Music : Evil Empire |
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Rating: - * Brilliant! ... This is a great album. There is an unbelievable energy captured on this record. Maybe for the fact that it was mostly recorded live, in the studio. It took me a few listens before I truly recognized the quality of this album. But I keep listening to it for over 10 years now, and it's still very powerful. Rating: - * Flippin' excellent ... I can't believe it's taken me 12 years before writing this review. What I am glad of though is that I didn't write this within a year of buying "Evil Empire"; when this came out in 1996, I - like many - was expecting a bombastic array of accessible riffage, heavy ranting and slick production similar to RATM's debut. What we got however was a grimy, dark and sinister effort that better showed off RATM's hiphop and punk influences. This was a shock. And it probably explains why it took me a while to get into. Now however, I listen to this album with a huge amount of satisfaction. Everything about it is great: Zack de la Rocha's voice is so aggressive, so vitriolic and just so downright convincing; the guitars and bass (oh, the BASS!) tap very different frequencies so each is heard equally, even though they often play the same thing; and the drums - although not jaw dropping - support everything perfectly. The only thing missing was Tom Morello's speedy guitar shenanigans - but even these aren't missed terribly because the music doesn't cry out for them in the way their first album did. Listening to this album on headphones while walking down the street is as close to what it must be like on heroin - makes you feel 10 foot tall and that bullets will bounce off you. I don't know what else to say - words literally fail me at the sheer greatness of this album. Together with Mr Bungle's "California" and Soundgarden's "Superunknown", I have my desert island discs (and probably the best slab of 1990's rock). An essential purchase for rock connoisseurs everywhere. Rating: - * Grammy winner!! ... it took me a little while to get into this album, but when I did I enjoy it, It is just really good, the sound, the feel, it is a great second album for Rage!! totally should buy it, it is so good I have no words to describe, Has to be heard to be believed!! Rating: - * An album that continues to influence. 1990s: Rage Against the Machine. 2010: Kongcrete ... RATM, as heard on this album, are no doubt legends in this genre and have influenced bands that have followed. Are there any other bands like RATM? I know of no other band except NYC-based Kongcrete whom I discovered when I saw their awesome video for their Joker theme song for The Dark Knight movie. The music video and music rock! Their other songs on myspace.com/kongcrete, Amazon, and iTunes are like Rage, Korn, Linkin Park, and Publc Enemy on steroids. And they seem to be inspired by horror and action movies. Anybody know more about this band? They have a poll on myspace, and I voted for Punisher as the next movie they need to write a song for. Rating: - * Rage's weakest, IMO. ... Don't hurt me now. Not quite a sophomore slump; I give it 3.5 stars. Doesn't have the aggressive freshness of the debut nor does it rock as hard as the third one. This falls somewhere in between (literally). Rage's MOR record. Recommended, but get the other two first. |

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."
The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak

Norton Confidential automatically inspects Web sitesand potentially dangerous or identity-stealing programs on your PCfor known threats and suspicious behavior before you log in, make a purchase, or otherwise interact with them. If a threat is detected, Norton Confidential protects your passwords and other confidential information from an attacksuch as getting phished by fraudulent Web sites, or having your keystrokes secretly recorded by identity thieves.
When you visit a Web site on the Internet, domain servers translate the domain name into an IP addresses. View larger. |
In a pharming scam, a criminal programer hacks into a domain server and sends you to a fake Web site, which could trick you into submitting a username and password. To prevent pharming, Norton Confidential gives you a visual confirmation that a Web page has been verified as belonging to the company represented. View larger. |
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