackson's Jill Cunniff, sings a duet with Dave Matthews ('My Antonia'), and recruits Bruce Springsteen and Patti Scialfa to provide harmonies on the album's most compelling ballad ('Tragedy'). The production by Malcolm Burn applies sonic treatments of drum machines, shimmering guitars, and echoed vocals to a song cycle by Harris that is largely original and deeply personal, filled with dream imagery and evocations ... |
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Brokeback Mountain(more) »rank: 9674by: Gustavo Santaolalla, Various Artists
: :Argentina-born, California-based Gustavo Santaolalla helped shape the rock en Español movement by producing Mexican bands Molotov and Café Tacuba , and Colombian singer Juanes. In the late 1990s he made a switch to soundtracks, working on well-received albums for Amores Perros and The Motorcycle Diaries. His instrumental contributions to Ang Lee's tale of two cowboys in love are acoustic guitar-based and, let's face it, a bit on the sonic-wallpaper side. The vocal tracks, on the other hand, are uniformly lovely, even if the selection of interpreters falls on the predictable side. Linda Ronstadt, Steve Earle, Willie Nelson, and Mary McBride on the soundtrack ... |
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Last Date(more) »rank: 14761by: Emmylou Harris
: :Emmylou Harris's Last Date had a nobler purpose than scaling the country charts in 1982. Harris envisioned the album as a statement for her Hot Band's preeminence as a live-gig ensemble. To prove that point, she assembled Last Date's 12 tracks from a tour of California honky-tonks, places where Harris imagined a listener might get the essence of country music--which seen through these tracks more closely resembles the later-emerging alternative-country scene than most of the 1990s' commercial 'young' country. She chose a program of cover tunes, no fewer than four of them either written by or associated strongly with her former leader, the ... |
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Amazing Grace - A Country Salute to Gospel, Vol. 1(more) »rank: 20775by: John Anderson, Lari White, Charlie Daniels Band, Emmylou Harris, Martina McBride, Allison Krauss
: :Amazing Grace, a compilation of well-known gospel standards, brings together some of country music's brightest stars. From Lari White's understated delivery of the title track to Martina McBride's mandolin led version of 'How Great Thou Art' to the Charlie Daniels Band's soulful rendering of 'Kneel at the Cross,' Amazing Grace is a real treat for fans of both secular country music and white Southern gospel. Accompanied by a full band including a bittersweet fiddle and a steel guitar, Paul Overstreet kicks up the tempo with 'A Mansion Over the Hilltop,' while Shenandoah's 'Beulah Land' recalls both Glen Campbell's take on high-lonesome balladry as ... |
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Cowgirl's Prayer(more) »rank: 26816by: Emmylou Harris
: :Emmylou Harris has aged more gracefully than any other country artist (with the exception of Willie Nelson). 1993's Cowgirl's Prayer showcases this maturity in a collection of songs that share wisdom, offer forgiveness, make amends, and explore spirituality. As always, Harris's voice is angelic and sad, her phrasing languid and lonesome. Lucinda Williams's 'Crescent City' glows with tragic barroom neon while the classic 'You Don't Know Me' takes on a deeper meaning, as if sung perhaps to an old friend or a lost relative? And while spoken-word delivery often falls flat, 'Jerusalem Tomorrow' tells such a compelling story--and Harris's delivery is so knowing--that ... |
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Bluebird(more) »rank: 27272by: Emmylou Harris
: :Emmylou Harris has aged more gracefully than any other country artist (with the exception of Willie Nelson). 1993's Cowgirl's Prayer showcases this maturity in a collection of songs that share wisdom, offer forgiveness, make amends, and explore spirituality. As always, Harris's voice is angelic and sad, her phrasing languid and lonesome. Lucinda Williams's 'Crescent City' glows with tragic barroom neon while the classic 'You Don't Know Me' takes on a deeper meaning, as if sung perhaps to an old friend or a lost relative? And while spoken-word delivery often falls flat, 'Jerusalem Tomorrow' tells such a compelling story--and Harris's delivery is so knowing--that ... |
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The Ballad of Sally Rose(more) »rank: 33476by: Emmylou Harris
:Album Description:French edition of the influential country star's 1985 album for Reprise. 12 tracks. |
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All I Intended to Be(more) »rank: 120766:Album Description:The album displays Emmylou's ability to bring new life to songs that may have been overlooked, forgotten or lost along the way. Emmylou Harris assembles an extraordinary cast of longtime friends who are veteran musicians and fellow singers for a set that indeed showcases as all she has intended to be - a singularly expressive vocalist, a brilliant interpreter of other people's songs, a graceful and confident songwriter. Some of the most affecting material is the least well-known such as John Wesley Routh's Celtic/Country 'Shores Of White Sands' and trucker-poet Michael Germino's heartrending story-song, 'Broken Man's Lament.' Harris has chosen these songs ... |
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At the Ryman(more) »rank: 34933by: Emmylou Harris & the Nash Ramblers
: essential recording:While live recordings can be treasured mementos for those who were present at the show, they're often substandard versions of favorite material. The live At the Ryman avoids this by covering the material of artists who've influenced Harris's music, rather than concentrating on her own hits. From Steve Earle and Bill Monroe to the Everly Brothers and Creedence Clearwater Revival, her choices are solid and sometimes unexpected (Bruce Springsteen). Harris's love of the music--and appreciation for the audience--shines through in these performances. The songs may have been done better elsewhere (most notably by the songwriters) and Emmy's delivery is at times ... |
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Stumble into Grace(more) »rank: 31148by: Emmylou Harris
:Album Description:Stumble Into Grace, like its predecessor, is a self-composed opus - only the third of her career. It is also produced by Malcolm Burn, and features guitarist Buddy Miller and drummer Brady Blade, core members of her band Spyboy, featured on Red Dirt Girl. Slipcase. Nonesuch. 2003. :Twenty-eight years after her major label debut, Emmylou Harris remains as vital, electric, and bold an artist as the young woman who moved to Nashville in the early ‘70s. But where she once carried on Gram Parsons’ vision of wedding hardcore country to contemporary rhythms, for the past decade Harris has explored an acoustic sonic ... |

