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Cherryholmes III: Don't Believe
(more) »rank: 1412by: Cherryholmes
:Album Description:Cherryholmes, two-time-Grammy nominees and 2005 International Bluegrass Music Association's Entertainers of the Year, return with their third album for Skaggs Family Records, exhibiting the band's musical progression without losing the aggressive instrumental style and family harmonic blend for which they are known. Traditional bluegrass elements remain prevalent in songs like 'Devil In Disguise' (consequently, the only song on the album not written by a member of the Cherryholmes family), 'My Love For You Grows' and the catchy Celtic 'Sailing Man'. At the same time, advanced melodies and chord progressions are explored in 'I Can Only Love You (So Much)', 'The ...
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Cherryholmes II: Black and White
(more) »rank: 5579by: Cherryholmes
: :Though the lightning crackling across the CD cover suggests a heavy-metal band (or perhaps a cross between the Addams Family and a Black Oak Arkansas reunion), the second release by Cherryholmes on Ricky Skaggs's label establishes the family band as one of the most promising acts in contemporary bluegrass. The star here is Cia Cherryholmes, the banjo-playing daughter who composes most of the album's original material and ranks with Alison Krauss as a vocalist on highlights such as the opening 'You Don't Know What Love Is' and the prison-ballad title track. Yet the instrumental interplay and harmonies reflect the sextet's blood ...
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Cherryholmes
(more) »rank: 23808by: Cherryholmes
: :Though the lightning crackling across the CD cover suggests a heavy-metal band (or perhaps a cross between the Addams Family and a Black Oak Arkansas reunion), the second release by Cherryholmes on Ricky Skaggs's label establishes the family band as one of the most promising acts in contemporary bluegrass. The star here is Cia Cherryholmes, the banjo-playing daughter who composes most of the album's original material and ranks with Alison Krauss as a vocalist on highlights such as the opening 'You Don't Know What Love Is' and the prison-ballad title track. Yet the instrumental interplay and harmonies reflect the sextet's blood ...
