Bestsellers > Music > Industrial Dance
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Actual Sounds + Voices(more) »rank: 164881by: Meat Beat Manifesto
:Album Description:1998 album for Play It Again Sam by the veteran techno act, featuring the single 'Acid Again'. A lesson in sonic innovation, the styles on the record vary from the breakbeatassaults of the track 'Prime Audio Soup' to the space groovecut 'The Thumb'. 15 tracks. 's Best of 1998:Meat Beat Manifesto represent everything that is right about electronic music. Perhaps it's their signature acoustic drum patterns that maintain their songs' timelessness. Perhaps it is leader Jack Dangers's ability to infuse each album with a variety of influences. With Actual Sounds and Voices, Dangers builds his songs around two jazz greats improvising in ... |
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Illuminate(more) »rank: 32304by: Qntal
:Album Description:1998 album for Play It Again Sam by the veteran techno act, featuring the single 'Acid Again'. A lesson in sonic innovation, the styles on the record vary from the breakbeatassaults of the track 'Prime Audio Soup' to the space groovecut 'The Thumb'. 15 tracks. 's Best of 1998:Meat Beat Manifesto represent everything that is right about electronic music. Perhaps it's their signature acoustic drum patterns that maintain their songs' timelessness. Perhaps it is leader Jack Dangers's ability to infuse each album with a variety of influences. With Actual Sounds and Voices, Dangers builds his songs around two jazz greats improvising in ... |
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Devour, Rise and Take Flight(more) »rank: 64288by: Android Lust
:Album Description:1998 album for Play It Again Sam by the veteran techno act, featuring the single 'Acid Again'. A lesson in sonic innovation, the styles on the record vary from the breakbeatassaults of the track 'Prime Audio Soup' to the space groovecut 'The Thumb'. 15 tracks. 's Best of 1998:Meat Beat Manifesto represent everything that is right about electronic music. Perhaps it's their signature acoustic drum patterns that maintain their songs' timelessness. Perhaps it is leader Jack Dangers's ability to infuse each album with a variety of influences. With Actual Sounds and Voices, Dangers builds his songs around two jazz greats improvising in ... |
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ATTAK(more) »rank: 33918by: KMFDM
: :Clearly refreshed by his hiatus, not to mention his guitar-and-noise-driven side project MDFMK, founder Sascha Konietzko brings renewed vigor to the reactivated KMFDM in the form of Attak. Arriving three years after their 'farewell' album, Adios, Attak is in a more chaotic mood than the band's latter-day recordings. But the songs slide together neatly, making for a forceful collection--harness this thing to a dynamo and you could power a small city. Songs like 'Sturm & Drang' and 'Risen' simply beg to be cranked up; even with the volume down, this album sounds loud. Attak is KMFDM's first CD on aggressively indie industrial label ... |
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You Goddamned Son of a Bitch: Live(more) »rank: 17288by: Revolting Cocks
:Album Description:The legendary live album is expanded to two CDs and adds two tracks recorded live in Glagow, including their version of Public Image’s P.I.L.! |
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Ebbhead(more) »rank: 19815by: Nitzer Ebb
:Album Description:UK pressing features a total of 10 tracks. Mute. 2001. :Having claimed that their initial electronic purity was more to shock the punk rockers than dismiss guitars, Britain's Nitzer Ebb turns the tables and affronts the industrial audience by messing with its signature EBM sound. Slower tempos and added orchestration work occasionally ('I Give to You,' 'Godhead') but are mostly a messy experiment. Rather than gaining ferocity with age, à la Ministry, Nitzer Ebb are simply watered down. The hip-hop scratching and disco-industrial fun of 'DJVD' are playful and predate Prodigy, but Ebbhead is hardly a step forward for the group whose ... |
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Navigator(more) »rank: 128926by: Funker Vogt
:Album Description:UK pressing features a total of 10 tracks. Mute. 2001. :Having claimed that their initial electronic purity was more to shock the punk rockers than dismiss guitars, Britain's Nitzer Ebb turns the tables and affronts the industrial audience by messing with its signature EBM sound. Slower tempos and added orchestration work occasionally ('I Give to You,' 'Godhead') but are mostly a messy experiment. Rather than gaining ferocity with age, à la Ministry, Nitzer Ebb are simply watered down. The hip-hop scratching and disco-industrial fun of 'DJVD' are playful and predate Prodigy, but Ebbhead is hardly a step forward for the group whose ... |
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Black Box: Wax Trax! Records, The First 13 Years 3 CD Set, Includes 76-Page Book(more) »rank: 77521by: Various Artists
:Album Description:UK pressing features a total of 10 tracks. Mute. 2001. :Having claimed that their initial electronic purity was more to shock the punk rockers than dismiss guitars, Britain's Nitzer Ebb turns the tables and affronts the industrial audience by messing with its signature EBM sound. Slower tempos and added orchestration work occasionally ('I Give to You,' 'Godhead') but are mostly a messy experiment. Rather than gaining ferocity with age, à la Ministry, Nitzer Ebb are simply watered down. The hip-hop scratching and disco-industrial fun of 'DJVD' are playful and predate Prodigy, but Ebbhead is hardly a step forward for the group whose ... |
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Hard Wired(more) »rank: 145583by: Front Line Assembly
:Album Description:UK pressing features a total of 10 tracks. Mute. 2001. :Having claimed that their initial electronic purity was more to shock the punk rockers than dismiss guitars, Britain's Nitzer Ebb turns the tables and affronts the industrial audience by messing with its signature EBM sound. Slower tempos and added orchestration work occasionally ('I Give to You,' 'Godhead') but are mostly a messy experiment. Rather than gaining ferocity with age, à la Ministry, Nitzer Ebb are simply watered down. The hip-hop scratching and disco-industrial fun of 'DJVD' are playful and predate Prodigy, but Ebbhead is hardly a step forward for the group whose ... |
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Money(more) »rank: 39283by: KMFDM
:Album Description:UK pressing features a total of 10 tracks. Mute. 2001. :Having claimed that their initial electronic purity was more to shock the punk rockers than dismiss guitars, Britain's Nitzer Ebb turns the tables and affronts the industrial audience by messing with its signature EBM sound. Slower tempos and added orchestration work occasionally ('I Give to You,' 'Godhead') but are mostly a messy experiment. Rather than gaining ferocity with age, à la Ministry, Nitzer Ebb are simply watered down. The hip-hop scratching and disco-industrial fun of 'DJVD' are playful and predate Prodigy, but Ebbhead is hardly a step forward for the group whose ... |
