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Rossini: Il Barbiere di Siviglia (The Barber of Seville)/ Bartoli, G. Quilico, Kuebler, Feller, R. Lloyd; Ferro/Schwetzingen Festival
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»rank: 18180
:Description:Rossini was 24 years old when in 1816 he wrote his seventeenth opera and most renowned 'buffa', The Barber of Seville, in barely three weeks. The accompanying recording is from the 1988 Schwetzinger Festspiele. The production by Michael Hampe, director of the Cologne Opera at that time, is distinguished by humorous direction of movement which never degenerated into slapstick. It aimed for a high tempo and abandoned the alienation effect to allow for an increasing exuberance in performance by the protagonists. Ezio Frigerios’s stage settings are equally as appealing to the eye as Mauro Pagano’s costumes, whose design consciously strengthens the ...
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Rossini - La Cenerentola
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»rank: 36426
:Description:Rossini was 24 years old when in 1816 he wrote his seventeenth opera and most renowned 'buffa', The Barber of Seville, in barely three weeks. The accompanying recording is from the 1988 Schwetzinger Festspiele. The production by Michael Hampe, director of the Cologne Opera at that time, is distinguished by humorous direction of movement which never degenerated into slapstick. It aimed for a high tempo and abandoned the alienation effect to allow for an increasing exuberance in performance by the protagonists. Ezio Frigerios’s stage settings are equally as appealing to the eye as Mauro Pagano’s costumes, whose design consciously strengthens the ...
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Mozart - Requiem
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»rank: 32494
:Description:Rossini was 24 years old when in 1816 he wrote his seventeenth opera and most renowned 'buffa', The Barber of Seville, in barely three weeks. The accompanying recording is from the 1988 Schwetzinger Festspiele. The production by Michael Hampe, director of the Cologne Opera at that time, is distinguished by humorous direction of movement which never degenerated into slapstick. It aimed for a high tempo and abandoned the alienation effect to allow for an increasing exuberance in performance by the protagonists. Ezio Frigerios’s stage settings are equally as appealing to the eye as Mauro Pagano’s costumes, whose design consciously strengthens the ...
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Cecila Baroli/Bryn Terfel: At Glyndebourne [Blu-ray]
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»rank: 28098
:Album Description:Blu-Ray. Cecilia Bartoli as mezzo-soprano, Bryn Terfel as bass-baritone with the London Philharmonic Orchestra and Myung-Whun Chung, conductor. Recorded live in Glyndebourne Opera House, Lewes, Sussex, on 24 April 1999. Picture Format: 1080i High Definition / NTSC 16:9 Anamorphic Sound Format: 2.0 and 5.1 PCM audio, Region Code: 0 (All Regions) Menu Languages: English, Subtitles: English, French, German. Programme: Mozart: Le nozze di Figaro, K. 492 Overture/Cinque dieci/ Si a casa madonna / Se vuol ballare. Mozart: La Clemenza di Tito, K. 621 Act I: Parto, parto. G. Rossini: Il Barbieri di Siviglia Overture / Dunque io son. Mozart: Don ...
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Mozart - Don Giovanni / Gilfry, Polgar, Bartoli, Rey, Nikiteanu, Salminen, Widmer, Harnoncourt, Zurich Opera
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»rank: 37666
:Album Description:Blu-Ray. Cecilia Bartoli as mezzo-soprano, Bryn Terfel as bass-baritone with the London Philharmonic Orchestra and Myung-Whun Chung, conductor. Recorded live in Glyndebourne Opera House, Lewes, Sussex, on 24 April 1999. Picture Format: 1080i High Definition / NTSC 16:9 Anamorphic Sound Format: 2.0 and 5.1 PCM audio, Region Code: 0 (All Regions) Menu Languages: English, Subtitles: English, French, German. Programme: Mozart: Le nozze di Figaro, K. 492 Overture/Cinque dieci/ Si a casa madonna / Se vuol ballare. Mozart: La Clemenza di Tito, K. 621 Act I: Parto, parto. G. Rossini: Il Barbieri di Siviglia Overture / Dunque io son. Mozart: Don ...
