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Let the Joy Rise
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Let the Joy Rise

(more) »rank: 146093

by: Abigail




Runaway
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Runaway

(more) »rank: 357105

by: Deee-Lite




Magick Karpet Ride
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Magick Karpet Ride

(more) »rank: 501300

by: Brooklyn Funk Essentials




Music Is the Answer
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Music Is the Answer

(more) »rank: 504264

by: Danny Tenaglia & Celeda




Phanton of the Opera
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Phanton of the Opera

(more) »rank: 403040

by: Harajuku




Keep on Movin'
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Keep on Movin'

(more) »rank: 463731

by: Soul II Soul




Armand Van Helden
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Armand Van Helden

(more) »rank: 577485

by: Armand Van Helden




Running out of Time
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Running out of Time

(more) »rank: 451389

by: Digital Orgasm




Land of the Living
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Land of the Living

(more) »rank: 473602

by: Kristine W


:Album Details:Includes all her Hits and More...

Don't Stop the Train
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Don't Stop the Train

(more) »rank: 709274

by: Phyllis Nelson


:Album Details:New Hi-Nrg Mixes of this 80's Disco Anthem.


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Notebook Computers Reviews










by S. P. Fjestad, Steven P. Fjestad
$26.37

Average customer rating: 4.5 ISBN: 1886768676

by Peter Braun
$23.10

Average customer rating: 5.0 ISBN: 0789209047

by R. S. Yeoman, Kenneth Bressett

Average customer rating: 5.0 ISBN: 0794820379
$28.00



$13.99



Tab Benoit's album titles leave little doubt as to where he's from or the music he plays. Brother to the Blues, Fever for the Bayou, Wetlands, and now Power of the Pontchartrain exude the sweaty Louisiana swamp, blues, and R&B inherent in their names. But that only tells part of the story--the rest is in the grooves where Benoit's distinctive, grainy voice and tough Telecaster leads bring soul, grit, and intensity to a sound already infused with an earthy sensibility. There's more of the same on this disc, but that's no criticism. Benoit generally sticks with others' songs here, yet he unearths hidden gems. Julie Miller's "Midnight and Lonesome" is dragged into the murky swamps as a driving ballad with eerie qualities that live up to its name. Miller and husband Buddy are also credited with the righteous-yet-rugged gospel of "Shelter Me." "Somebody's Got to Go," originally by Lonnie Johnson, gets a crisp, frisky makeover, and even Buffalo Springfield's crusty "For What It's Worth" takes a swim in the muddy waters of Benoit's home state, with a little help of some altered, post-Katrina lyrics. The guitarist lets his Cajun influences fly on the bouncy rhythms of "Sac-Au-Lait Fishing," the album's only original, and shifts into pleading Otis Redding mode for the aching blues ballad "I'm Guilty of Lovin' You." The Chicago-by-way-of-the-Delta shuffle of "One Foot in the Bayou" is also an apt description of Benoit's approach. He touches on a variety of Americana styles, yet always keeps part of himself planted firmly in the wetlands of his roots. --Hal Horowitz

Singles,Music Cd
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