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Buy Now	All Shook Up (2005 Original Broadway Cast) (Featuring the Songs of Elvis Presley) (more) »rank: 32564 by: Cheyenne Jackson, Jenn Gambatese, Alix Korey : : One more in Broadway's series of 'jukebox musicals' (Mamma Mia, Movin' Out, Jersey Boys, etc.), All Shook Up features the songs of Elvis Presley. Cheyenne Jackson stars as Chad, the guitar-playing, pelvis-swiveling, blue-suede-shoe-wearing roustabout who arrives to shake up a mid-America town that's so buttoned up it forbids public necking, interracial dating, and loud music. Various romantic entanglements arise among Chad, grease-monkey/tomboy Natalie (Jenn Gambatese), her father (Jonathan Hadary), her friend Lorraine (Nikki M. James) and her mother (Sharon Wilkins), her best buddy (Mark Price), the mayor (Alix Korey), and the sexy new museum caretaker (Leah Hocking). The rest of ...	Buy Now	Giovanni Gabrieli: Music For San Rocco (more) »rank: 52648 from: Archiv Produktion : essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the ...
Buy Now	A Venetian Coronation 1595 (more) »rank: 74448 from: Angel Records : essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the ...	Buy Now	Christmas Through the Ages (more) »rank: 116257 from: Hyperion UK : essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and six sackbuts (early relatives of the trombone) in the ...
Buy Now	Venetian Vespers (Monteverdi * Rigatti * Grandi * Cavalli) /Gabrieli Consort & Players * McCreesh (more) »rank: 118213 by: Research Composer, Giovanni Antonio Rigatti, Alessandro Grandi, Claudio Monteverdi, Adriano Banchieri, Giacomo Finetti, Pietro Francesco Cavalli, Anonymous, Gregorian Chant, Biagio Marini, Gabrieli Consort, Charles Daniels, Paul McCreesh, Alison Wray, Jonathan Best, Tessa Bonner, Angus Smith, Peter Harvey, Robert Horn, Paula Chateauneuf, Timothy Roberts, Susan Hemington Jones, Fred Jacobs, Celia Harper, Charles Pott, Florian Deuter, Gabrieli Players : essential recording:Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid 'O Maria, quæ rapis' for two falsettists and Monteverdi's lively 'Laudate Dominum' for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular 'Lætatus sum' for six singers, two violins, two trombones, and bassoon over a repeated four-note bass. There is ...	Buy Now	Schütz: Christmas Vespers / McCreesh, Gabrieli Consort and Players (more) »rank: 92226 by: Gregorian Chant, Heinrich Schutz, Gabrieli Consort and Players, Paul McCreesh, Charles Daniels, Neal Davies, Andrew Carwood, Susan Hemington Jones, Charles Pott, Simon Grant, Robert Horn, James Johnstone, Kristian Olesen, Choir of Roskilde Cathedral : :Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers--the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests). As you might expect, there are a number of fine recordings of this proto-oratorio, from the graceful and somewhat ...
Buy Now	The Feast of the Ascension at Westminster Abbey (more) »rank: 107797 from: Hyperion UK : :Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers--the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests). As you might expect, there are a number of fine recordings of this proto-oratorio, from the graceful and somewhat ...	Buy Now	Stillness And Sweet Harmony (more) »rank: 119399 from: Collegium : :Compilations from a performer's catalog are often musically hit-and-miss and programmatically shaky. But when you have a catalog as strong, varied, and musically rich as the Cambridge Singers', the question is not how to find appropriate material but how to reduce the first-rate choices to fit on a single CD. This one offers a wide range of selections, including chant, Renaissance sacred and secular works, folk song, and 20th-century pieces. Every track contains a gem--music and performance--so it's hard to list only a few highlights. There's the Pie Jesu from Fauré's Requiem, Allegri's famous Miserere, several classics by Byrd, Orlando Gibbons's ...
Buy Now	Antonio Vivaldi: The Complete Sacred Music (more) »rank: 154830 from: Hyperion UK : :Compilations from a performer's catalog are often musically hit-and-miss and programmatically shaky. But when you have a catalog as strong, varied, and musically rich as the Cambridge Singers', the question is not how to find appropriate material but how to reduce the first-rate choices to fit on a single CD. This one offers a wide range of selections, including chant, Renaissance sacred and secular works, folk song, and 20th-century pieces. Every track contains a gem--music and performance--so it's hard to list only a few highlights. There's the Pie Jesu from Fauré's Requiem, Allegri's famous Miserere, several classics by Byrd, Orlando Gibbons's ...	Buy Now	A Banquet of Voices: Music for Multiple Choirs (more) »rank: 26584 from: Collegium : :Most recordings of 'music for multiple choirs' focus on Gabrieli and perhaps include Allegri's famous Miserere. Here, we get a beautiful Miserere performance, but there's no Gabrieli. Instead, we have rarely performed works by Peter Philips, Brahms, and Mendelssohn, and Bach's motet Singet dem Herrn. It's a terrific program, sung to the usual Cambridge Singers standard--with complementary sound that enhances the multiple choir effect. --David Vernier