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Mingus Ah Um
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Mingus Ah Um

(more) »rank: 1508

by: Charles Mingus


:Album Details:Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover. :Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of 'Goodbye Porkpie Hat' (unedited here for the first time on CD!) rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's ...

The Black Saint & The Sinner Lady
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The Black Saint & The Sinner Lady

(more) »rank: 7822

by: Charles Mingus


: essential recording:This 1963 recording occupies a special place in Mingus's work, his most brilliantly realized extended composition. The six-part suite is a broad canvas for the bassist's tumultuous passions, ranging from islands of serenity for solo guitar and piano to waves of contrapuntal conflict and accelerating rhythms that pull the listener into the musical psychodrama. It seems to mingle and transform both the heights and clichés of jazz orchestration, from Mingus's master, Duke Ellington, to film noir soundtracks. The result is a masterpiece of sounds and textures, from the astonishing vocal effects of the plunger-muted trumpets and trombone (seeming to speak messages ...

Cornell 1964
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Cornell 1964

(more) »rank: 12815

from: Blue Note Records


: : The band that Charles Mingus, the doyen of jazz's mercurial polymaths, pulled together for his early-1964 European tour was phenomenal—and here they are playing 130 minutes worth of live music no one’s ever heard. Pianist Jaki Byard, alto saxophonist/flutist/bass clarinetist Eric Dolphy, tenor saxophonist Clifford Jordan, trumpeter Johnny Coles, and longtime drummer Dannie Richmond came together for the Mingus tour knowing that Dolphy would be staying in Europe after their gigs—he died tragically just 12 weeks after this gig. And Coles would come perilously close to death himself with a stomach ulcer within a month of the band’s Cornell date, forcing him ...

Blues and Roots
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Blues and Roots

(more) »rank: 58619

by: Charles Mingus


: essential recording:Bassist Charles Mingus was always ready for a good fight. In the liner notes to this disc, Mingus says he wanted to respond to critics who said he didn't swing enough. And reply he did. Mingus gave whoever these absurd quibblers were some of the most ecstatic blues ('Moanin'' and 'Cryin Blues'), gospel ('Wednesday Night Prayer Meeting'), and Dixieland ('My Jelly Roll Soul') the jazz world has ever heard. Along with his striking original compositions, the instrumental combination in Mingus's nonet remains unconventional: the frontline included four saxophonists and two trombonists without the counterweight of a trumpeter. The leader's sliding-octave bass ...

Mingus Plays Piano
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Mingus Plays Piano

(more) »rank: 44343

by: Charles Mingus


:Album Description:Japanese 24 Bit/96KHz remastered reissue of 1963 album originally issued on Impulse!, packaged in a limited edition miniature gatefold LP sleeve. 2001.

Charles Mingus Presents Charles Mingus
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Charles Mingus Presents Charles Mingus

(more) »rank: 63712

by: Charles Mingus


: :Bassist-composer Charles Mingus had a reputation for volatile creativity and the ability to press his sidemen to their limits. That said, there's precious little in the Mingus canon that reaches the levels of intensity and unfettered invention of this extraordinary quartet session from November 1960. Mingus and saxophonist Eric Dolphy were clearly at creative peaks. Mingus's open forms facilitate Dolphy's freedom, and Dolphy's virtuosity and vocal expressiveness (laughing, whinnying, crying, shrieking) on alto and bass clarinet lend Mingus the greatest solo voice his music ever enjoyed. They push the principle of musical dialogue to the point where speech seems about to break out ...

Let My Children Hear Music
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Let My Children Hear Music

(more) »rank: 12047

by: Charles Mingus


: essential recording:Ambitious is perhaps the best way to sum up this 1971 large-ensemble recording. It hearkens back to Black Saint and the Sinner Lady in some important respects--chiefly the sense of vertical sprawl in the tunes, the sheer presence of so many instruments doing so much at the same time. It also importantly pointed to the omnipresence of Duke Ellington as an orchestral influence. Mingus scores the baritone sax the way Ellington had done, as part rhythm, part road marker, and part stir stick for the swirls of energy generated on tracks like 'Hobo Ho.' The sessions for Let My Children remain ...

Pithecanthropus Erectus
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Pithecanthropus Erectus

(more) »rank: 96772

by: Charles Mingus


:Album Description:Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007. essential recording:One of the great figures in modern jazz, bassist Charles Mingus was the ultimate triple threat: a master of his instrument, a jazz composer of the first rank, and an insightful leader of a series of extraordinary and incendiary bands. Raised in Los Angeles, Mingus was a devotee of Duke Ellington, whose compositional style had an unsurpassed effect on the young composer. As a player, however, Mingus was drawn to his contemporaries, who included Thelonious Monk, Bud Powell, Charlie Parker, and Max Roach (indeed, Roach ...

Mingus at Antibes
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Mingus at Antibes

(more) »rank: 62139

by: Charles Mingus


:Album Description:Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. essential recording:The fleet group that Charles Mingus brought to the Antibes jazz festival in 1960 was likely the most powerful group, pound-for-pound, that the bassist ever led. The front line was comprised of trumpeter Ted Curson, alto saxophonist Eric Dolphy, and, for this stint, tenor saxophonist Booker Ervin. Without a piano for most of this Antibes concert, the band relied on a combustion that Mingus created with his antiphonal compositions and a gospel bent. Dolphy, Curson, and Ervin sound jubilant ...

Changes One
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Changes One

(more) »rank: 123856

by: Charles Mingus


:Album Description:UK reissue of 1974 album. WSM. 2005. essential recording:Of Charles Mingus's late-period recordings, the best are this and its follow-up, Changes Two, both recorded in 1974. Mingus hadn't led a band with an end-to-end cohesiveness and lasting power like this one since the 1964 group that recorded Revenge: The Legendary Paris Concerts. Tenor saxophonist George Adams, pianist Don Pullen, and trumpeter Jack Walrath made a wicked team, with Adams and Walrath combining poignant bluesy sensibilities and heartfelt emotional power. Adams had a power on tenor sax that exceeded most of the horn's players in both his phrasing and his solo architecture. ...


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