Bestsellers > Music > Modern Postbebop
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Latin Jazz Christmas(more) »rank: 1870by: Caribbean Jazz Project, Poncho Sanchez, Sheila E., Ed Calle, Arturo Sandoval, Pete Escovedo, Jim Gasior, Dan Warner, Justo Almario, Ray Obiedo
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Rabo de Nube(more) »rank: 4457from: Ecm Records
: :To celebrate his 70th birthday, (March 15th) Charles Lloyd presents his first live quartet album; a really exciting set of music recorded in Basel in 2007 featuring a revamped Quartet now with young stars Jason Moran on piano and Reuben Rogers on bass both making ECM debuts here. The latest offering is blisteringly up-tempo and sensually ballad-oriented and include also a beautiful cover of Cuban singer-songwriter Silvio RodrÃguez s tune. |
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The Complete Blue Note Recordings(more) »rank: 2376by: Thelonious Monk
: :From the 1947 sessions that lead off this set through to the 1958 live recordings at the Five Spot with John Coltrane, this box set chronicles the development of one of the most unique and creative American musicians. The first CD dates entirely from 1947, and on it we hear a Monk conversant in the bebop idiom, his distinct style emerging. By 1951 on the second CD we have a gorgeous version of 'Ask Me Now,' with all the delightful rhythmic hesitation that became one of his trademarks. 'Reflections' on the third CD has Sonny Rollins caressing the melody in an almost languid ... |
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My Favorite Things(more) »rank: 3188by: John Coltrane
: essential recording:This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's 'Summertime' is a heated example ... |
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Something for You: Elaine Elias Sings & Plays Bill Evans(more) »rank: 4064by: Eliane Elias
: essential recording:This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's 'Summertime' is a heated example ... |
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Windham Hill Christmas II(more) »rank: 2400by: Various Artists
: essential recording:This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's 'Summertime' is a heated example ... |
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A Winter's Solstice VI(more) »rank: 2851from: Windham Hill Records
: essential recording:This 1960 recording was a landmark album in John Coltrane's career, the first to introduce his quartet with pianist McCoy Tyner and drummer Elvin Jones and the first release on which he played soprano saxophone. It also provided him with a signature hit, as his new group conception came together wonderfully on the title track. It's an extended modal reworking in 6/4 time that brought the hypnotic pulsating quality of Indian music into jazz for the first time, with Coltrane's soprano wailing over the oscillating piano chords and pulsing drums. The unusual up-tempo version of Gershwin's 'Summertime' is a heated example ... |
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January(more) »rank: 4216by: Marcin Wasilewski Trio
: :A mature statement by a still-young Polish band that already has 15 years of playing experience behind it. All group members shine here, withMarcin Wasilewski again impressive as one of the most outstanding jazz pianists of his generation. The group has already a strong and still-growingfollowing both in their own right and as members of the Tomasz Stanko Quartet. (Additionally, profiles of pianist Wasilewski and bassist Kurkiewicz have been raised by their membership of the Manu Katché Group). Remarkably broad program of material. Repertoire includes music by Prince, Carla Bley, Gary Peacock, Tomasz Stanko, Ennio Morricone as well as original tunes by ... |
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Stan Getz & The Oscar Peterson Trio: The Silver Collection(more) »rank: 5478by: Stan Getz
:Album Description:180gm audiophile vinyl LP pressing of this complete original album from Stan Getz and the Oscar Peterson Trio, widely regarded as one of the saxophonist's finest recordings. Jazz Track. :Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore ... |
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Yesterday: A Solo Piano Tribute to the Music of the Beatles(more) »rank: 4423by: Beegie Adair
:Album Description:180gm audiophile vinyl LP pressing of this complete original album from Stan Getz and the Oscar Peterson Trio, widely regarded as one of the saxophonist's finest recordings. Jazz Track. :Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore ... |

In Michael Jackson's Complete Guide to Single Malt Scotch, devotees of the dram can peruse the latest revised edition of the 1989 work. In 336 pages brimming with maps, photos, and informed overview of factors such as geography and flavor components--even proximity to the sea--Jackson sketches the evolution of Scotch whisky, from the prebottling days, when shopkeepers like Johnnie Walker and the Chivas Brothers would create their own blends for sale, to the late-1960s and 1970s' surge of individual distilleries marketing their own bottlings. Lamentably labeling the former as a time when "orchestrations drowned out the soloists," Jackson provides some sweet sheet music of his own: 294 pages are devoted to an A-to-Z review (including full-color labels and tasting notes) of more than 800 singles from "every Scottish malt distillery that has ever witnessed its product in a bottle." It's the perfect book to take to your local liquor store next time you're trying to navigate the high shelf of Scotland's highlands, lowlands, and islands. You may laugh at Jackson's description of Auchentoshan Select's "oily" nose with "hints of citrus zest" or Aberlour 10-year-old's "mint-toffee" bouquet. But you'll be laughing out of the other side of your haggis when you actually smell them. All the notes are well researched and designed to appeal to Cardhu-carrying connoisseurs, as well as those who'd just like to know more about Bowmore. In his introduction, the author describes a whisky's finish as "a crescendo, followed by a series of echoes. When I leave the bottle, I like to be whistling the tune." Scotch drinkers will find plenty to wet that whistle in Michael Jackson's Complete Guide to Single Malt Scotch. --Tony Mason


![]() Compact and easy, to use the MyFi offers 150 XM satellite channels. |
The MyFi comes with a densely packed carton of accessories, including everything from headphones and antennas to a remote control, belt clips, and separate docking apparatus for integrating the receiver with your home and car stereos.
