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Pride & Prejudice
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Pride & Prejudice

(more) »rank: 609

by: Dario Marianelli, Caroline Dale, Benjamin Wallfisch, William Lyons, English Chamber Orchestra, Jean-Yves Thibaudet, Aidan Broadbridge


: :The year 2005 was big for Italian composer Dario Marianelli. His score for The Brothers Grimm received much applause (probably more than the film itself) and a few months later he came back with another batch of compositions for a period film. This time around, the plaudits are reversed: The film is better than the score. And that's not the only reversal: Since several of his compositions were to be performed by some of the characters on screen, Marianelli wrote parts of the music before the movie was shot, switching the order in which these things are usually done. The onscreen pieces are ...

Band of Brothers
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Band of Brothers

(more) »rank: 5339

by: Michael Kamen


: :When Steven Spielberg and Tom Hanks collaborated on the Academy Award®-winning Saving Private Ryan, an abiding passion to further honor the young fighting soldiers of World War II was born in both men, resulting in Band of Brothers, an ambitious 10-part miniseries based on historian Stephen Ambrose's account of a 101st Airborne regiment as it fought its way across Europe. In scoring the sweeping project, Michael Kamen has eschewed much of the martial music familiar from past war epics in favor of the quiet, largely introspective sound that's informed modern battle films from Platoon through Private Ryan and The Thin Red Line. And ...

Russell Watson · The Voice
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Russell Watson · The Voice

(more) »rank: 75949

by: Russell Watson, Stephen Warbeck, Giuseppe Verdi, Lucio Dalla, Zucchero, Cesar Franck, Ernesto de Curtis, Umberto Giordano, Nigel Hess, Russell Gordon Alistair / Mahoney Gary / Watson, Paul Simon, William / Ure, James Allen Christopher / Cann Warren / Currie, Luigi Denza, Freddie Mercury, Giacomo Puccini, Ennio Morricone, John Themis, Richard Harvey, Caroline Dale


:Album Description:Full length LP from the British tenor that shot straight to the top of the UK classical charts. Features many beautiful renditions of classical & e-z listening standards, plus a version of 'Nessun Dorma', which Watson often sings before high-profile English soccer matches. :Russell Watson's story is a classic rags-to-riches fairy tale: The former welder, after years of singing in pubs and clubs, traveled from Salford, his hometown, to London. He turned up unannounced at the Decca offices and was promptly signed up by one of the most important classical labels in the world. Vocal coaching followed, as did a number of ...

Aria 3: Metamorphosis
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Aria 3: Metamorphosis

(more) »rank: 12726

by: Aria, Paul Schwartz


: :Souping up the classics with whatever contemporary music pulse is current at the moment has a long history. Some artists, like Emerson, Lake and Palmer, aspired to classical grandiosity. Others, like Michael Murphy and his discofied 'A Fifth of Beethoven,' turn classical melodies into pop hooks. Paul Schwartz falls somewhere in the middle with his Aria project, of which this is the third. Electronica grooves and effects angle their way through songs 'based' on operatic works by Handel, Verdi, Puccini, and Monteverdi. Schwartz begins with a bar set high by some of these melodies, beautifully sung by soprano Rebecca Luker. Whether singing solo ...

Aria, Vol. 2: New Horizon
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Aria, Vol. 2: New Horizon

(more) »rank: 27972

by: Paul Schwartz, Rebecca Luker, Steve Barton


: :Souping up the classics with whatever contemporary music pulse is current at the moment has a long history. Some artists, like Emerson, Lake and Palmer, aspired to classical grandiosity. Others, like Michael Murphy and his discofied 'A Fifth of Beethoven,' turn classical melodies into pop hooks. Paul Schwartz falls somewhere in the middle with his Aria project, of which this is the third. Electronica grooves and effects angle their way through songs 'based' on operatic works by Handel, Verdi, Puccini, and Monteverdi. Schwartz begins with a bar set high by some of these melodies, beautifully sung by soprano Rebecca Luker. Whether singing solo ...

