Modern Blues


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Buy Now	A Meeting by the River (more) »rank: 14648 by: Ry Cooder & V.M. Bhatt : :Ry Cooder has long had an interest in other people's music, from the blues and gospel of black America through classic jazz and the music of Cuba. Even by this standard, his meeting with Mohan Vishwa Bhatt is certainly a departure. He is neither a serious student of Indian music nor in any way a master of its intricacies. Yet on his improvised session (this album was recorded without rehearsal in one evening), he and Bhatt truly collided musically and created moments worthy of the world-music Grammy they received for it. Bhatt is an iconoclastic character himself. He plays a modified box he ...	Buy Now	Witness to the Blues (more) »rank: 7900 by: Joe Louis Walker : :Ry Cooder has long had an interest in other people's music, from the blues and gospel of black America through classic jazz and the music of Cuba. Even by this standard, his meeting with Mohan Vishwa Bhatt is certainly a departure. He is neither a serious student of Indian music nor in any way a master of its intricacies. Yet on his improvised session (this album was recorded without rehearsal in one evening), he and Bhatt truly collided musically and created moments worthy of the world-music Grammy they received for it. Bhatt is an iconoclastic character himself. He plays a modified box he ...
Buy Now	Irish Tour (more) »rank: 7559 by: Rory Gallagher :Album Description:Digitally remastered reissue of the late bluesy Irish rockguitarist's 1974 concert album, first released on Polydor.Contains all 10 of the original tracks. Also featuresredesigned artwork & new liner notes. 1998 Strange Music/Capo/ RCA/ BMG release.	Buy Now	Power of the Pontchartrain (more) »rank: 8017 by: Tab Benoit : :Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden ...
Buy Now	The Essential Taj Mahal (more) »rank: 6185 by: Taj Mahal : :Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden ...	Buy Now	Long Time Coming (more) »rank: 11967 by: Jonny Lang :Album Details:Japanese Release featuring a Bonus Track :'Yeah, it’s been a long time coming, never thought it’d take so long,' moans Jonny Lang on the seemingly autobiographical title track to his first release in five years. But its stark acoustic, near demo quality is in contrast to the preceding 12 songs, which are buffed to an arena-rock sheen. The youngster has shifted from an up-and-coming bluesman into a tough, journeyman melodic rocker with a dab of R&B. He has also honed his songwriting skills, resulting in the majority of this album (except a rugged bonus live cover of Stevie Wonder’s 'Livin’ for the ...
Buy Now	Atlantic Rhythm & Blues 1947-1974 (more) »rank: 10527 by: Various Artists : :Atlantic Records has ridden musical trends since the late '40s; these seven CDs chronicle the first 28 years of the label's work in black pop, during which artists such as Ray Charles, Aretha Franklin, and Otis Redding oversaw the creation and flowering of soul music. Also included are classic tracks by the Drifters, Wilson Pickett, Ruth Brown, the Coasters, Sam & Dave, and many others who walk through the dreams of R&B and rock & roll fans. --Rickey Wright	Buy Now	Truth (more) »rank: 16039 by: Robben Ford :Album Description:On his latest release, guitar legend Robben Ford speaks the truth...not just with the sound of his guitar, but with the vision behind his music as he ventures deep into the blues with aggressive licks, direct and honest vocals and an uncharacteristic, yet appealing, rough edge. The CD also features Susan Tedeschi on the song One Man's Ceiling Is Another Man's Floor. Robben will be on tour throughout the Month of August 2007. :Not to be confused with Jeff Beck's identically titled 1968 album of crackling blues-rock fusion, this disc incorporates Robben Ford's unique blend of blues and jazz, but not rock. ...
Buy Now	East-West (more) »rank: 10013 by: The Butterfield Blues Band :Album Description:1966's East-West, the second album from the Butterfield Blues Band -- and their last with lead guitarist Mike Bloomfield -- found the group branching out from the electric blues and adding elements of modern jazz and the music of India, most notably on the landmark title track, which paved the way for much of the musical experimentation of the late '60s. :If the Butterfield Blues Band's groundbreaking debut earned the respect of the group's elder influences, this one won over (and guided) the blues boys' psychedelic peers. Highlighted by the 13-minute-plus title track (an Eastern-influenced jam cowritten by guitarist Mike Bloomfield), East-West ...	Buy Now	Blues at Sunrise (more) »rank: 39756 by: Stevie Ray Vaughan & Double Trouble : :A decade after his tragic, untimely demise, electric-blues legend Stevie Ray Vaughan has left behind a void that remains largely unfilled, despite a number of ballyhooed young pretenders. The guitarist's career was long troubled by personal demons, and this album chronicles those deceptively languorous, slow blues jams where Vaughan did battle with them. The howling, fervent tone he coaxed from his instrument was a product of lessons learned only in the School of Hard Knocks, accompanied by a voice--perhaps the most underrated of Vaughan's talents--that perfectly underscored his tortured gospel. But those who stereotyped Vaughan as a paint-by-numbers bluesman misunderstood the breadth of ...