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An illuminated six-line LCD is your gateway to browsing XM's programming. You can browse by station, by category, or (our favorite) by currently playing artist. Thirty channel presets simplify access to your favorites, and a handy memo button stores artist and song data for up to 20 performances you'd like to look into later (or find again on XM).
Any satellite radio system requires a fairly heavy-duty antenna. Accordingly, the MyFi comes with four: one for the home (place it in a south-facing window), one for the car (mount it on the roof or trunk), a clip-on antenna for when you're hoofing it, and a built-in antenna. Our home reception was perfect--we never experienced a single drop out. Car reception was spottier, though still excellent. You just have to get used to the fact that where analog radio gets noisier in areas with poor reception, satellite radio drops out altogether; it's either all there, crystal clear, or all absent. And that's where My XM, MyFi's recording feature, comes in handy.
![]() The MyFi mounts easily in most vehicles. |
My XM lets you record XM programming to MyFi's onboard memory--perfect for time shifting your listening (as with a news program or a scheduled performance on XM Live) or for tuning in when you'll be someplace lacking XM reception (in a canyon, on a subway, in a windowless cubicle, etc.). You can schedule a recording or start and stop recording at any time you wish, and new recordings pick up where you last stopped. But you can't erase anything unless you clear the memory--which means you can't whittle away songs you don't like to retain your favorites. It's also important to remember that when you've filled the unit's memory (128 MB, or 5+ hours of full bitrate XM radio), it'll record over earlier material, starting from the top. During playback, however, My XM lets you skip easily from track to track and even pick from a list of all tracks.
You can configure the MyFi's LCD to scroll stock and sports-score tickers, a great way to keep an eye on important stats. The receiver also features a built-in sleep timer (15 minutes to 1 hour) and an alarm clock (wake to a beep or to XM programming).
What's in the BoxFor car use, you have a choice of mounting options for the vehicle cradle: flush mount, vent mount, or swivel mount. The cradle houses a power jack for a DC vehicle power adapter (included), an antenna input, and an audio output for use with the provided cassette-shell audio adapter. You can use the cassette adapter or the MyFi's built-in wireless FM transmitter, which turns any FM radio into an XM radio. (Audio quality is better using the supplied cassette audio adapter, however. You may also purchase a wired FM adapter, though XM asserts that the cassette adapter sounds better than that, too.)
![]() The Delphi XM MyFi comes complete with all of the accessories needed to enjoy XM anywhere. |
Positioning the car antenna can be inelegant, despite its heavy-duty magnet. You can have it professionally installed or live with an exposed antenna cord, though XM recommends using "existing holes, body grommets, and other wiring channels" rather than closing a door over the cord on a daily basis. The receiver's battery pack proved good for about five hours between charges. The included earbud headphones are neither comfortable nor particularly well made; a nicer set would represent XM's strong sound quality. --Michael Mikesell
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MyFi receiver with a clip-on antenna, an integrated rechargeable battery, a complete home accessory kit (with antenna and audio cable), a complete vehicle accessory kit (with antenna), stereo earbud headphones, a remote control, a remote battery, a belt clip/stand, a protective carrying case, and quick-start guides and user's manuals in English and Spanish.