Hilary And Jackie: Music From The Motion Picture
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Hilary And Jackie: Music From The Motion Picture

(more) »rank: 53455

from: Sony


: :As might be expected, the soundtrack to Hilary and Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's ...

Bryars: The Sinking Of The Titanic / Barnett, Bryars Ensemble, et al
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Bryars: The Sinking Of The Titanic / Barnett, Bryars Ensemble, et al

(more) »rank: 68862

from: Philips


: :Bryars's The Sinking of the Titanic is one of the oddest and at the same time most mesmerizing works to come out of this end of the century. It began in 1972 as an abstract art piece that kept on building and changing in the composer's mind. It's a ghostly tapestry of eerie echoes, distant sounds almost like whale songs, and interjected rifts representing the band that was playing even as the boat sank. This is a masterpiece that rewards repeated listenings. --Paul Cook

A Portrait
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A Portrait

(more) »rank: 177447

by: Gavin Bryars, Julian Lloyd Weber, Valerie Anderson, Tom Waits, Nexus Precussion Enasemble, Gavin Bryars Ensemble, English Chamber Orchestra


: :Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of ...

And When Did You Last See Your Father? (Pheloung)
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And When Did You Last See Your Father? (Pheloung)

(more) »rank: 162141

from: Silva America


: :Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of ...

Bless the Child (2000 Film)
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Bless the Child (2000 Film)

(more) »rank: 215370

from: Gnp Crescendo


: :Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of ...


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Digital Camera Reviews










by Ifsta Committee, International Fire Service Training Association, Richard Hall, Barbara Adams
$66.67

Average customer rating: 4.5 ISBN: 0879391499
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The Sony (PSP) Playstation Portable) packs a powerful multimedia punch within its slim build frame. With wireless internet, video and digital music playback, and incredible data storage and connectivity options, the Sony PSP is a complete solution for the mobile digital lifestyle. Imagine having all of your favorite movies, music and photos accessible in an instant; anywhere, anytime. Not to mention the numerous games available. Sony has combined both horsepower and groundbreaking features into a package that weighs just a little more than half a pound.
$17.98



Jazz is characterized by democratic group improvisation, so it's natural that artists like the Brooklyn-born pianist//keyboardist/composer Kenny Werner offer insightful and inventive critiques on American democratic society. On his Blue Note debut, Werner's impressive "cabinet" includes trumpeter/cornetist Dave Douglas, drummer Brian Blade, bassist Scott Colley, and saxophonist/clarinetist Chris Potter. With Tower of Power's Lenny Picket in the production chair, Werner's take on the unreality of American life is manifested in techno-savvy computer grooves, acoustic swing, strong contrapuntal exchanges, and genre-bending idioms. "Lo's Garden," "Inaugural Balls," "New Amsterdam," and "Lawn Chairs (and Other Foreign Policy)" are syncopated soapboxes ringing with Kraftwerk/James Brown/Herbie Hancock Headhunter-type rhythms and angular melodies, contrasted by the mournful aura of "The 13th Day," written for his late daughter, and "Kothbiro," from the film The Constant Gardener. Werner's bop, beats, and bytes will live on long after the polls close. --Eugene Holley, Jr.
$13.98



Originally recorded in 1989, Phish's second record is a brilliant blend of whimsy and wisdom that served notice to the world: these boys are tough to peg. "The Squirming Coil" is arena-rock bluster, "Reba" is winding art rock, "My Sweet One" is quick bluegrass, "Split Open and Melt" is a funky workout, "Oh Kee Pa Ceremony" is jazzed-up country boogie, "Lawn Boy" is lounge jazz, and "Bouncing Around the Room" is irresistible pop. Add to that "Run Like an Antelope," one of their most successful twisting-and-turning instrumental jams, and you have an eclectic yet digestible smorgasbord of styles. What saves Phish from crumbling under their own weight? A palpable sense of playfulness and sarcasm and musicianship that is both loose and demanding. --Marc Greilsamer

Dale,Music Caroline
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