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Viva Vivaldi! Arias & Concertos / Cecilia Bartoli · Il Giardino Armonico
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»rank: 48459
:Description:From the very first, the concert given by talented mezzo-soprano Cecilia Bartoli together with Italian period music ensemble Il Giardino Armonico recieved universal acclaim. Above all, they performed unknown works that had to be copied from Vivaldi's original manuscripts. The concert program encompasses arias and instrumental works from the operas 'L'Olimpiade,' 'Tito Manilio,' 'Ottone in Villa,' 'Farnace,' 'Bajazet,' 'La Fida Ninfa,' from the oratorio 'Juditha Triumphans,' and the 'Gloria,' plus two Vivaldi concertos. :Viva Vivaldi! is a concert by Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. It is given with the early ...
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Cecilia Bartoli - Live in Italy
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»rank: 70104
:Description:From the very first, the concert given by talented mezzo-soprano Cecilia Bartoli together with Italian period music ensemble Il Giardino Armonico recieved universal acclaim. Above all, they performed unknown works that had to be copied from Vivaldi's original manuscripts. The concert program encompasses arias and instrumental works from the operas 'L'Olimpiade,' 'Tito Manilio,' 'Ottone in Villa,' 'Farnace,' 'Bajazet,' 'La Fida Ninfa,' from the oratorio 'Juditha Triumphans,' and the 'Gloria,' plus two Vivaldi concertos. :Viva Vivaldi! is a concert by Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. It is given with the early ...
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Paisiello - Nina / Bartoli, Kaufmann, Polgar, Galstian, Veccia, Fischer, Zurich Opera
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»rank: 68964
:Description:The eponymous heroine of Paisiello’s Nina had a far-reaching influence on the operatic taste of the Romantic era. The mad heroines of Bellini and Donizetti are her direct descendants. Driven out of her wits by the supposed death of her lover, Lindoro, the role of Nina offers a wealth of opportunity for histrionic and vocal fireworks. In this live recording from the Zurich Opera of a revival of Cesare Lievi’s highly successful 1998 production, Cecilia Bartoli triumphs as Nina. Opera Magazine wrote, 'Her sudden changes of emotional gear are constantly surprising… The colour-range of her voice is truly stupendous, while the ...
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Rossini - Il Turco in Italia / Bartoli, Raimondi, Macias, Rumetz, Schmid, Welser-Most, Zurich Opera
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»rank: 60576
:Description:The eponymous heroine of Paisiello’s Nina had a far-reaching influence on the operatic taste of the Romantic era. The mad heroines of Bellini and Donizetti are her direct descendants. Driven out of her wits by the supposed death of her lover, Lindoro, the role of Nina offers a wealth of opportunity for histrionic and vocal fireworks. In this live recording from the Zurich Opera of a revival of Cesare Lievi’s highly successful 1998 production, Cecilia Bartoli triumphs as Nina. Opera Magazine wrote, 'Her sudden changes of emotional gear are constantly surprising… The colour-range of her voice is truly stupendous, while the ...
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Cecilia Bartoli - A Portrait
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»rank: 64184
:Description:The eponymous heroine of Paisiello’s Nina had a far-reaching influence on the operatic taste of the Romantic era. The mad heroines of Bellini and Donizetti are her direct descendants. Driven out of her wits by the supposed death of her lover, Lindoro, the role of Nina offers a wealth of opportunity for histrionic and vocal fireworks. In this live recording from the Zurich Opera of a revival of Cesare Lievi’s highly successful 1998 production, Cecilia Bartoli triumphs as Nina. Opera Magazine wrote, 'Her sudden changes of emotional gear are constantly surprising… The colour-range of her voice is truly stupendous, while the ...
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